Charles Sims (painter)
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Charles Henry Sims (28 January 1873,
Islington Islington ( ) is an inner-city area of north London, England, within the wider London Borough of Islington. It is a mainly residential district of Inner London, extending from Islington's #Islington High Street, High Street to Highbury Fields ...
–13 April 1928, St. Boswells) was a British figurative painter known for his portraits and landscapes. He initially became renowned as a leading Edwardian painter, but following the death of his son in
World War I World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting to ...
, his work became increasingly idiosyncratic, surreal and controversial. In 1920, he was appointed Keeper, or head, of the
Royal Academy Schools The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...
, a post he was eventually forced to resign in 1926. At the same time, he became estranged from his wife and children. Sims' final paintings, the ''Spiritual Ideas'', were to some viewers his "most beautiful works,"Rutter. but to others highly disturbing. He committed suicide in 1928.


Education and early career

Born in
Islington Islington ( ) is an inner-city area of north London, England, within the wider London Borough of Islington. It is a mainly residential district of Inner London, extending from Islington's #Islington High Street, High Street to Highbury Fields ...
,
London London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ...
, Sims was the son of a costume manufacturer. An injury in infancy threatened his life and resulted in lifelong lameness in one leg. His earliest memories were of painful
physiotherapy Physical therapy (PT), also known as physiotherapy, is a healthcare profession, as well as the care provided by physical therapists who promote, maintain, or restore health through patient education, physical intervention, disease preventio ...
, and as a child he was unable to fully participate in physical activities. This disability was to have a profound influence on his work as an artist. As his son and biographer Alan Sims writes, "His lameness…remained always a considerable burden," and "had much to do with the peculiar direction of his art towards playful subjects and athletic technique," so that "the most notable characteristics" included "a prepossession with the swift movement of flawless bodies bathed in sunlight and air" and "a determination to escape from the actual confines of physical life into a region of his own fancy.…The charm of his happiest pictures is heightened by this pathos." Initially apprenticed in the drapery business, at age 14 he was sent to Paris, where he learned French. Turning his back on a mercantile career, he decided to study art, and in 1890 enrolled at the
South Kensington South Kensington is a district at the West End of Central London in the Royal Borough of Kensington and Chelsea. Historically it settled on part of the scattered Middlesex village of Brompton. Its name was supplanted with the advent of the ra ...
College of Art before moving back to
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of ci ...
for two years at the
Académie Julian The () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907). The school was active from 1868 through 1968. It remained famous for the number and qual ...
. In the need of bursaries to support himself, he moved back to London and enrolled at the
Royal Academy Schools The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...
in 1893, but "his Parisian insolence and cavalier ways alienated the authorities, and in 1895 he was unceremoniously expelled."Reynolds, p. 721. Despite the expulsion, Sims "had gained the confidence to start painting bacchanalian scenes of revelry, executed with astonishing flair," including ''The Vine'' in 1896, his first painting to be exhibited at the Royal Academy. In 1897 he exhibited ''Childhood'', which "established his mastery of the effects of sunlight"; it was shown at the Paris Salon of 1900 and purchased by the French State (it is now at the
Musée d'Orsay The Musée d'Orsay ( , , ) () is a museum in Paris, France, on the Rive Gauche, Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts architecture, Beaux-Arts railway station built from 1898 to 1900. The museum holds mai ...
). He specialized in neo-classical fantasies, typically idealized scenes of women and children (and sometimes fairies and fauns) in outdoor settings. He also found success as a painter of society portraits. In 1897, he married Agnes, a daughter of the painter John MacWhirter. She and their children, sometimes captured in photographs, would become frequent models and subjects in his paintings. In 1906, a one-man show at the Leicester Galleries brought him critical and financial success, allowing him to relocate to rural Fittleworth and then Lodsworth, both villages near Petworth, West Sussex. In 1907 he painted ''An Island Festival'', "possibly his masterpiece." In 1910, ''The Art Journal'' declared him "The very Ariel of the Academy…This is the art which Keats imagined in his ' Ode on a Grecian Urn,' 'For ever panting and for ever young.'" In 1910 he was elected a fellow of the Royal Watercolour Society, and in 1915 to the
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...
. The "breezy, sunny, outdoor subjects" for which he became known were partly inspired by holidays in Arran in Scotland and later at
Bruges Bruges ( , ; ; ) is the capital and largest city of the province of West Flanders, in the Flemish Region of Belgium. It is in the northwest of the country, and is the sixth most populous city in the country. The area of the whole city amoun ...
in Belgium and at Étaples in France, where there was an international artists' colony. In 1921, art critic P.G. Konody reflected on Sims' body of joyous paintings: ''The New York Times'' found in Sims' works "an individuality incapable of dullness or heaviness," and "an unquenchable sprit." File:Charles Sims--What are these to me and you who deeply drink of wine--1895.jpg, ''"What are these to me and you who deeply drink of wine?"'' (1895) File:Charles Sims--Childhood--1897--Musée d'Orsay.jpg, ''Childhood'' (1897) File:Charles Sims, A Fairy Wooing, 1898.tif, ''A Fairy Wooing'' (1898) File:Lilian Braithwaite by Charles Sims.jpg, '' Dame Lilian Braithwaite'' () File:Charles Sims--The Little Faun--version of 1905-1906.jpg, ''The Little Faun'' (version of 1905–1906) File:Sims--An Island Festival--1907.jpg, ''An Island Festival'' (1907) File:Charles Sims01.jpg, ''The Fountain'' (1907/8) File:Charles Sims--Sir Kenneth Clark when he was a boy circa 1911.jpg, ''
Kenneth Clark Kenneth Mackenzie Clark, Baron Clark (13 July 1903 – 21 May 1983) was a British art historian, museum director and broadcaster. His expertise covered a wide range of artists and periods, but he is particularly associated with Italian Renaissa ...
'' () File:Charles Sims00.jpg, ''The Wood Beyond the World'' (1913) File:Charles Sims - and the fairies ran away.jpg, ''"...and the fairies ran away with their clothes"'' (n.d.)


