Chhau dance

''Chhau'', also spelled ''Chhou'', is a semi classical Indian dance with martial and folk traditions. It is found in three styles named after the location where they are performed, i.e. the ''Purulia Chhau'' of West Bengal, the ''Seraikella Chhau'' of Jharkhand and the ''Mayurbhanj Chhau'' of Odisha.

The dance ranges from celebrating martial arts, acrobatics and athletics performed in festive themes of a folk dance, to a structured dance with religious themes found in Shaivism, Shaktism and Vaishnavism. The costumes vary between the styles, with Purulia and Serakeilla using masks to identify the character. The stories enacted by Chhau dancers include those from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', the Puranas and other Indian literature.

The dance is traditionally an all males troupe, regionally celebrated particularly during spring every year, and may be a syncretic dance form that emerged from a fusion of classical Hindu dances and the traditions of ancient regional tribes. The dance brings together people from diverse socio-economic backgrounds in a festive and religious spirit.

Etymology

Chhau is a dance style originating from the regions of East India. It may have been derived from Sanskrit ''Chāya'' (shadow, image or mask). Others link it to the Sanskrit root ''Chadma'' (disguise), yet others such as Sitakant Mahapatra suggest it is derived from ''Chhauni'' (military camp, armour, stealth) in Odia language. Claus, p. 109

Features of Chhau

The Chhau dance is mainly performed during festivals in the region of Jharkhand, West Bengal and Odisha, especially the spring festival of Chaitra Parva and in which the whole community participates. The Purulia Chhau dance is celebrated during the Sun festival.

Masks form an integral part of Chhau dance in Purulia and Seraikella styles. The knowledge of dance, music and mask-making is transmitted orally. The Chhau dance found in northern Odisha does not use masks during the dance, but they do when the artists first appear on the stage for introduction to the audience.

The two styles of Chhau dance that use masks, blend within it forms of both dance and martial practices employing mock combat techniques (called ''khel''), stylised gaits of birds and animals (called ''chalis'' and ''topkas'') and movements based on the chores of village housewives (called ''uflis''). This form of the Chhau dance, states Mohan Khokar, has no ritual or ceremonial meaning, it is a form of community celebration and entertainment.

The dance is performed by male dancers, at night in an open space, called ''akhada'' or ''asar''. The dance is rhythmic and set to traditional folk music, played on the reed pipes ''mohuri'' and shehnai. A variety of drums accompany the music ensemble including the dhol (a cylindrical drum), ''dhumsa'' (a large kettle drum) and ''kharka'' or ''chad-chadi''. The themes for these dances include local legends, folklore and episodes from the ''Ramayana'' and ''Mahabharata'' and other abstract themes.Chhau dance
UNESCO, Representative List of the Intangible Cultural Heritage of Humanity

The precursors of Chhau dance (especially Purulia style) were not only ''Paika'' and Natua, but ''Nachni'' dance also played an important role in giving Chhau its present identity. Chhau dance borrows the female gaits and movements from the ''Nachni'' dance almost exclusively (Bhattacharya, 1983, Chakravarti, 2001, Kishore, 1985). The female dance elements in Chhau introduced the aspects of ''Lasya Bhava'' from the Natya Shastra that brought elegance, sensuality, and beauty in the dance form, whereas, the virile male dance movement is attributed to the Shiva's ''tandava'' style of dance (Bose 1991). There are different interpretations to ''tandava'' and ''lasya''. I have above-mentioned the most commonly accepted definition of ''tandava'' and ''lasya'' above. Bose foregrounds the debate between the relation of ''lasya'' and ''tandava'' critically in his analysis of dance in Sanskrit texts. See Bose, Mandakranta.

