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, subtitled ', is an
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in four acts by
Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
to a
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
by and
Louis Gallet Louis Gallet (14 February 1835 in Valence, Drôme – 16 October 1898) was a French writer of operatic libretti, plays, romances, memoirs, pamphlets, and innumerable articles, who is remembered above all for his adaptations of fiction —and ...
loosely adapted from
Alfred de Vigny Alfred Victor, Comte de Vigny (; 27 March 1797 – 17 September 1863) was a French poet and early French Romanticism, Romanticist. He also produced novels, plays, and translations of Shakespeare. Biography Vigny was born in Loches (a town to wh ...
's historical novel '' Cinq-Mars''.


Performance history

''Cinq-Mars'' was initially performed at the
Opéra-Comique The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief riva ...
on 5 April 1877. The work's reception was lukewarm: "If tadds nothing to the glory of Gounod, neither does it diminish it." The opera ran for 56 performances. Some critics seized on the straddling of the genres of
grand opéra Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on o ...
and
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular ''opéras comiques en vaudevilles'' of the Théâtre de la foire, Fair Theatres of St Germain and S ...
; a second edition (Léon Grus, n.d.) contains recitatives for the very few spoken scenes as well as an act 3
cantabile Cantabile is a term in music meaning to perform in a singing style. The word is taken from the Italian language and literally means "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human ...
for de Thou, written for the
La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...
production. It was revived by
Leipzig Opera The Leipzig Opera () is an opera house and opera company located at the Augustusplatz and the Inner City Ring Road at its east side in Leipzig's district Mitte, Germany. History Performances of opera in Leipzig trace back to Singspiel perfo ...
in May 2017, conducted by David Reiland, in a production by Anthony Pilavachi, with Mathias Vidal in the title role.


Roles


Synopsis

The plot faithfully follows the external events of the failed revolt of the French nobility against Richelieu's consolidation of power (), but adds a secret love affair between the Marquis of Cinq-Mars and princess Marie de Gonzague. Whereas de Vigny's character yearned to become her social equal, the opera's hero enters politics only on learning of a planned marriage between Marie and the king of Poland. After the conspiracy is discovered, she is given a chance to save him by agreeing to the match, but her sacrifice is in vain: before their escape plans can be put into effect, the hour of execution is suddenly moved forward.


Act 1

''The castle of the marquis de Cinq-Mars'' A choir of noblemen celebrates the imminent importance Cinq-Mars is going to take ("A la Cour vous allez paraître"); some suggest that he owes his debt of allegiance to the Cardinal of Richelieu, and others to the King. For his part, Cinq-Mars shows himself indifferent to the questions of political order. Alone with his closest friend, de Thou, he confesses that he loves princess Marie de Gonzague ("Henri! Vous nous parliez"). They recognize both intuitively that this affair will end badly. The guests reappear: among them is Father Joseph, the spokesman for the Cardinal of Richelieu, and the Princess Marie. The first one announces that Cinq-Mars is called to the royal court, and that a marriage is arranged between Princess Marie and the King of Poland. Cinq-Mars and Marie agree to meet later in the evening. After the departure of the guests, Marie wishes her heart to be at peace in the sweetness of the night ("Nuit resplendissante"). Cinq-Mars walks in and declares his love to her; before he leaves, she declares herself in turn ("Ah! Vous m'avez pardonné ma folie").