The First World War

The
First World War World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting to ...
was a deeply traumatic experience for Sims. His eldest son, John, serving as a midshipman in the Royal Navy, was killed in November 1914, in the loss of HMS ''Bulwark'', a blow that caused Sims in 1915 to add to his idyllic work ''Clio and the Children'', staining the scroll of the Muse of History with red paint to represent blood. "Sims believed that the War had violated the innocence of future generations. He felt that History could no longer be personified as a beautiful goddess passing on wisdom but that she had more violent lessons to teach."Valentine. Sims's son is among the missing commemorated on the Portsmouth Naval Memorial. In February 1917, Sims exhibited a suite of austere, idiosyncratic, deliberately archaic paintings depicting ''The Seven Sacraments of the Holy Church''. According to his son Alan, "Nobody knew what to make of them." Their present location is unknown, and they are today the least-known of his works. In 1918, he traveled to France as an official war artist, painting a series of devastated landscapes. He also painted works memorializing the war dead, using the imagery of the
Crucifixion Crucifixion is a method of capital punishment in which the condemned is tied or nailed to a large wooden cross, beam or stake and left to hang until eventual death. It was used as a punishment by the Achaemenid Empire, Persians, Ancient Carthag ...
. In ''Greater Love Hath No Man'' (1916), his own son appears on a cross, with members of the family below. Another crucifixion on a much larger scale and with panoramic details, with Christ on the cross, became Sims' contribution to the
Canadian War Museum The Canadian War Museum (CWM) () is a National museums of Canada, national museum on the military history of Canada, country's military history in Ottawa, Ontario, Canada. The museum serves as both an educational facility on Canadian military hist ...
, ''Sacrifice'' (1919). In 1920 Sims was commissioned to decorate the ceiling of the Institute of Civil Engineers in Great George Street, Westminster, and the result was a more conventional but still "highly inventive" paean to the war effort, wherein "a figure of Victory swoops down, surrounded by a billowing Union Jack and holding the victor's laurels, although it also serves as a wreath for the dead. At the edges people crane their necks to peer upwards…and a biplane, emblem of modernity, crosses the composition." Victory wears a hood and most of her face cannot be seen. File:Charles Sims05.jpg, ''Clio and the Children'' (1913/15) File:Sims--Greater Love--RA 1816-18.tif, ''Greater Love Hath No Man'' (1916) File:Charles Sims - Dawn over the battlefields of Vimy, Loos, Mons, Trones… - Sims-98607.jpg, ''Dawn over the battlefields of Vimy, Loos, Mons, Trones'' () File:The Old German Front Line, Arras, 1916 Art.IWMART2282.jpg, ''The Old German Front Line, Arras, 1916'' (1919) File:Charles Sims-Sacrifice (CWM 19710261-0662).jpg, ''Sacrifice'' (1919) File:Study for ceiling painting for the Great Hall of the Institute of Civil Engineers, London by Charles Sims.JPG, ''Study for Ceiling Painting for the Great Hall of the Institute of Civil Engineers'' ()


