The tsuur (Mongolian), choor (Kyrgyz) or chuur (Tuvan) is an

end-blown flute The end-blown flute (also called an edge-blown flute or rim-blown flute) is a woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube. Unlike a recorder or tin whistle, there is not a ducted flue ...

of varying lengths that is common among Inner Asian pastoralists. It is similar to the

sybyzgy The sybyzgy ( ky, сыбызгы, sybyzǵy) is a Kyrgyz sideblown flute traditionally played by shepherds and horse herders, made from apricot wood or the wood of mountain bushes. Length 600–650 mm. The sybyzgy sound scale is estimated fr ...

(Kazakh) and kurai (Bashkir). In western

Mongolia Mongolia; Mongolian script: , , ; lit. "Mongol Nation" or "State of Mongolia" () is a landlocked country in East Asia, bordered by Russia to the north and China to the south. It covers an area of , with a population of just 3.3 millio ...

it is mainly used by the

Altai Uriankhai The Altai Uriankhai ( Mongolian Cyrillic: , ; ) refers to a Mongol tribe around the Altai Mountains that was organized by the Qing dynasty. They now form a subgroup in western Mongolia and eastern Xinjiang. The Uriyangkhai or Uriankhai peop ...

people, although other ethnic groups like the

Kazakhs The Kazakhs (also spelled Qazaqs; Kazakh: , , , , , ; the English name is transliterated from Russian; russian: казахи) are a Turkic-speaking ethnic group native to northern parts of Central Asia, chiefly Kazakhstan, but also part ...

and the

Tuvans The Tuvans ( tyv, Тывалар, Tıvalar) are a TurkicOtto Maenchen-Helfen, Journey to Tuva, p. 169 ethnic group indigenous to Siberia who live in Russia ( Tuva), Mongolia, and China. They speak Tuvan, a Siberian Turkic language. They are ...

are known to play them or have played them. There are only three holes to the finger. The blowing technique utilizes the teeth, tongue, and lips in the same way as Ney in Classical Persian music. The Tsuur is usually immersed in water before playing in order to seal any leaks in the wood. The melodies that are played on the Tsuur are usually imitations of the sound of water, animal cries, and birdsongs as heard by shepherds whilst on the steppes or the mountain slopes of the Altai. One of the melodies, “The flow of the River Eev” as was said before is the river where the sound of khöömii was mythically supposed to have originated. The Uriangkhai called the Tsuur the “Father of Music”. A three-holed pipe was in use in Mongolia in the 18th century and was believed to possess the magical properties of bringing Lamb’s bones back to life. In the Jangar epic of the 14th century the Tsuur is said to have had a voice like a swan. This reference may also be indirectly a very early reference to khöömii as the singing style sung with the Tsuur is Khailakh. Traditional Mongolian Tsuur music was added to the

List of Intangible Cultural Heritage in Need of Urgent Safeguarding UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergove ...

in 2009.

References

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External links

“Mongolian Tsuur” national programme approvedTraditional music of the TsuurMongolia elected to UNESCO Committee
Mongolian musical instruments End-blown flutes Tuvan musical instruments Kazakhstani musical instruments Bashkir musical instruments Buryat musical instruments Altai musical instruments

See also

References

External links