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''Codona'' is the first album by the jazz trio
Codona Codona was a free jazz and world fusion group which released three self-titled albums on the ECM label in 1979, 1981 and 1983. The trio consisted of multi-instrumentalists Don Cherry, Collin Walcott, and Nana Vasconcelos. The name of the group was ...
, which featured sitarist and tabla player
Collin Walcott Collin Walcott (April 24, 1945 – November 8, 1984) was an American musician who worked in jazz and world music. Early life Walcott was born in New York City, United States. He studied violin and tympani in his youth, and was a percussion stud ...
, trumpeter Don Cherry and percussionist Naná Vasconcelos. It was recorded in 1978 and released on the
ECM ECM may refer to: Economics and commerce * Engineering change management * Equity capital markets * Error correction model, an econometric model * European Common Market Mathematics * Elliptic curve method * European Congress of Mathematics ...
label in 1979.ECM discography
accessed September 12, 2011


Reception

The
Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
review by Michael G. Nastos awarded the album 4 stars stating simply "These three communicate". An article at Jazz Fuel titled "ECM Records – 10 Albums That Changed the Landscape of Jazz" states: "When Codona... made its self-titled debut in 1979, 'world music' didn't exist as its own category. In retrospect, some have applied the term to Codona's output as the first example of that very genre. Yet saying as much risks stripping away some of the color. They were a plural outfit in every sense: from the fact that all of them played various instruments to their melding of styles and influences into something that transcended the sum of its parts. Cherry's trumpet and Walcott's sitar are a pair for the ages, and find purest traction in every detail Vasconcelos provides. Other instrumental rapports, including that between wooden flute and hammered dulcimer, keep us on our toes as we parse the album's eclectic mix of chants and whispers, while an overarching lucidity grounds even the most metaphysical moments in the immediacy of lived experience." In a review for All About Jazz, John Kelman described the group's philosophy as one "where everything is possible and no single stylistic marker could define its sound and aesthetic", and wrote: "Despite the large improvisational component of Codona... there's no question that this was a group with a concept. Given the vast number of instruments the trio had to work with, just the matter of choosing the right instruments for each piece suggests that considerable forethought went into all three of the group's recordings... And while Codona possessed a unique ability to create a surprisingly rich soundscape from the sparest of instrumental combinations... on record the trio did take advantage of overdubbing to create more expansive audioscapes... While later Codona releases would be more democratic, compositionally speaking... Codona's original music, other than the self-titled improv, is all from the sitarist/percussionist's pen, with one significant exception. Brief though it may be, at less than four minutes, 'Colemanwonder' is a curious medley of music from Ornette Coleman ('Race Face' and 'Sortie') and Stevie Wonder (his hit single, 'Sir Duke'). The idea of combining Coleman with Wonder may be as oblique as the late T.J. Kirk's combination of Thelonious Monk, James Brown and Rahsaan Roland Kirk, but it works almost in spite of itself, as Vasconcelos' cuica... interacts throughout with Cherry's trumpet and Walcott's sitar." Tyran Grillo, writing for Between Sound and Space, stated the following concerning the opening track: "From the opening gong, this album enchants with its dramaturgy, in which time and space are one and the same. Against clicks and whistles, a subterranean sitar appears. In it, we hear the grumbling of voices. Cherry fills the vast emptiness with his sung trumpeting, so that the emptiness can only weep in return. Walcott's sitar is respectfully articulated, ever so subtle in its reverberant twang, providing a gelatinous backbone, such as it is, for Cherry's more immediate interpretations. From this, we get the tinny call of a clay drum and a flute hooked into every loophole, pulled to expose a more regular core... Walcott's tabla signals the phenomenological urgency with which divine creation takes form, as if finding amid the contact of fluttering fingers along pulled skin the key to unspeakable life."


Track listing

:''All compositions by Collin Walcott except as indicated'' # "Like That of Sky" - 11:07 # "Codona" (Cherry, Vasconcelos, Walcott) - 6:14 # "Colemanwonder: Race Face/Sortie/ Sir Duke" (
Ornette Coleman Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Colle ...
/Coleman/
Stevie Wonder Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop musi ...
) - 3:40 # "Mumakata" - 8:14 # "New Light" - 13:22 **Recorded at Tonstudio Bauer in Ludwigsburg, West Germany in September 1978


Personnel

*
Collin Walcott Collin Walcott (April 24, 1945 – November 8, 1984) was an American musician who worked in jazz and world music. Early life Walcott was born in New York City, United States. He studied violin and tympani in his youth, and was a percussion stud ...
sitar The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in ...
,
tabla A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబల� ...
,
hammered dulcimer The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more trad ...
, kalimba,
voice The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in ...
* Don Cherry
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
, wood flute, doussn' gouni, voice * Naná Vasconcelos
percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Exc ...
, cuica, berimbau, voice


References

{{Authority control ECM Records albums Codona albums 1979 debut albums Albums produced by Manfred Eicher