Professional controversies, personal upheavals

In the last decade of his life, Sims' work became increasingly controversial. In 2019, a surviving version of the painting, on loan from The Box, Plymouth, was put on display in the Member's Dining Room in the
Palace of Westminster The Palace of Westminster is the meeting place of the Parliament of the United Kingdom and is located in London, England. It is commonly called the Houses of Parliament after the House of Commons and the House of Lords, the two legislative ch ...
to mark the centenary of Astor taking her seat. In 1920, Sims was appointed Keeper, or head, of the
Royal Academy Schools The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...
, an ironic achievement for a man who had himself been expelled as a student. The position included a residence in
Burlington House Burlington House is a building on Piccadilly in Mayfair, London. It was originally a private English Baroque and then Neo-Palladian mansion owned by the Earl of Burlington, Earls of Burlington. It was significantly expanded in the mid-19th cent ...
, and "placed him at the very heart of the organisation, as the guardian of future generations of painters rigorously drilled in the traditional methods of drawing and composition."Wilcox. A surviving, smaller version of Sims' portrait of George V is kept at the Scottish National Portrait Gallery. In 1925, Sims was commissioned to contribute to "The Building of Britain," a series of historical paintings by various artists in St. Stephen's Hall of the
Palace of Westminster The Palace of Westminster is the meeting place of the Parliament of the United Kingdom and is located in London, England. It is commonly called the Houses of Parliament after the House of Commons and the House of Lords, the two legislative ch ...
in London. Unveiled in 1927, ''King John assents to Magna Carta'' attracted criticism from the press, Members of Parliament and other artists for its idiosyncrasy. Added to these professional tribulations and lingering grief for his son was upheaval in Sims' personal life. His biographer H. Cecilia Holmes suggests that Sims took as his mistress Vivienne Jeudwine, whose portrait with her son (possibly by Sims) he exhibited at the Royal Academy in 1924. Another portrait of Jeudwine by Sims, undated, is unabashedly intimate. His affair with Jeudwine eventually ended, but Sims was irreconcilably estranged from his wife, Agnes. When he vacated the Keeper's residence at Burlington House in June, 1926, "he did not return to his wife and children—by this stage his marriage was dead in all but name—but embarked upon a series of foreign trips and long-term spells as a guest in the homes of friends." File:Sims--Lady Astor--First Woman MP--1919--The Box Plymouth.jpg, ''Introduction of Lady Astor as the First Woman MP'' () Charles Sims--The Sands at Dymchurch--c1920-2--Tate.jpg, ''The Sands at Dymchurch'' (-2) File:Charles Sims--George V.jpg, ''George V'' (surviving version, c. 1924) File:Charles-sims-painting King John.jpg, ''King John assents to Magna Carta'' (1925-1927) File:Charles Sims--Mrs Jeudwine and son--1924.jpg, ''Mrs. Jeudwine and her son Wynne'' (1924) File:Charles Sims - The Artist's Mistress.jpg, Portrait of Vivienne Jeudwine, undated


