In
music
Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of mu ...
, a common tone is a
pitch class that is a member of, or common to (shared by) two or more
scales or
sets.
Common tone theorem
A common tone is a
pitch class that is a member of, or common to, a
musical scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale.
Often, especially in t ...
and a
transposition of that scale, as in
modulation
In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the '' carrier signal'', with a separate signal called the ''modulation signal'' that typically contains informat ...
. Six of seven possible common tones are shared by
closely related key
In music, a closely related key (or close key) is one sharing many common tones with an original key, as opposed to a distantly related key (or distant key). In music harmony, there are six of them: five share all, or all except one, pitches w ...
s, though
keys may also be thought of as more or less closely related according to their number of common tones. "Obviously, tonal distance is in some sense a function of the extent of intersection between diatonic PC collections of tonal systems".
In
diatonic set theory the common tone theorem explains that scales possessing the
deep scale property share a different number of common tones, not counting
enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written ...
equivalents (for example, C and C have no common tones with C major), for every different transposition of the scale. However many times an
interval class occurs in a diatonic scale is the number of tones common both to the original scale and a scale transposed by that particular interval class. For example, then, modulation to the dominant (transposition by a
perfect fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.
In classical music from Western culture, a fifth is the interval from the first to the last of five ...
) includes six common tones between the keys as there are six perfect fifths in a diatonic scale, while transposition by the
tritone includes only one common tone as there is only one tritone in a diatonic scale.
Deep scale property

In
diatonic set theory, the deep scale property is the quality of
pitch class collections or
scales containing each
interval class a unique number of times. Examples include the
diatonic scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole st ...
(including
major,
natural minor
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which ...
, and the
modes). In twelve-tone
equal temperament
An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, ...
, all scales with the deep scale property can be
generated with any interval coprime with twelve.
For example, the diatonic scale's
interval vector contains:
The common tone theorem describes that scales possessing the deep scale property share a different number of common tones for every different
transposition of the scale, suggesting an explanation for the use and usefulness of the diatonic collection.
In contrast, the
whole tone scale's interval vector contains:
and has only two distinct transpositions (every even transposition of the whole tone scale is identical with the original and every odd transposition has no common tones whatsoever).
See also
*
Approach chord
*
Common chord (music)
*
Rothenberg propriety
In diatonic set theory, Rothenberg propriety is an important concept, lack of contradiction and ambiguity, in the general theory of musical scales which was introduced by David Rothenberg in a seminal series of papers in 1978. The concept was ...
*
Walkdown
References
*
Further reading
*Browne, Richmond (1981). "Tonal Implications of the Diatonic Set" ''In Theory Only'' 5, nos. 6–7:6–10.
*
*Gamer, Carlton (1967). "Deep Scales and Difference Sets in Equal-Tempered Systems", ''American Society of University Composers: Proceedings of the Second Annual Conference'': 113-22 and "Some Combinational Resources of Equal-Tempered Systems", ''Journal of Music Theory'' 11: 32-59.
*Winograd, Terry. "An Analysis of the Properties of 'Deep Scales' in a T-Tone System", unpublished.
{{Set theory (music)
Diatonic set theory