Chorale settings refer to a wide variety of musical compositions, almost entirely of

Protestant Protestantism is a branch of Christianity that emphasizes Justification (theology), justification of sinners Sola fide, through faith alone, the teaching that Salvation in Christianity, salvation comes by unmerited Grace in Christianity, divin ...

origin, which use a

chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...

as their basis. A chorale is a simple melody, often based on

Gregorian chant Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed main ...

, written for congregations to sing

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...

s. Chorale settings can be vocal, instrumental, or both. Although the bulk of them are German in origin, and predominantly

baroque The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from ...

in style, chorale settings span many countries and musical periods. At their simplest and most common, chorale settings are plain chordal harmonisations with little or no localised ornamentation—typically one chord for each note of the chorale, although quicker passing and neighbour notes are almost never harmonised with a separate chord. The Protestant

Reformation The Reformation, also known as the Protestant Reformation or the European Reformation, was a time of major Theology, theological movement in Western Christianity in 16th-century Europe that posed a religious and political challenge to the p ...

resulted in a significant change in musical practice in northern Europe. Plainchant, associated with the Catholic Church, was largely replaced with choral music sung in the vernacular language—usually German—and the corresponding musical forms from Catholic countries, such as the motet, were replaced with forms that used as their basis the chorales instead of the plainsong from which much of the motet repertory was derived. Not only the musical forms, but the individual tunes of the Catholic Church were replaced by reformers, although there was often a close relation between the original and the replacement. Composers, including

Martin Luther Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Pr ...

himself, both composed new tunes for the German chorale texts and adapted specific plainchant melodies. These chorales were set musically in an extraordinary number of ways, from the time of the Protestant Reformation to the present day. Chorale settings are of the following principal types: *

Chorale cantata A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chor ...

* Chorale canzona (usually called a chorale ricercare) * Chorale concerto * Chorale fantasia * Chorale

fugue In classical music, a fugue (, from Latin ''fuga'', meaning "flight" or "escape""Fugue, ''n''." ''The Concise Oxford English Dictionary'', eleventh edition, revised, ed. Catherine Soanes and Angus Stevenson (Oxford and New York: Oxford Universit ...

* Chorale

mass Mass is an Intrinsic and extrinsic properties, intrinsic property of a physical body, body. It was traditionally believed to be related to the physical quantity, quantity of matter in a body, until the discovery of the atom and particle physi ...

* Chorale monody * Chorale motet * Chorale partita (usually interchangeable with chorale variations) * Chorale prelude * Chorale ricercare * Chorale variations (usually interchangeable with chorale partita) Boundaries between different items on this list can be vague, especially in the early Baroque. Some of these forms are exclusively instrumental (such as the chorale prelude, chorale fugue, chorale fantasia, chorale partita or variations, and chorale ricercare/canzona) while the others are

a cappella Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Rena ...

vocal (some chorale motets) or for voices and instruments (chorale

cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...

, chorale

concerto A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The ...

, chorale mass, chorale monody, some chorale motets). Many of the instrumental forms are almost exclusively for organ, the single most important liturgical instrument in Protestant church music from the Reformation until recent times. These organ settings can be called 'organ chorales'. Some of these forms continue to be used by composers up to the present day, particularly the chorale prelude and the chorale mass.

Notes

Further reading