The ''Spiritual Ideas'' and subsequent suicide

Abandoning portraiture and representational painting altogether, Sims embarked on the final phase of his creative career, which resulted in a series of paintings that would be termed the ''Spiritual Ideas''. They depict visually smeared and abstracted maelstroms of cosmic energy in which naked and contorted figures are overwhelmed by gigantic, personified forces; their enigmatic content and Sims' apparent turn to a
modernist Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and soc ...
style startled and confused the artistic establishment. Critics likened the paintings to the works of
El Greco Doménikos Theotokópoulos (, ; 1 October 1541 7 April 1614), most widely known as El Greco (; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. ...
,
William Blake William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the Romantic poetry, poetry and visual art of the Roma ...
,
Wassily Kandinsky Wassily Wassilyevich Kandinsky ( – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstract art, abstraction in western art. Born in Moscow, he spent his childhood in ...
, and the Italian Futurists. In private letters from March 1928, Sims wrote of his "acute mental distress," saying that "something has happened far away, something that I need have no shame in telling you one day"; it is believed he was referring to his estrangement from his wife, which further isolated him as he was grieving the loss of his son. On 13 April 1928, weeks before a Royal Academy exhibition including six of Sims' ''Spiritual Ideas'' was to open on 7 May, he committed suicide by drowning in the
River Tweed The River Tweed, or Tweed Water, is a river long that flows east across the Border region in Scotland and northern England. Tweed cloth derives its name from its association with the River Tweed. The Tweed is one of the great salmon rivers ...
near St. Boswells,
Scotland Scotland is a Countries of the United Kingdom, country that is part of the United Kingdom. It contains nearly one-third of the United Kingdom's land area, consisting of the northern part of the island of Great Britain and more than 790 adjac ...
, jumping from the Leaderfoot Viaduct with stones in his pockets. Contemporary viewers of the exhibition were concerned about the content of the paintings, especially with regard to Sims' mental health and subsequent suicide, and saw critical reception of the exhibition as insensitive. The RA president, Sir Frank Dicksee, who had previously overseen the destruction of Sims' portrait of George V, said the paintings were "in marked contrast to all his previous work," indicating "a violent change of mentality." Ultimately, to address the public's curiosity, all six of the exhibited ''Spiritual Ideas'' were illustrated in colour in the popular press; a headline in the ''New York Times'' declared "Suicide's Pictures Make London Gasp." Months later, when four of the ''Spiritual Ideas'' were shown in the United States as part of the annual Carnegie International, they "were unquestionably the profound sensation of that exhibition." Sims' state of mind was addressed by
Frank Rutter Francis Vane Phipson Rutter (17 February 1876 – 18 April 1937)"Rutter, Frank V. P.", ''Who Was Who'', A & C Black, 1920–2007; online edn, Oxford University Press, Dec 2007. Retrieved froukwhoswho8 August 2008. was a British art art critic, c ...
, critic of ''
The Sunday Times ''The Sunday Times'' is a British Sunday newspaper whose circulation makes it the largest in Britain's quality press market category. It was founded in 1821 as ''The New Observer''. It is published by Times Newspapers Ltd, a subsidiary of N ...
'': "A man who has been suffering from continued insomnia may well not be responsible for his actions, but he is not necessarily insane. To suggest that there are traces of mania in these last and most beautiful works from his brush betrays a lamentable lack of understanding, and is an undeserved slight on the memory of a sweet and reasonable painter." Sims himself, in a posthumously published essay, reflected on the ''Spiritual Ideas'': Alan Sims wrote of his father's suicide: "He himself followed out his
Epicureanism Epicureanism is a system of philosophy founded 307 BCE based upon the teachings of Epicurus, an ancient Greek philosopher. Epicurus was an atomist and materialist, following in the steps of Democritus. His materialism led him to religious s ...
to its logical conclusion, and ceased to live when he ceased to believe in future happiness."Sims, p. 94. File:Charles Sims, Saints and Sinners--c1927.jpg, ''Saints and Sinners'' () File:Charles Sims--Crowds of Small Souls in Flame--1927.jpg, ''Crowds of Small Souls in Flame'' (1927) File:Charles Sims--Man's Last Pretence of Consummation in Indifference.jpg, ''Man's Last Pretence of Consummation in Indifference'' () File:Charles Sims03.jpg, ''I Am the Abyss and I Am Light'' (1928) File:Charles Sims--My Pain Beneath Your Sheltering Hand-- c1928.jpg, ''My Pain Beneath Your Sheltering Hand'' ()


