Clifton Firth
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Reginald Clifton Firth (12 April 1904 – 31 August 1980) was a New Zealand
graphic design Graphic design is a profession, academic discipline and applied art that involves creating visual communications intended to transmit specific messages to social groups, with specific objectives. Graphic design is an interdisciplinary branch of ...
er and photographer. Influenced by writings of the Bauhaus and contemporaries, especially the Swiss typographer
Jan Tschichold Jan Tschichold (; born Johannes Tzschichhold; 2 April 1902 – 11 August 1974), also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development o ...
, Firth's design work of the late 1920s and early 1930s was some of the earliest modernist graphic design in New Zealand. Firth later went on to be a successful portrait photographer in
Auckland Auckland ( ; ) is a large metropolitan city in the North Island of New Zealand. It has an urban population of about It is located in the greater Auckland Region, the area governed by Auckland Council, which includes outlying rural areas and ...
during and after the Second World War.


Biographical background

Born in 1904, the eldest son of Edward Thompson Clifton Firth, a manufacturer and inventor, and his wife, Blanch Emily Banks. Ted (1905–1978) and Tony Firth (1907–1980) were his younger brothers. Firth was the grandson of
Josiah Firth Josiah Clifton Firth (27 October 1826 – 11 December 1897) was a New Zealand farmer, businessman and politician who had a brief brush with fame as the messenger between Te Kooti and the New Zealand Government during Te Kooti's War. Early life ...
, one of Auckland's founding fathers. He was educated at King's College (1911–1919), followed by a year in
Christchurch Christchurch (; ) is the largest city in the South Island and the List of cities in New Zealand, second-largest city by urban area population in New Zealand. Christchurch has an urban population of , and a metropolitan population of over hal ...
at Christ's College. At King's, Firth became friends with classmate Merton Hodge, and in 1920 they both enrolled in a small Auckland Art school. A few days after they enrolled, the institution was shut down following a police raid and the subsequent arrest of the faculty on drugs charges. Firth also briefly attended night classes at the Elam School of Art, however this was the extent of his formal design training.


Graphic design

Firth became advertising designer for the family company,
Firth Concrete Firth Concrete (legal title: ''Firth Industries'') is New Zealand's largest and only national concrete company. It produces ready mix concrete under its Certified brand, a large range of concrete masonry (or grey masonry), paving, segmental r ...
, in 1927, where he immediately designed the Firth 'Ironclad' Logo, which would remain part of the company’s image for over forty years. During this period Firth was increasingly influenced by new trends of modernism coming out of Europe, specifically from the Bauhaus. Contemporary Bill Haythornthwaite recalls: "we used to pick up the original Bauhaus material coming out of Germany from the lam Art Schoollibrary before Hitler wrecked it (sic)".Interview with Kate Eagleson, 19 September 1995 Firth's lack of formal graphic design training seems to have served him well, given that at this time, design training was essential an art historical exercise in the European masters; “a year fdrawing Italian sculptures and that sort of thing”. This lack of adherence to tradition allowed Firth to explore new avenues in design. Significant is Firth's use of typography; likely influenced by Jan Tschichold's ''Typographische Gestaltung'' or the earlier ''Die Neue Typographie''. Firth designed advertisements for Firth Concrete, and later the New Zealand architecture magazine ''Home & Building'' which were highly innovative in their use of typography, compared to the bulk of graphic design being produced in New Zealand at that time. Firth's designs used features such as sans serif faces and asymmetrical compositions. All ornamentation and superfluous elements stripped out, Firth used the varying weight and density of the type in his compositions in order to draw attention and add emphasis. This may seem common today, but in the context of the day, where the standard approach towards typography in advertisement was to get the most 'bang for the buck'; stripping out elements and adding emphasis through type variation was a highly novel and ‘modern’ concept.


Photography

Unlike Firth's typographical work, influenced by European Modernism, Firth's photography was evocative of Hollywood glamour shots of the era. Firth set up his photographic studio with his wife Patricia in 1938. The war years proved to be a lucrative period for Firth's photography, taking photos for those heading off to war, both of the soldiers for those they left behind, and of the soldiers sweethearts to take with them to war. On his retirement in 1974, Firth gave much of his surviving work to
Auckland Libraries Auckland Council Libraries, usually simplified to Auckland Libraries, is the public library system for the Auckland Region of New Zealand. It was created when the seven separate councils in the Auckland region merged in 2010. It is currently the ...
, including many display prints as well as more than 100,000 photographic negatives.


References


Further reading

* * * *


External links


Auckland Libraries: Clifton Firth


* Firth, Clifton

– Arts * Firth, Clifton
''The Necessity of Modernism''

Work by Clifton Firth in the collection of the Museum of New Zealand Te Papa Tongarewa
*Gillam, Jennifer.
Clifton Firth
. New Zealand Fashion Museum. {{DEFAULTSORT:Firth, Clifton 1904 births 1980 deaths Clifton People educated at Christ's College, Christchurch People educated at King's College, Auckland New Zealand photographers New Zealand graphic designers New Zealand typographers and type designers