Chicago Women's Liberation Rock Band
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The Chicago Women's Liberation Rock Band and the New Haven Women's Liberation Rock Band (1969–1973) sought to challenge the genre of
rock music Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdo ...
by installing women's voices and
feminist Feminism is a range of socio-political movements and ideology, ideologies that aim to define and establish the political, economic, personal, and social gender equality, equality of the sexes. Feminism holds the position that modern soci ...
-type lyrics into the musical canon. "We loved to dance," stated bassist and vocalist Susan Abod, but referring to a song like
The Rolling Stones The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for over six decades, they are one of the most popular, influential, and enduring bands of the Album era, rock era. In the early 1960s, the band pione ...
' "
Under My Thumb "Under My Thumb" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, "Under My Thumb" features a marimba played by Brian Jones. Although it was never released as a single in English-speakin ...
", "we were dancing to songs that were degrading to us." The Chicago Women's Liberation Rock Band was the self-described " agit-rock" arm of the Chicago Women's Liberation Union, an umbrella organization, "rooted in principles that came to be identified as
socialist feminism Socialist feminism rose in the 1960s and 1970s as an offshoot of the feminist movement and New Left that focuses upon the interconnectivity of the patriarchy and capitalism. However, the ways in which women's private, domestic, and public roles ...
, and focusing on projects in education, service, and direct-action, by and for women." The Chicago chapter of the band's lineup included: Susan Abod (bass, vocals), Sherry Jenkins (guitar, vocals), Patricia Miller (guitar, vocals), Linda Mitchell (manager), Fania Mantalvo (drums), Suzanne Prescott (drums), and Naomi Weisstein (keyboards). According to Weisstein, "she tired of hearing pop music glorify the subjugation and degradation of women.... ndwanted to reach out to young women and at the same time, educate about the importance of feminist culture." She continued "Every time it played, the band summoned up the ecstasy of a utopian vision of a world without hierarchy and domination. Audience and performer, gay and straight, two-year-olds and eighty-two-year-olds, black teenage girls and Latino transvestites: for a moment in history as brief as a shiver, we were, all of us, transformed and astonished." The New Haven chapter of the band included Florika Remetier (bass), Pat Ouellette (bass), Harriet Cohen (guitar) and Judy Miller (drums). As the most experienced musician, Florika acted as tutor to the other members. In 1972, the Chicago group, along with its
New Haven New Haven is a city of the U.S. state of Connecticut. It is located on New Haven Harbor on the northern shore of Long Island Sound. With a population of 135,081 as determined by the 2020 U.S. census, New Haven is the third largest city in Co ...
counterpart, recorded their first LP called ''Mountain Moving Day''. The Chicago tracks were "Secretary", "Ain't Gonna Marry", "Papa", and "Mountain Moving Day". The New Haven tracks were "Abortion Song", "Sister Witch", "Prison Song", "So Fine!", and "Shotgun". According to the liner notes of ''Mountain Moving Day'': "We wanted to make music that would embody the radical, feminist, humanitarian vision we shared." For example, in "Abortion Song," lyrics read:
We've got to get together and fight. They tell us to get married and have three or four kids. Change the diapers, be a good wife. But we will decide how many children to bear. We've got to control our own life.
The band broke up in mid-1973 after Weisstein moved to the East Coast. After the band's dissolution, Abod remembered: "A lot of women came up to me after our shows and said, 'I want to do that,' and we tried to make them understand that they could. Any of them could. And I think a lot of them did." This legacy of a female-empowering, do-it-yourself ethos was echoed twenty years later in the punk music
Riot Grrrl Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement ...
Movement. Indeed, the EP ''Mountain Moving Day'' was remastered and re-released in 2005 under the title ''Papa Don't Lay That Shit on Me'' by
Rounder Records Rounder Records is an independent record label founded in 1970 in Somerville, Massachusetts, by Marian Leighton Levy, Ken Irwin, and Bill Nowlin. Focused on American roots music, Rounder's catalogue of more than 3000 titles includes records by A ...
with two bonus tracks by contemporary feminist rock group
Le Tigre Le Tigre (, ; French for "The Tiger") is an American art punk and riot grrrl band formed by Kathleen Hanna (of Bikini Kill), Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson. ...
.


References

{{reflist, 30em American all-female bands Musical groups disestablished in 1973 Musical groups established in 1969 Musical groups from Chicago Rock music groups from Connecticut Rock music groups from Illinois Musicians from New Haven, Connecticut History of women in Illinois History of women in Connecticut Women in Chicago