Legacy

In 1933, the Royal Academy presented a Commemorative Exhibition of Works by Late Members, which included over 80 works by Sims, a veritable retrospective of his career. The da Vinci expert Edward McCurdy wrote: 1934 saw the posthumous publication of Sims' ''Picture Making: Technique & Inspiration'', a book "rich in insights into the theory and practice of painting."Christian, p. 133. The illustrated volume also included Sims' notes on his own paintings and passages from his private journals, and a lengthy critical survey of his life and work by his son Alan Sims, making it an invaluable resource for researchers and art historians. The early paintings that established his career, like ''Childhood'', "showed a whimsicality fashionable in Edwardian London but ultimately detrimental to a late-twentieth-century revival of interest in his work." Nonetheless, many of his most important works remain in museum collections, and whatever the fate of his reputation, the paintings themselves were made to last. Alan Sims asserts that his father, beginning around 1909, painstakingly researched and developed a "method of painting in tempera with an oil finish" that was Since 2005, three doctoral theses have dealt at length with Sims and his paintings. H. Cecilia Holmes' ''"A bright memory to remain": The Life and Works of Charles Sims RA (1873-1928)'', by delving into the archive of Sims' letters, diaries, and photographs at Northumbria University, creates a very human portrait of the artist. Holmes was the first scholar to suggest a connection between the remarriage of Vivienne Jeudwine and Sims' decision to commit suicide. For almost a century, Sims' legacy has been dogged by rumors of insanity. The catalogue for the 1989 exhibit ''The Last Romantics'' at the Barbican Art Gallery (which included four works by Sims) repeated the notion that his final paintings were "apparently the product of a seriously disturbed mind." The initial inclusion of Sims' work in the collection of the Bethlem Museum of the Mind was apparently due to "a belief that Sims was suffering from serious mental disorder." And in the 21st century, one gallery specializing in
Outsider art Outsider art is Fine art, art made by Autodidacticism, self-taught individuals who are untrained and untutored in the traditional arts with typically little or no contact with the Convention (norm), conventions of the art worlds. The term ''ou ...
has gone so far as to suggest, with no supporting evidence, that Sims had
schizophrenia Schizophrenia () is a mental disorder characterized variously by hallucinations (typically, Auditory hallucination#Schizophrenia, hearing voices), delusions, thought disorder, disorganized thinking and behavior, and Reduced affect display, f ...
. Ultimately, as the Bethlem acknowledges, Alan Sims wrote that his father's series of Spiritual Ideas was both "the greatest and last work of his life." In 1929, when the
Cleveland Museum of Art The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian art, Asian and Art of anc ...
acquired Sims' ''Here Am I'', museum curator William Mathewson Milliken wrote: In 1965, the
Cleveland Museum of Art The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian art, Asian and Art of anc ...
deaccessioned ''Here Am I''. The present location of the painting is unknown.


In museum collections


London


''Clio and the Children''
1913 and 1915,
Royal Academy of Arts The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...

''King John assents to Magna Carta''
1925–1927,
Palace of Westminster The Palace of Westminster is the meeting place of the Parliament of the United Kingdom and is located in London, England. It is commonly called the Houses of Parliament after the House of Commons and the House of Lords, the two legislative ch ...

''The Fountain''
1907–8
''The Wood Beyond the World''
1913
''The Sands at Dymchurch''
c.1920–2
''I Am the Abyss and I Am Light''
1928,
Tate Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK ...

