Check Your Head

''Check Your Head'' is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album '' Paul's Boutique'' (1989) and ''Check Your Head'', which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.

The album was re-released in a number of formats in 2009, with 16 B-sides and rarities, as well as a commentary track, included as bonus material. It is one of the albums profiled in the 2007 book '' Check the Technique'', which includes a track-by-track breakdown by Diamond, Yauch, Horovitz, Caldato, and frequent Beasties collaborator Money Mark.

Background

''Check Your Head'' was the first Beastie Boys album to be fully co-produced by Mario Caldato Jr., who had been an engineer on ''Paul's Boutique'' and was credited as producer on that album's track " Ask for Janice". It also marked the first appearance on one of their albums of keyboardist Money Mark, who became a regular collaborator of the band.

The album was somewhat of a return by the Beastie Boys to their punk roots. It featured the trio playing their own instruments on the majority of the album, for the first time on record since their early EPs, due to the commercial failure of ''Paul's Boutique''. This inspired photographer Glen E. Friedman to shoot photos of the Beasties with their instrument cases, one of which was used as the cover of the album. Supposedly, a trading card for Norman Schwarzkopf Jr. from a set of Desert Storm trading cards was the inspiration for the album's title.

The Beastie Boys toured with the Rollins Band and Cypress Hill in early 1992 to support ''Check Your Head''.

Critical reception

In ''The New York Times'', James Bernard wrote that the "frenzied hybrid" of musical styles on ''Check Your Head'' "is tough to follow but well worth the effort", concluding that the album "demonstrates that the Beastie Boys will risk commercial failure to do what they please." Adam Higginbotham gave it a four-out-of-five rating in '' Select'' and called it an "excellent" record that he nonetheless felt would sell poorly due to its "hopelessly eccentric" nature. ''Chicago Tribune'' critic Greg Kot awarded it three out of four stars and credited the Beastie Boys for "showing surprising resiliency and versatility", while Steven Blush of '' Spin'' praised the album's "thick, deep, textured, and varied" songs and emphasis on groove. Writing for ''Rolling Stone'', Kevin Powell deemed it the group's "most unconventional outing to date" and found its eclecticism "confusing at times" but distinctive, giving the album three-and-a-half stars out of five. At the end of 1992, ''Check Your Head'' was named the year's fourth-best album by ''Spin'', and it placed fifth in ''The Village Voice''s Pazz & Jop critics' poll.

Stephen Dalton was less impressed in ''NME'', rating ''Check Your Head'' six out of ten and finding that the Beastie Boys had regressed as lyricists, "mimicking the music's laid back laziness and trading much of their trademark humour for seemingly improvised shouting matches." In ''Entertainment Weekly'', David Browne gave it a "D" grade and panned it as "sophomoric" and sounding "as if it were recorded underwater." Robert Christgau deemed the album a "great concept" executed only "halfway there at best" in a year-end essay for ''The Village Voice'', later assigning it a " neither" rating.

In a retrospective review, AllMusic editor Stephen Thomas Erlewine said that on ''Check Your Head'', the Beastie Boys "repositioned themselves as a lo-fi, alt-rock groove band" who "had not abandoned rap, but it was no longer the foundation of their music, it was simply the most prominent in a thick pop-culture gumbo". He cited the album's "earth-bound D.I.Y." approach as "a big reason why it turned out to be an alt-rock touchstone of the '90s, something that both set trends and predicted them." ''The A.V. Club''s Nathan Rabin called it "a dorm-room staple and cultural touchstone" that "was just as radical a reinvention" as ''Paul's Boutique'' and marked the group's "strangely organic evolution into adventurous sonic astronauts".

In 1995, ''Alternative Press'' placed ''Check Your Head'' at number 23 on its list of the top 99 albums released from 1985 to 1995. Four years later, ''Spin'' listed ''Check Your Head'' as the twelfth-best album of the 1990s. In 2022, ''Pitchfork'' ranked it as the 67th-best album of the 1990s, praising the album's funk-inspired instrumentals. It was ranked at number 261 in the 2020 edition of ''Rolling Stone''s "500 Greatest Albums of All Time" list.

Track listing

All tracks written by Beastie Boys (Adam Yauch, Michael Diamond, Adam Horovitz) and "Money" Mark Nishita, except where noted.

Personnel

;Beastie Boys
*Ad-Rock – vocals, guitar
* MCA – vocals, bass
* Mike D – vocals, drums

;Additional personnel
*Money Mark – synthesizer, clavinet, organ, Wurlitzer
*James Bradley, Jr. (Tracks 2, 4, 10, 13, 16, 20) – percussion
*Juanito Vazquez (Tracks 5, 15) – percussion ( cuica, conga)
*Art Oliva (Tracks 5, 19) – percussion ( batá, shakeree)
*Drew Lawrence (Track 6) – percussion (tamboura, mridungan)
*Biz Markie – vocals on "The Biz Vs. The Nuge"
* Alexandra "Xan" Cassavetes (credited as "Nax Setevassac") – background vocals on "The Maestro"

;Technical personnel
*Beastie Boys – producer
* Mario Caldato, Jr. – producer, engineer
*Tom Baker – mastering
* Glen E. Friedman – photography

Charts

Certifications

References

External links

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1992 albums
Beastie Boys albums
Capitol Records albums
Albums produced by Mario Caldato Jr.
Progressive rap albums
Rapcore albums
Alternative rock albums by American artists
Progressive music albums by American artists