In music, a chop chord is a "clipped

backbeat In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a pi ...

". In : . It is a muted chord that marks the off-beats or upbeats. As a

rhythm guitar In music performances, rhythm guitar is a guitar technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse (music), pulse in conjunction with other instruments from the rhythm section (e.g., d ...

and

mandolin A mandolin (, ; literally "small mandola") is a Chordophone, stringed musical instrument in the lute family and is generally Plucked string instrument, plucked with a plectrum, pick. It most commonly has four Course (music), courses of doubled St ...

technique Technique or techniques may refer to: Music * The Techniques, a Jamaican rocksteady vocal group of the 1960s * Technique (band), a British female synth pop band in the 1990s * ''Technique'' (album), by New Order, 1989 * ''Techniques'' (album), by ...

, it is accomplished through chucking, in which the chord is muted by lifting the

fret A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the neck or fretboard of a stringed instrument. Frets usually extend across the full width of the neck. On some historical inst ...

ting fingers immediately after strumming, producing a

percussive A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...

effect. Traditional bluegrass bands typically do not have a drummer, and the timekeeping role is shared between several instruments. The

upright bass The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions ...

generally plays the on-beats, while the

banjo The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin. ...

keeps a steady eighth-note rhythm. The

plays chop chords on the off-beats or upbeats. (see: boom-chick) By partially relaxing the fingers of the left hand soon after strumming, the strings are allowed to rise off the frets, and their oscillations are damped by the fingers. All strings are stopped ( fingered); open strings are not played in chop chords. The offbeat was played on the piano in rhythm and blues "shuffle" style, as heard in songs like

Louis Jordan Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "Honorific nicknames in popular music, the King ...

's "It's a Low-Down Dirty Shame" (1942) and

Professor Longhair Henry Roeland Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday o ...

's "Willie Mae" (1949). This popular, danceable shuffle style was present on many early rock and roll records. It was played on the electric guitar at least as early as 1950 by Robert Kelton on Jimmy McCracklin's "Rockin' All Day." Either played on the guitar, piano or both, the "chop", "chuck" or "skank" offbeat eventually influenced Jamaican rhythm and blues of the 1950s, which morphed into ska in late 1962, then rocksteady and reggae, all of which featured the offbeat "chuck" or "skank" guitar.

Guitar

The "chuck" usually consists of a downward strum on the up beat notes. Alternatively, the

bass note In music theory, the bass note of a chord or sonority is the lowest note played or notated. If there are multiple voices it is the note played or notated in the lowest voice (the note furthest in the bass.) Three situations are possible: # ...

can be played and allowed to ring, with the remainder of the chord being "chucked" on the up beat. This technique is usually used in a rhythmically simple manner, such as chucking on every beat, or bass notes on down beats and chucking on up beats.

Freddie Green Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years. Early life and education Green was born in Charleston, South ...

Django Reinhardt Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani people, Romani nickname Django ( or ), was a Belgium, Belgian-born Romani jazz guitarist and composer in France. He was one of the first major jazz talents to emerge in Europe ...

and

Nile Rodgers Nile Gregory Rodgers Jr. (born September 19, 1952) is an American musician, songwriter, guitarist and record producer. The co-founder of Chic, he has written, produced, and performed on records that have sold more than 750 million albums and 1 ...

are known for this technique.

Mandolin

Mandolin "chunks", or more commonly known as "chops", rarely include a down-beat strum. When a mandolin is playing rhythm it is most often in conjunction with other instruments, such as guitar and bass, which produce the main beat. The mandolin contributes to the rhythm by producing a sharp "chunk" on the upbeat notes. This is particularly common when playing

bluegrass music Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Bluegrass has roots in African America ...

. According to

Andy Statman Andrew Edward Statman (born 1950) is a noted American klezmer clarinetist and bluegrass/newgrass mandolinist. Life and career Statman was born in New York City and grew up in the borough of Queens. Beginning at age 12, he learned to play banj ...

, "the mandolin can drive and push the band in the same way (as) a snare drum."Statman, Andy (1978). ''Teach Yourself Bluegrass Mandolin'', . Amsco Music Company, New York. .

Fiddle

The chop was introduced to fiddle playing by Richard Greene in the 1960s.

References

{{DEFAULTSORT:Chop chord Bluegrass music Folk music String performance techniques Bill Monroe

Guitar

Mandolin

Fiddle

See also

References