Cornelius Stanton
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Cornelius Stanton (1799–1866) was a Northumbrian piper.


Life

Stanton was born in
Gateshead Gateshead () is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, ...
in 1799. In 1841, he was recorded in the census as living in
Newcastle Newcastle usually refers to: *Newcastle upon Tyne, a city and metropolitan borough in Tyne and Wear, England, United Kingdom *Newcastle-under-Lyme, a town in Staffordshire, England, United Kingdom *Newcastle, New South Wales, a metropolitan area ...
, in Cumberland Row, Westgate Road, where he lived until his father's death in 1853. Stanton then moved to
Tynemouth Tynemouth () is a coastal town in the metropolitan borough of North Tyneside, in Tyne and Wear, England. It is located on the north side of the mouth of the River Tyne, England, River Tyne, hence its name. It is east-northeast of Newcastle up ...
, where he stayed until his death in 1866.


Musical significance

Stanton is a figure of importance in the history of the Northumbrian smallpipe's instrument repertoire. In 1858, William Kell, of the Ancient Melodies Committee set up by the Newcastle Society of Antiquaries, noted that Stanton owned the printed tunebook of John Peacock. This book was published sometime around 1800, and was one of only four surviving copies of its kind. At the Committee's launch, Kell addressed the Duke of Northumberland, the patron of the Society, and specifically thanked Stanton. Stanton also had a significant collection of music manuscripts, some of which are now bound in the Fenwick manuscript, while two manuscript books belonged to the late Lance Robson, who distributed transcripts throughout the Northumbrian Musical Heritage Society. Together, these two groups of papers give a picture of an able and enthusiastic amateur piper in the mid-19th century. In addition to local pieces, including variation sets from Peacock's collection and popular Tyneside songs, Stanton played many Scots and Irish tunes, as well as popular songs and dance tunes of the day. Some nursery rhymes are included, perhaps for the benefit of a young pupil. One variation set on Sir John Fenwick's "The Flower Among Them All", needing a keyed chanter, corresponds to that found in the Rook manuscript, and may derive from the Reid family, who lived nearby in
North Shields North Shields ( ) is a town in the borough of North Tyneside in Tyne and Wear, England. It is north-east of Newcastle upon Tyne and borders nearby Wallsend and Tynemouth. The population of North Shields at the 2021–2022 United Kingdom cens ...
; another tune in Stanton's hand "Shew's the Way to Wallington", is identical to a version in the Fenwick manuscript, there stated to be James Reid's copy. Scans of two of the Stanton pages in the Fenwick manuscript are on a WordPress site titled "Northumberland Small-Piping in North Shields". These are for unkeyed and keyed chanter respectively. These tunes are in relatively simple versions, suitable for someone learning the instrument, suggesting that Fenwick studied the instrument with Stanton. Two of Stanton's tunes in Fenwick, "Little wot ye wha's coming" and "Blackett of Wylam", were explicitly attributed to Peacock by him, although they are not in Peacock's printed tunebook. These tunes appear in the manuscripts of Peacock's pupil
Robert Bewick Robert Elliot Bewick (1788–1849) was the son of the engraver Thomas Bewick. He was trained in engraving by his father, but is primarily remembered now as a player of the Northumbrian smallpipes. Background Thomas Bewick had wished to encourag ...
, so the attribution is very credible. In 1881, John Stokoe, one of the editors of the
Northumbrian Minstrelsy ''Northumbrian Minstrelsy'' is a book of 18th and 19th century North East of England folk songs and pipe music, intended to be a lasting historical record. The book was edited by John Stokoe and the Rev John Collingwood Bruce LL.D., F.S.A., and ...
, referred to some of Stanton's manuscripts, then in the possession of the piper T. Errington Thompson, of Sewing Shields. He described Stanton as "an amateur performer on the small pipes, and an ardent lover of their music." The Minstrelsy and, in this article, Stokoe printed the tune "Follow Her Over the Border", taken from these manuscripts.Newcastle Courant, 3 June 1881, article "Northumbrian Pipe and Ballad Music", retrieved from British Newspaper Archive. Stanton had an unusual, perhaps unique, set of smallpipes made with 6 drones rather than 4 or 5, which was assembled by James Reid using parts made by his father
Robert The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of ''Hrōþ, Hruod'' () "fame, glory, honour, prais ...
. Having 6 drones made it easier to change keys while playing. A picture of this set was used as the frontispiece of James Fenwick's "Instruction Book for the Northumbrian Smallpipes", published in 1896.


References

{{DEFAULTSORT:Stanton, Cornelius Players of Northumbrian smallpipes English folk musicians 1799 births 1866 deaths People from Gateshead Musicians from Tyne and Wear