Clodius (or Claudius) Aesopus was the most celebrated

tragic A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain ...

actor of

Ancient Rome In modern historiography, ancient Rome is the Roman people, Roman civilisation from the founding of Rome, founding of the Italian city of Rome in the 8th century BC to the Fall of the Western Roman Empire, collapse of the Western Roman Em ...

in time of

Cicero Marcus Tullius Cicero ( ; ; 3 January 106 BC – 7 December 43 BC) was a Roman statesman, lawyer, scholar, philosopher, orator, writer and Academic skeptic, who tried to uphold optimate principles during the political crises tha ...

, that is, the 1st century BC, but the dates of his birth and death are not known. His name seems to show that he was a freedman of some member of the Clodian ''

gens In ancient Rome, a gens ( or , ; : gentes ) was a family consisting of individuals who shared the same ''nomen gentilicium'' and who claimed descent from a common ancestor. A branch of a gens, sometimes identified by a distinct cognomen, was cal ...

''. Cicero was on friendly terms with both Aesopus and Roscius, the equally distinguished comic actor, and did not disdain to profit by their instruction.

Plutarch Plutarch (; , ''Ploútarchos'', ; – 120s) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo (Delphi), Temple of Apollo in Delphi. He is known primarily for his ''Parallel Lives'', ...

mentions it as reported of Aesopus, that, while representing

Atreus In Greek mythology, Atreus (, ) was a king of Mycenae in the Peloponnese, the son of Pelops and Hippodamia (daughter of Oenomaus), Hippodamia, and the father of Agamemnon and Menelaus. His descendants became known collectively as the Atreidae ...

deliberating how he should revenge himself on

Thyestes In Greek mythology, Thyestes (pronounced , , ) was a king of Olympia. Thyestes and his brother, Atreus, were exiled by their father for having murdered their half-brother, Chrysippus, in their desire for the throne of Olympia. They took refuge ...

, the actor forgot himself so far in the heat of action that with his truncheon he struck and killed one of the servants crossing the stage.

Horace Quintus Horatius Flaccus (; 8 December 65 BC – 27 November 8 BC), Suetonius, Life of Horace commonly known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). Th ...

and other authors put Aesopus on a level with Roscius. Each was preeminent in his own field; Roscius in comedy, being, with respect to action and delivery (''pronuntiatio''), more rapid;

Quintilian Marcus Fabius Quintilianus (; 35 – 100 AD) was a Roman educator and rhetorician born in Hispania, widely referred to in medieval schools of rhetoric and in Renaissance writing. In English translation, he is usually referred to as Quin ...

, ''Institutio Oratoria'' xi. 3. §111 Aesopus in tragedy, being more weighty. Aesopus took great pains to perfect himself in his art by various methods. He diligently studied the exhibition of character in real life; and when any important trial was going on, especially, for example, when

Hortensius Quintus Hortensius Hortalus (114–50 BC) was a Roman Republic, Roman lawyer, an orator and a statesman. Politically he belonged to the Optimates. He was consul in 69 BC alongside Quintus Caecilius Metellus Creticus. His nickname was ''Dionysia ( ...

was to plead, he was constantly in attendance, that he might watch and be able to represent the more truthfully the feelings which were actually displayed on such occasions.

Valerius Maximus Valerius Maximus () was a 1st-century Latin writer and author of a collection of historical anecdotes: ' ("Nine books of memorable deeds and sayings", also known as ''De factis dictisque memorabilibus'' or ''Facta et dicta memorabilia''). He worke ...

