
Clara Siewert (9 December 1862,
Budda (
Pomerania) – 11 October 1945,
Berlin) was a German
Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ...
painter, graphic artist and sculptor; associated with the
Berlin Secession.
Biography
She was born to a family of
Baltic-German
Baltic Germans (german: Deutsch-Balten or , later ) were Germans, ethnic German inhabitants of the eastern shores of the Baltic Sea, in what today are Estonia and Latvia. Since their coerced resettlement in 1939, Baltic Germans have markedly ...
s who had moved from Saint Petersburg to
Danzig after falling out of favor at court. Her father was a retired
Prussian Army
The Royal Prussian Army (1701–1919, german: Königlich Preußische Armee) served as the army of the Kingdom of Prussia. It became vital to the development of Brandenburg-Prussia as a European power.
The Prussian Army had its roots in the co ...
captain, her mother, Helene (1837–1924), was an amateur artist and her younger sister, became a popular novelist.
She began drawing as a young girl; inspired by the magical themes of the fairy tales she and her friends acted out. Later, she would sketch from nature. After graduating from a
women's college, she went to
Königsberg in 1878 for professional lessons, but the
Kunstakademie did not accept female students at that time, so she took private lessons with some local artists.

In 1884, she began to divide her time between Budda and Berlin and was finally able to secure lessons from a notable painter, the Swiss portraitist,
Karl Stauffer-Bern, who introduced her to the work of the Symbolist,
Arnold Böcklin
Arnold Böcklin (16 October 182716 January 1901) was a Swiss symbolist painter.
Biography
He was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk tra ...
; a major influence on her style. This was followed by lessons from
Max Koner
Max Johann Bernhard Koner (17 July 1854, Berlin – 7 July 1900, Berlin) was a German portraitist.
Biography
From 1873 to 1878, he studied at the Prussian Academy of Arts under Eduard Daege, Anton von Werner and others. He spent som ...
, known as the "Kaisermaler", who ran a famous studio for female artists. She completed her studies around 1888/89 with
Hugo Vogel.
In 1892, she began to exhibit in the Berlin salons and became associated with the "
Verein der Berliner Künstlerinnen
The Verein der Berliner Künstlerinnen (English: Association of Berlin Artists) is the oldest existing association of women artists in Germany. It maintains the ''archive Verein der Berliner Künstlerinnen 1867 e. V.,'' publishes club announcements ...
", a group of female artists. Sometime in the late 1890s, she settled permanently in Berlin. She took a semi-detached house and set up a studio there, near a studio that was frequented by members of the Expressionist group,
Die Brücke. In 1901, she started to exhibit with the
Berlin Secession. She was also associated with the
Deutscher Künstlerbund
The Deutscher Kuenstlerbund (Association of German Artists) was founded in 1903 the initiative of Count Harry Kessler, promoter of arts and artists, Alfred Lichtwark, director of the Hamburg Art Gallery and the famous painters Lovis Corinth, Ma ...
.
Career setbacks
For reasons that are unclear, she broke with the Secession in 1912, an act which brought her career to a virtual standstill. Between then and 1936, she was represented at only one large exhibition in 1914 in Leipzig. Her friend,
Käthe Kollwitz, who was a member of the Secession's selection jury, tried to get some of her works accepted in 1916, but was unsuccessful.

She was helped through this period by her sisters, especially Elisabeth, who was making a good living from her writing. When Elisabeth died in 1930, Clara became severely depressed and, within a few years, was destitute. As a last resort, she applied to the newly created
Reich Ministry of Public Enlightenment and Propaganda for financial support, and it was granted. She later became a member of the
Reichskulturkammer, but never joined the
Nazi Party.
In 1936, the gallery owner
Wolfgang Gurlitt became aware of her and organized the largest exhibition of her works during her lifetime (174 pieces) but it was not a critical success. A planned follow-up exhibition was cancelled due to the start of World War II. In 1943, her home and studio were destroyed by a bombing raid and she sought refuge with a neighbor. A large part of her work was destroyed at that time.
By then, she was no longer receiving her annual pension from the Ministry and was soon living in poverty. For many years, it was believed that she was killed during a bombing raid in 1944, but a letter from her sister Victoria, published in 2012, indicates that she died shortly after the end of the war from a heart ailment.
She was largely forgotten until 2008, when a major retrospective was presented at the in
Regensburg
Regensburg or is a city in eastern Bavaria, at the confluence of the Danube, Naab and Regen rivers. It is capital of the Upper Palatinate subregion of the state in the south of Germany. With more than 150,000 inhabitants, Regensburg is the f ...
, titled "Clara Siewert - Between Dream and Reality". Most of her approximately 170 known surviving works, in various media, are now displayed there.
Sources
* Roman Zieglgänsberger, ''Clara Siewert. Zwischen Traum und Wirklichkeit.'', (exhibition catalog), Kunstforum Ostdeutsche Galerie, 2008,
* Clara Siewert. In:
Thieme-Becker: ''Allgemeines Lexikon der Bildenden Künstler von der Antike bis zur Gegenwart''. Vol.31, E. A. Seemann, Leipzig 1937
Further reading
* Paul Fechter, ''Die Siewerts.'' In: ''Westpreußen-Jahrbuch'',
Landsmannschaft Westpreußen The Landsmannschaft Westpreußen ("Territorial Association of West Prussia", "Homeland Association of West Prussia") is an organization of ''Heimatvertriebene'' — Germans born in West Prussia, or their descendants, who either fled or were expe ...
Vol.14, 1964, pgs.63–68.
* Roman Zieglgänsberger: ''Clara Siewert (Gut Budda/Westpreußen 1862–1945 Berlin)''. In: Ulrike Wolff-Thomsen and Jörg Paczkowski (eds.), ''Käthe Kollwitz und ihre Kolleginnen in der Berliner Secession (1898–1913)''. Boyens Buchverlag, 2012, , pgs.104–125.
External links
*
Painting by her mother Helene@ Wikimedia Commons.
{{DEFAULTSORT:Siewert, Clara
1862 births
1945 deaths
19th-century German painters
20th-century German painters
German Symbolist painters
German women painters
People from Starogard County
20th-century German women