Comprimario

A comprimario is a small supporting role in an opera (or a singer who sings those roles). The word is derived from the Italian "''con primario''", or "with the primary", meaning that the ''comprimario'' role (or singer) is not a principal role (or singer).http://enciclopedia_universal.esacademic.com/172152/comprimario The term usually refers to characters who do not sing any full-length arias or long scenes (although mute characters who do not sing at all, are not considered ''comprimarios'').

Many singers began their careers as ''comprimario'' singers; many others end their careers that way when they become too infirm to cope with long roles; some have made a career out of singing such parts. Among these latter are singers such as Anthony Laciura, Jean Kraft, Nico Castel and Charles Anthony of the Metropolitan Opera; others include Plinio Clabassi and Karl Dönch.

Some notable ''comprimario'' roles

Notable ''comprimario'' roles, in operas which are performed often, include Don Curzio, Antonio, and Barbarina in ''The Marriage of Figaro'', the Speaker of the Temple, the Two Men in Armor, and two of the priests in ''The Magic Flute'', the Police Sergeant and Ambrogio in ''The Barber of Seville'', Count Monterone's prison guard, Count Ceprano's wife, the page, and Giovanna the nursemaid, in ''Rigoletto'', the Messenger in ''Aida'', the Count Lerma and the Voice from Heaven in ''Don Carlos'', the Night Watchman in ''Die Meistersinger von Nürnberg'', the Shepherd in ''Tristan und Isolde'', the Steersman in '' The Flying Dutchman'', the physician and the apparitions in ''Macbeth'', the Judge and Silvano in ''Un ballo in maschera'', the Forest Bird in ''Siegfried'', the four noblemen who conspire with Friedrich von Telramund in ''Lohengrin'', the individual Grail-knights and the Esquires in ''Parsifal'', the First and Second Prisoners in ''Fidelio'', the Italian Singer, the Police Officer and the Notary in ''Der Rosenkavalier'', the Police Officer (a different one) and Shchelkalov in ''Boris Godunov'', the Wig-Maker and the Lackey in ''Ariadne auf Naxos'', the Wedding Registrar in ''Madama Butterfly'', the Mandarin in ''Turandot'', Orest's servant in ''Elektra'', and Morales, Frasquita and Mercedes in ''Carmen''.

References

Italian opera terminology

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