''Codona 3'' is the third and final album by jazz trio
Codona—featuring sitarist and tabla player
Collin Walcott
Collin Walcott (April 24, 1945 – November 8, 1984) was an American musician who worked on jazz and world music.
Early life
Walcott was born in New York City, United States. He studied violin and tympani in his youth, and was a percussion stud ...
, trumpeter
Don Cherry and percussionist
Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician wi ...
—recorded in September 1982 and released on
ECM
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Mathematics
* Lenstra's Elliptic curve method for factor ...
the following year.
[ECM discography](_blank)
accessed September 20, 2011
Reception
In his
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus ...
review, Bruce Eder called the album "a sublimely beautiful release" and "a joyously stunning last testament for Walcott, who died not long after these recordings were completed".
Robert Palmer
Robert Allen Palmer (19 January 1949 – 26 September 2003) was an English singer and songwriter. He was known for his powerful and soulful voice, sartorial elegance and stylistic explorations, combining soul, funk, jazz, rock, pop, regga ...
commented that the album continued the group's "singular odyssey", and stated that "they expand their scope with borrowings from ancient Japan and a country blues accompanied by Mr. Cherry's West African hunter's harp. The result is somewhat diffuse, but at its best it is ethereal and captivating."
Regarding the opening track, John Kelman, writing for ''
All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near ...
'', stated: "Cherry's trumpet is the primary voice, with Walcott's hammered dulcimer creating a spacious and ethereal backdrop where empty space is, indeed, as profound and meaningful as anything the members of the group specifically play. It makes a case, in fact, for the idea that space can be an equal consideration in the creation of a musical landscape, rather than simply being less than anticipated gaps between notes. The power of silence is what makes the tune's final section, with Vasconcelos providing greater forward motion with his hand percussion, so vivid and dramatic." Kelman also noted that Vasconcelos's tune "Trayra Boia" is "Codona at its most experimental, with layers of conversational voices interspersed with cued melodies and falsetto singing."
Tyran Grillo, in an article for Between Sound and Space, wrote: "The traditional Japanese 'Goshakabuchi'... turns the mirror just so, flashing a glint into our eyes from a distance. Cherry's brassy ether drips with sympathetic effect; hammered dulcimer hurls its delicate, insectile hiccups; untold lives tease us with their possibilities. This is perhaps the most haunting and coalescent track in the collection and shows the trio at the height of its signature synergy. Sanza and doussn'gouni back the chant-heavy 'Hey Da Ba Boom,' which will adhere to your mind far more than any words I might use to describe it here. 'Travel By Night' trailmarks its path with berimbau, sitar, and muted trumpet. Walcott's arcing tones make for quiet narration. Hooded by the darkened firmament, it practically floats with the practiced steps of a modest caravan fleeing from its own histories. A trio of shorter rest stops follows, of which 'Lullaby,' the only moment with Walcott alone, gives us a heartening glimpse into the mind of group's creative nerve center. 'Clicky Clacky' provides a dash of whimsy, a bluesy gem from the mind and mouth of Cherry, complete with train whistle. The final gasp comes from the 'Inner Organs,' where the echoes of trumpet and, not surprisingly, organ move in concert like a jellyfish and its tendrils toward open closure."
Track listing
Note
* Excerpts from Vasconcelos's composition "Trayra Boia" appeared on
U2's song "
Last Night on Earth", which was included on their 1997 album ''
Pop
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Album ...
''.
Personnel
Codona
*
Collin Walcott
Collin Walcott (April 24, 1945 – November 8, 1984) was an American musician who worked on jazz and world music.
Early life
Walcott was born in New York City, United States. He studied violin and tympani in his youth, and was a percussion stud ...
–
sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau K ...
,
tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments a ...
,
hammered dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-string instrument which consists of String (music), strings typically stretched over a trapezoidal resonant sound board (music), sound board. The hammered dulcimer is set bef ...
,
sanza, voice
*
Don Cherry – trumpet,
organ
Organ and organs may refer to:
Biology
* Organ (biology), a group of tissues organized to serve a common function
* Organ system, a collection of organs that function together to carry out specific functions within the body.
Musical instruments
...
,
doussn' gouni, voice
*
Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician wi ...
– percussion,
berimbau
The berimbau (, borrowed from Kimbundu ''mbirimbau'') is a traditional Angolan musical bow that is commonly used in Brazil. It is also known as ''sekitulege'' among the Baganda and Busoga.
It consists of a single-stringed bow attached to a gourd ...
, voice
References
{{Authority control
ECM Records albums
Codona albums
1983 albums
Albums produced by Manfred Eicher