Clara Lanza
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Marquise Clara Hammond Lanza (February 12, 1858 – July 15, 1939) was an American novelist whose realist fiction often centered on troubled marriages. Several were praised for exhibiting realism and originality. She published her first work in 1884.


Family and education

Lanza was born Clara Hammond in
Fort Riley, Kansas Fort Riley is a United States Army installation located in North Central Kansas, on the Kansas River, also known as the Kaw, between Junction City and Manhattan. The Fort Riley Military Reservation covers 101,733 acres (41,170 ha) in Ge ...
, the daughter of William A. Hammond, a physician who served as the
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during the second half of the
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, and his first wife, Helen Nisbet. When she was seven, her family moved to New York City. After attending a French school in New York, she received further education in
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,
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, and
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,
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. In 1877, she married the
Marquis A marquess (; ) is a nobleman of high hereditary rank in various European peerages and in those of some of their former colonies. The German-language equivalent is Markgraf (margrave). A woman with the rank of a marquess or the wife (or wido ...
Manfridi Lanza di Mercato Bianco of
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, Sicily, with whom she had three sons.


Career

Lanza's literary career began in 1884 with the publication of her first novel, ''Mr. Perkins' Daughter''. She published half a dozen further novels as well as ''Tales of Eccentric Life'', a collection of short stories (many with medical themes) coauthored with her father. Lanza's novels tended to focus on troubled relationships, especially marriages. Several were praised by critics for their realism and their originality. Of ''Basil Morton's Transgression'' (1890), one critic wrote that "no better piece of realism has been written for many a day." Her 1909 novel of an unhappy marriage, ''The Dweller on the Borderland'', was called "an exceptionally original book — original in treatment, original in motif." Some critics even found her work too harsh. Her 1891 novel ''A Modern Marriage'', for example, was called "intellectual, analytical, purposeful, but ... unsympathetic in its tireless alertness and unslumbering observation." An anomaly among her novels is ''
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: The Story of an African Beetle'' (1892), coauthored with James Clarence Harvey. With such elements as a camera that can photograph the past and a plot centering on a talismanic gem and an ancient kingdom in Africa, it is closer to speculative fiction than to her usual realism.Lanza also wrote articles for periodicals like ''
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'' and ''
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''. An example of these is a tribute to her long friendship with the Irish novelist George Moore. Lanza found an American publisher for his book ''Mike Fletcher'' when his British publisher went suddenly out of business. Moore expressed interest in collaborating with her on dramatizing one of her novels that he had liked, but the project was abandoned after two acts had been completed. Among her articles are several about the lives of contemporary women, such as a chapter on the women clerks of New York for
Lydia Hoyt Farmer Lydia Hoyt Farmer (, Hoyt; July 19, 1842 or 1843 – December 27, 1903) was a 19th-century American author and women's rights activist. For many years, Farmer contributed to the leading newspapers and magazines, on various lines: poems, essays, j ...
's book ''What America Owes to Women'', which was published as a souvenir of the
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.


Books

* ''Mr. Perkins' Daughter'' (1884) * ''Tales of Eccentric Life'' (1886; with William A. Hammond) * ''Basil Morton's Transgression'' (1890) * ''A Modern Marriage'' (1891) * ''A Golden Pilgrimage'' (1892) * ''Scarabaeus: The Story of an African Beetle'' (1893, with James Clarence Harvey) * ''Horace Everett'' (1893) * ''The Dweller on the Borderland'' (1909)


References


External links

* * * {{DEFAULTSORT:Lanza, Marquise Clara 1858 births 1939 deaths 20th-century American novelists 19th-century American novelists 19th-century American women writers 20th-century American women writers Novelists from Kansas People from Fort Riley, Kansas American women novelists Wikipedia articles incorporating text from A Woman of the Century