Three styles of Chhau

The Seraikella Chhau developed in Seraikela, when it was under the rule of Kalinga's Gajapati Rule the present day administrative headquarters of the Seraikela Kharsawan district of Jharkhand, the Purulia Chhau in Purulia district of West Bengal and the Mayurbhanj Chhau in Mayurbhanj district of Odisha. The most prominent difference among the three subgenres is regarding the use of masks. While, the Seraikela and Purulia subgenres of Chhau use masks during the dance, the Mayurbhanj Chhau uses none. Claus, p. 110

The Seraikella Chhau's technique and repertoire were developed by the erstwhile nobility of this region who were both its performers and choreographers, and in the modern era people from all backgrounds dance it. The Seraikella Chhau is performed with symbolic masks, and the acting establishes the role the actor is playing. The Purulia Chhau uses extensive masks shaped in the form of the character being played; for example, a lion character has a face mask of lion and body costumes too with the actor walking on all fours. These masks are crafted by potters who make clay images of Hindu gods and goddesses and is primarily sourced from the Purulia district of West Bengal. In the Mayurbhanj Chhau is performed without masks and is technically similar to the Seraikella Chhau.

Recognition

In 2010, the Chhau dance was inscribed in the UNESCO's Representative List of the Intangible Cultural Heritage of Humanity.

The Government of Odisha established the Government Chhau Dance Centre in 1960 in Seraikella and the Mayurbhanj Chhau Nritya Pratisthan at Baripada in 1962. These institutions engage in training involving local gurus, artists, patrons and representatives of Chhau institutions and sponsor performances. The Chaitra Parva festival, significant to the Chhau Dance, is also sponsored by the state government. The Sangeet Natak Akademi has established a National Centre for Chhau Dance at Baripada, Odisha.

In popular culture

*The Hindi film Barfi! has several scenes that features the ''Purulia Chhau'' in it.

* Eastern Zonal Cultural Centre, Kolkata, brings you the documentary. The video is a documentary on the Purulia Chhau of West Bengal. The Chhau is a semi-classical dance form from Eastern India which has tribal and folk origins.

Chhau mask

Purulia Chhau Dance is listed on UNESCO's world heritage list of dances. The main difference between the Purulia Chhau and Mayurbhanj Chhau is in the use of the mask. Purulia Chhau uses masks in dance, but Mayurbhanj Chhau does not have masks thereby adding facial expression with body movements and gestures. Traditionally, the chhau dance is held during mid-march when one agricultural circle ends and a new circle begins. Purulia Chhau dancers wear the earthy and theatrical mask which represent the mythological characters. After making the shape of mask with clay, it is coloured and decorated with Shola and other things.

The Chhau mask of Purulia is registered under Geographical Indications. As the basic difference of Purulia Chhau the mask is unique and traditional.

These chhau masks are made by the artists by the ''Sutradhar community''. The making of a mask goes through various stages. 8-10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the mud mould is dusted with fine ash powder. The facial features are made of clay. A special layer of mud and cloth is applied and the mask is then sun-dried. After this, the mould is polished and the second round of sun drying is done before separating the layers of cloth and paper from the mould. After finishing and drilling of holes for the nose and eyes, the mask is coloured and decorated.

Gallery

File:Chhau Nritya (2).jpg, Chhau dance artist-female
File:Chhau Nritya (3).jpg, Chhau dance artist-male
File:Chhau Nritya (4).jpg, Chhau dance artist-male
File:Chhau Nritya (5).jpg, Chhau dance artists
File:Chhau Nritya (6).jpg, Chhau dance artist
File:Chhau Dancers.jpg, Chhau dancers in a village of Jharkhand
File:Chhau dancer demon mask.jpg, Chhau dancer with demon mask performing at night
File:Traditional chhau dancer.jpg, A chhau dancer performing among the villagers in Jharkhand
File:Mayurbhanj Chhau music troupe performing.jpg, A Mayurbhanj Chhau music troupe performing

References

Further reading

* Asutosh Bhattacharya, ''Chhau dance of Purulia''. Pub. Rabindra Bharati University, 1972.
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* Kishore, Vikrant (2014). From real to reel : folk dances of India in Bollywood cinema. Adelaide, South Australia UNESCO-APNIEVE Australia , 9780992525996
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External links

Chhau dance: Spandan
Shiva themes, Carolina Prada (2013)





Mauyrbhanj district website with information on Chhau

Saraikela Kharsawan district website with information on Chhau

{{DEFAULTSORT:Chhau Dance
Chhau
Folk dances of Jharkhand
Odia culture
Culture of West Bengal
Culture of Jharkhand
Intangible Cultural Heritage of Humanity
Cultural heritage of India
Articles containing video clips
War dances
Purulia
Folk dances of West Bengal
Folk dances of Odisha
Intangible Cultural Heritage of India