, viii. 10. § 2 He never, it is said, put on the mask for the character he had to perform in, without first looking at it attentively from a distance for some time, that so in performing he might preserve his voice and action in perfect keeping with the appearance he would have. Perhaps this anecdote may confirm the opinion that masks had only lately been introduced in the regular drama at Rome, and were not always used even for leading characters; for, according to Cicero, Aesopus excelled in power of face and fire of expression, which of course would not have been visible if he had performed only with a mask. From the whole passage in Cicero and from the anecdotes recorded of Aesopus, his acting would seem to have been characterised chiefly by strong emphasis and vehemence. On the whole, Cicero calls him ''summus artifex'', and says he was fitted to act a leading part no less in real life than on the stage.Cicero, '' Pro Sext. Roscio Ameriae'' 56 It does not appear that he ever performed in comedy.

calls Aesopus and Roscius both "ludicrae artis peritissimos viros," but this may merely denote the theatrical art in general, including tragedy as well as comedy. Fronto calls him ''Tragicus Aesopus''. From Cicero's remark, however, it would seem that the character of

Ajax Ajax may refer to: Greek mythology and tragedy * Ajax the Great, a Greek mythological hero, son of King Telamon and Periboea * Ajax the Lesser, a Greek mythological hero, son of Oileus, the king of Locris * Ajax (play), ''Ajax'' (play), by the an ...

was rather too tragic for him. Like Roscius, Aesopus enjoyed the intimacy of the great actor, who calls him ''noster Aesopus'', ''noster familiaris''; and they seem to have sought, from one another's society, improvement, each in his respective art. During his exile, Cicero received many valuable marks of Aesopus's friendship. On one occasion, in particular, having to perform the part of

Telamon In Greek mythology, Telamon (; Ancient Greek: Τελαμών, ''Telamōn'' means "broad strap") was the son of King Aeacus of Aegina, and Endeïs, a mountain nymph. The elder brother of Peleus, Telamon sailed alongside Jason as one of his Argon ...

, banished from his country, in one of

Lucius Accius Lucius Accius (; 170 – c. 86 BC), or Lucius Attius, was a Roman tragic poet and literary scholar. Accius was born in 170 BC at Pisaurum, a town founded in the Ager Gallicus in 184 BC. He was the son of a freedman and a freedwoman, probably fr ...

's plays, the tragedian, by his manner and skillful emphasis and an occasional change of a word, added to the evident reality of his feelings, and succeeded in leading the audience to apply the whole to the case of Cicero, and so did him more essential service than any direct defense of himself could have done. The whole house applauded. On another occasion, instead of "Brutus qui libertatem civium stabiliverat," he substituted Tullius, and the audience gave utterance to their enthusiasm by encoring the passage "a thousand times". The time of Aesopus' death or his age can not be fixed with certainty; but at the dedication of the Theatre of Pompey in 55 BC, he would seem to have been elderly, for he was understood previously to have retired from the stage, and we do not hear of his being particularly delicate: yet, from the passage, ill-health or age would appear to have been the reason of his retiring. On that occasion, however, in honor of the festival, he appeared again; but just as he was coming to one of the most emphatic parts, the beginning of an oath, his voice failed him, and he could not go through with the speech. He was evidently unable to proceed, so that any one would readily have excused him: a thing which, as the passage in Cicero implies, a Roman audience would not do for ordinary performers. Aesopus, though far from frugal, realized, like Roscius, an immense fortune by his profession. He left about 200,000

sesterces The ''sestertius'' (: ''sestertii'') or sesterce (: sesterces) was an ancient Roman coin. During the Roman Republic it was a small, silver coin issued only on rare occasions. During the Roman Empire it was a large brass coin. The name ''sester ...

to his son Clodius, who proved a foolish spendthrift.

, ix. 1. §2 It is said, for instance, that he took a valuable pearl from the earring of Caecilia Metella, dissolved it in vinegar and drank it, a favorite feat of the extravagant monomania in Rome. The connection of Cicero's son-in-law Publius Cornelius Dolabella with the same lady no doubt increased the distress which Cicero felt at the dissolute proceedings of the son of his old friend.

References

Attributions

* * {{DEFAULTSORT:Aesopus, Clodius 1st-century BC actors 1st-century BC Romans Ancient Roman actors Aesopus Republican era slaves and freedmen