''A Camouflaged Quarry: Between Chérisy and Hendicourt''
1916
''"Sacrifice": Study for the painting in Ottawa''
1918
''The Land of Nod'' (poster)
1917, Imperial War Museums
''Dame Lilian Braithwaite''
c. 1902, The Garrick Club Collections
of a Young Man''; ''Aspiration'', 1927; ''Crowds of Small Souls in Flame'', 1927; ''A Spiritual Idea'', 1927; ''Swing''; ''My Pain Beneath Thy Sheltering Hand'', 1927
Bethlem Museum of the Mind


United Kingdom


''Two Girls Seated: Diana and Sarah Churchill''
1922,
National Trust The National Trust () is a heritage and nature conservation charity and membership organisation in England, Wales and Northern Ireland. The Trust was founded in 1895 by Octavia Hill, Sir Robert Hunter and Hardwicke Rawnsley to "promote the ...
,
Chartwell Chartwell is a English country house, country house near Westerham, Kent, in South East England. For over forty years, it was the home of Sir Winston Churchill. He bought the property in September 1922 and lived there until shortly before his ...
.
''The Little Faun''
version of 1905–1906, The Fitzwilliam Museum
''The Little Faun''
version of 1908, Royal Cornwall Museum
''Introduction of Lady Astor as the First Woman MP''
c. 1919, The Box, Plymouth
''What Are These to Me and You Who Deeply Drink of Wine?''
1895, Leeds Art Gallery
''An Interrupted Picnic''
1901, Cartwright Hall
''Man's Last Pretence of Consummation in Indifference''
1927, Ulster Museum
''George V''
c. 1924, Scottish National Portrait Gallery
''Mrs. MacWhirter''
City Art Centre,
Edinburgh Edinburgh is the capital city of Scotland and one of its 32 Council areas of Scotland, council areas. The city is located in southeast Scotland and is bounded to the north by the Firth of Forth and to the south by the Pentland Hills. Edinburgh ...


Elsewhere


''L'Enfance (Childhood)''
1897,
Musée d'Orsay The Musée d'Orsay ( , , ) () is a museum in Paris, France, on the Rive Gauche, Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts architecture, Beaux-Arts railway station built from 1898 to 1900. The museum holds mai ...

''Sacrifice''
c. 1918,
Canadian War Museum The Canadian War Museum (CWM) () is a National museums of Canada, national museum on the military history of Canada, country's military history in Ottawa, Ontario, Canada. The museum serves as both an educational facility on Canadian military hist ...

''Child Worship''
c. 1909,
Cleveland Museum of Art The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian art, Asian and Art of anc ...

''An Island Festival''
1907,
Art Gallery of New South Wales The Art Gallery of New South Wales (AGNSW), founded as the New South Wales Academy of Art in 1872 and known as the National Art Gallery of New South Wales between 1883 and 1958, is located in The Domain, Sydney, Australia. It is the most import ...

''By Summer Seas'', c. 1904; ''Figure of a Woman'' c. 1905; ''The Death of the Year'', 1910-1912
Museum of New Zealand Te Papa Tongarewa
''Bacchanalia''
n.d.,
Hermitage Museum The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia, and holds the large ...


Cultural references

A reference to Charles Sims and his work is made in Robert Aickman's story "Ravissante," where his paintings are described: "apparently confused on the surface, even demented, they made one doubt while one continued to gaze, whether the painter had not in truth broken through to a deep and terrible order."


At auction

An auction record for a work by Charles Sims was set by ''In Elysium'', auctioned for £36,000 at Sotheby's London in 2006, then equivalent to $66,212.