Act 2

''Scene 1: The King's apartments'' After a choir sings the beauty of courtesan Marion Delorme ("A Marion, reine des belles"), Fontrailles, Montrésor, Montmort, de Brienne, Monglat, and the other courtesans discuss the increasing influence of Cinq-Mars over the King. The nobles are dissatisfied with the excessive power that the Cardinal of Richelieu has assumed, and they wonder if Cinq-Mars will join finally their cause. Marion reports that the Cardinal threatens to exile Cinq-Mars; Fontrailles is surprised, and is sure that Paris would become very boring without its elegant salons ("On ne verra plus dans Paris"). Marion announces that she will organize a ball the next day, which will give them the opportunity to cast the basis of an intrigue to eliminate the Cardinal. Cinq-Mars appears and is welcomed by the courtesans ("Ah! Monsieur le Grand Ecuyer"). Marie has just arrived at the Court, and the two lovers are reunited ("Quand vous m'avez dit un jour"). However, just after this blessed moment, Father Joseph comes to announce that, in spite of the King's informal agreement of Cinq-Mars's marriage with Marie, the Cardinal refuses to formalize their union, preferring rather to follow the original plan of marrying Marie to the King of Poland. ''Scene 2: At Marion Delorme's apartments'' The evening begins with the reading of Madeleine de Scudéry's last novel, ''Clélie'', followed by a long pastoral entertainment with ballet, including notably a sonnet sung by a shepherd ("De vos traits mon âme est navrée"). More serious things are on everyone's mind, however ("Viendra-t-il?"). Fontrailles assures everyone that Cinq-Mars will join the plot, as he predicted, and that Cinq-Mars will arrive soon. He declares that the King is no longer in total control of the country, and that the eviction of the Cardinal is a just cause; civil war is imminent, and he assures his co-conspirators that he arranged a treaty with Spain, which implies that their armies will intervene on their side. De Thou suddenly interrupts him, and warns him against opening France up to a foreign power, but the marquis remains resolute.


Act 3

''The next day. Outside of a chapel'' A meeting of the conspirators is imminent. Marie appears, contrary to all expectations, and agrees with Cinq-Mars to immediately exchange wedding vows ("Madame, c'est le lieu du rendez-vous"). After their departure, Father Joseph and Eustache appear from a hiding place: Eustache is a spy and makes a complete report of the intrigue to Father Joseph. Father Joseph savors the power which he possesses on the fate of Cinq-Mars ("Tu t'en vas"). He confronts Marie with the announcement of the execution of Cinq-Mars, for betraying the country by dealing independently with a foreign power. Further, he tells her, the Polish ambassador will return soon from a hunt with the King, and Father Joseph advises Marie to answer him favorably; in exchange, Cinq-Mars will be spared. When the royal suite arrives, Marie capitulates ("Hallali! Chasse superbe").


Act 4

''A prison'' As he waits for execution, Cinq-Mars regrets that Marie abandoned him; nevertheless, his last hour approaching, he evokes her image by way of consolation ("O chère et vivante image"). Marie enters, explains the guile of Father Joseph, and admits that she always loved Cinq-Mars ("Ah! Qu'ai-je dit"). De Thou draws up the plan which has been prepared for the escape of Cinq-Mars the next day. When the chancellor and Father Joseph come to announce that the marquis will die before the dawn, it becomes clear that this plan will not happen ("Messieurs, appelez à vous, votre courage"). Before Cinq-Mars is brought to the gallows, he sings with de Thou a final prayer.


Discography

* Mathias Vidal (Cinq-Mars),
Véronique Gens Véronique Gens (born 19 April 1966) is a French operatic soprano. She has spent much of her career recording and performing Baroque music, Baroque music. Gens was born in Orléans, France, and studied at the Conservatoire de Paris, winning fir ...
(Marie), Tassis Christoyannis (De Thou), Andrew Foster-Williams (Joseph);
Chor des Bayerischen Rundfunks (; "Bavarian Broadcasting"), shortened to BR (), is a public-service radio and television broadcaster, based in Munich, capital city of the Free State of Bavaria in Germany. BR is a member organization of the ARD consortium of public broadcas ...
, Münchner Rundfunkorchester,
Ulf Schirmer Ulf Schirmer (born 1959) is a German conductor and opera house administrator. Biography Born in Eschenhausen, Lower Saxony, Schirmer studied at the Bremen Conservatory, and also at the Hochschule für Musik und Theater Hamburg, with György Lig ...
(cond.). Palazzetto Bru Zane Ediciones Singulares (2016)"CD review: ''Cinq-Mars''"
by Volkmar Fischer,
BR-Klassik BR-Klassik is the common branding of the classical music offerings of the Bayerischer Rundfunk (BR), the public broadcaster of Bavaria. It is principally associated with the Munich-based radio station, created in 1980 and called Bayern 4 Klassik ...
, 16 June 2016 (in German)


References


Sources

*


External links

*
"''Cinq-Mars''"
charles-gounod.com (in French)
Château de Versailles Spectacles (Concert information)

Palazzetto Bru-Zane (CD information)
{{Authority control Operas by Charles Gounod French-language operas Operas 1877 operas Opera world premieres at the Opéra-Comique Operas based on novels Operas set in France Operas set in the 17th century Operas based on real people Libretti by Louis Gallet