Chholiya
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Chholiya ( Kumaoni) or Hudkeli ( Nepali) is a traditional folk dance form originated in the Kumaon division of the Indian state of
Uttarakhand Uttarakhand (, ), also known as Uttaranchal ( ; List of renamed places in India, the official name until 2007), is a States and union territories of India, state in North India, northern India. The state is bordered by Himachal Pradesh to the n ...
and Sudurpashchim province of Nepal. It has today become a symbol of Kumaoni and Sudurpashchimi (mainly in
Doti Doti (), also known as Dotigarh (डोटीगढ़) or the Far-Western Development Region was a development region of Nepal situated between River Kali bordering Kumaon division of Uttarakhand, India in the west and the Karnali river on t ...
, Baitadi and Darchula districts) cultures. It is basically a sword dance accompanying a marriage procession but now it is performed on many auspicious occasions. It is especially popular in the districts of
Almora Almora ( Kumaoni: ') is a municipal corporation and a cantonment town in the state of Uttarakhand, India. It is the administrative headquarters of Almora district. Almora is located on a ridge at the southern edge of the Kumaon Hills of the ...
, Bageshwar, Champawat and
Pithoragarh Pithoragarh ( Kumaoni: ''Pithor'garh'') is a Himalayan town with a Municipal corporation in Pithoragarh district in the Indian state of Uttarakhand. It is the largest hill town in Uttarakhand. Etymology "The district is named after its hea ...
of Kumaon division and in
Doti Doti (), also known as Dotigarh (डोटीगढ़) or the Far-Western Development Region was a development region of Nepal situated between River Kali bordering Kumaon division of Uttarakhand, India in the west and the Karnali river on t ...
, Baitadi and Darchula district of Nepal. This sword dance has a history of more than a thousand years and is rooted in the martial traditions of the Kumaoni people and
Khas people Khas peoples or Khas Tribes, (; ) popularly known as Khashiya are an Indo-Aryan ethno-linguistic group native to the Himalayan region of the Indian subcontinent, in what is now the South Asian country of Nepal, as well as the Indian stat ...
.


Origin

Dating back over a thousand years, the dance has its origins in the warring Kshatriyas of Kumaon- the Khasas and Katyuris when marriages were performed at the point of the swords. The native Kshatriyas were united by the Chand Kings who arrived on the scene in the 10th century. The flux of immigrants
Rajput Rājpūt (, from Sanskrit ''rājaputra'' meaning "son of a king"), also called Thākur (), is a large multi-component cluster of castes, kin bodies, and local groups, sharing social status and ideology of genealogical descent originating fro ...
s who made native kshatriyas a small minority also took on the hill customs and influenced Pahari culture with their traditions and language. The days of marriages on the point of the sword were over, but the traditions attached to it still continued. That is why the groom is still known as ''Kunwar'' or King in Kumaon. He rides a horse in the marriage procession and wears a Khukri in his belt.


Significance

Apart from its origins in the martial traditions of the people of Kumaon, it also has religious significance. This art form is mainly performed by the Rajput community in their marriage processions. Chholiya is performed in marriages and is believed to be auspicious as it provides protection from evil spirits and demons. Marriage processions were believed to be vulnerable to such spirits who target peoples happiness. It was a common belief that demons followed a marriage procession or ''Baryat''/Barat to bewitch the newly married and performance of Chholiya could prevent this.


Instruments

The ''turi'' (तुरी), ''nagphani'' (नागफनी) and ''ransing'' (रणसिंघ) belonging to the
brass instrument A brass instrument is a musical instrument that produces sound by Sympathetic resonance, sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term ''labrosone'', from Latin elements meani ...
family are traditional instruments of the
Kumaon division Kumaon (; , ; historically romanised as KemāonJames Prinsep (Editor)John McClelland ) is a List of divisions in India, revenue and administrative division in the Indian state of Uttarakhand. It spans over the eastern half of the state and is b ...
, were earlier used in battles to increase the morale of the troops, are used.
Percussion instrument A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or ...
s like ''dhol'' (ढोल), '' damau'' (दमाऊ) which are also native to Kumaun are played by professional musicians known as ''dholies''. ''Masakbeen'' (मसकबीन) or
Bagpipe Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, No ...
introduced by the
British British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories and Crown Dependencies. * British national identity, the characteristics of British people and culture ...
in Kumaun as instruments played in marching bands were assimilated into the wide range of instruments played. Woodwind instruments like the ''nausuriya muruli'' (नौसुरिया मुरूली) (lit. the nine note flute) a kind of flute and ''jyonya'' (ज्योंया) (lit. twin flute) a type of double flute native to Kumaun is also played.


Attire

Donning the traditional Kumauni attire white '' churidar payajama'', the ''
taanka A taanka or paar, is a traditional rainwater harvesting technique, common to the Thar desert region of Rajasthan Royals, Rajasthan, India. It is meant to provide drinking water and water security for a family or a small group of families. A taa ...
'' on their heads, the ''chola'', face covered with sandal wood paste as if ready for battle equipped with tulwar swords and brass shields. Their costume resembles the costume of the ancient martial warriors that inhabited Kumaun.


Features

Accompanied by war-like music, equipped with swords they dance in a perfectly synchronized manner while engaging in mock fights with their fellow dancers. Carrying the triangular red flag the "nishana" (निसाण), ( banners), waving their swords, with fiery expressions on the faces they give the impression of warriors going to battle. There are 22 men in a full team of Chholiya dancers 8 of them are the sword dancers and the rest 14 are musicians.


Forms

The following are the forms of Chholiya popular all over Kumaun which differ in movements * ''Bisu nritya'' (बिसू नृत्य ) * ''Saraanv'' (mock fights) (सरांव) * ''Rann Nritya'' (lit. war dance) (रण नृत्य) * ''Sarankar'' (सरंकार) * ''Veerangna'' (वीरांगना) * ''depanshu'' (दीपांशु) * ''Chholiya Baja'' (छोलिया बाजा) * ''Shauka Shaili'' (शौका शैली) native to Johar region of Kumaun * ''Paitan Baja'' (पैटण बाजा)


References

* ''The Himalayan Gazetter'' by E. T. Atkinson * ''The History of Kumaun'' by B. D. Pandey {{Dance in India Kumaon division Culture of Uttarakhand Indian folk dances Dance in Nepal Khas culture Nepalese folk dances Culture of Sudurpashchim Culture of Karnali