References


Sources


"A Fairy Wooing"
the 1898 painting by Charles Sims reproduced in colour with a brief essay, p. 47, ''Great Pictures in Private Galleries'', London: Cassell and Co., Ltd., 1905. * Baldry, A. Lys
"The Paintings of Mr. Charles Sims"
(includes one colour and ten black and white reproductions) in ''The International Studio,'' issue 41, 1907, pp. 88–98. * Bromwell, Thomas (2019)
''Visions of the End in Interwar British Art''
Doctoral Thesis, University of York. * Carter, A.C.R. (1898)
"The Royal Academy, 1898"
''The Art Journal'', 1898, pp. 161–184
Sims reviewed, p. 183
. * Carter, A.C.R. (1910)
"The Royal Academy, a General Survey"
''The Art Journal'', 1910, pp. 162–170.

''The New York Times'', 18 December 1926, p. 4. * Colbourne, Jane Florence (2011)
''A Critical Survey of the Materials and Techniques of Charles Henry Sims RA (1873-1928) with Special Reference to Egg Tempera Media and Works of Art on Paper''
Doctoral thesis, Northumbria University. * "Charles Sims—Decorative, Mystical: Works in the Winter Exhibition at the Royal Academy" (full page with seven reproductions), ''The Illustrated London News'', 14 January 1933, p. 56. * Christian, John, editor. ''The Last Romantics: The Romantic Tradition in British art, Burne-Jones to Stanley Spencer'', London: Lund Humphries in association with Barbican Art Gallery, 1989.

''The New York Times'', 17 April 1928, p. 29.
Grimsditch, H.B. "Sims, Charles (1873–1928)"
in ''Oxford Dictionary of National Biography'', Oxford University Press, 1937 (online as "archive edition"). * Hall, Susan, editor. ''The Edwardians: Secrets and Desires'', National Gallery of Australia, 2004. * Holmes, H. Cecilia (2005)
''"A bright memory to remain": The Life and Works of Charles Sims RA (1873-1928)''
Doctoral thesis, Northumbria University. * Konody, P.G. "The Art of Charles Sims. R.A." in ''Art in Australia'', no. 11, December, 1921. * McCurdy, Edward. "Painters of Yesterday" in ''The Quarterly Review'', Vol. 260, No. 516, April, 1933, pp. 258–259. * Milliken, William Mathewson
''"Lo, Here Am I"''
''The Bulletin of the Cleveland Museum of Art'', vol. 16, no. 3, 1929, pp. 47, 52–54.
Reynolds, Simon. "Sims, Charles Henry (1873–1928)"
in ''Oxford Dictionary of National Biography'', Oxford University Press, 2004 (online as "current edition"). * Royal Academy of Arts (1933)
''Commemorative Exhibition of Works by Late Members''
Winter Exhibition, Fifty-Second Year, 1933. * Rutter, Frank. "The Academy," ''The Sunday Times'', 8 May 1928. *Seel, Graham
"The Artist and the King"
''History Today'', vol. 65, issue 7, July 2015, pp. 39–44. * Sims, Charles. ''Picture Making: Technique & Inspiration'' (with a critical survey of his life & work by Alan Sims), The New Art Library (Second Series), London: Seeley Service & Co., 1934. * Speed, Harold. "Charles Sims, R.A." in ''The Old Water-Colour Society's Club'', Vol. 6 (1928-1929), London, 1929, pp. 45–64; a self-portrait of Sims faces p. 46.

''The New York Times'', 5 May 1928, p. 5. * Valentine. Helen
"1916: Altered States"
in ''The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018'', edited by Mark Hallett, Sarah Victoria Turner and Jessica Feather, London: Paul Mellon Centre for Studies in British Art, 2018. * Wilcox, Timothy
"1928: The Agony and Ecstasy of Charles Sims"
in ''The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018'', edited by Mark Hallett, Sarah Victoria Turner and Jessica Feather, London: Paul Mellon Centre for Studies in British Art, 2018.

''The New York Times'', 4 October 1925, Section SM, pp. 14–15.


External links

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Charles Sims
at the
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Charles Sims RA (1873-1928)
at Royal Academy of Arts
Artist in Focus: Charles Sims
an
6 works by Sims
at Bethlem Museum of the Mind
Brief biography
at Liss Llewellyn gallery {{DEFAULTSORT:Sims, Charles 1873 births 1928 deaths 19th-century English painters English male painters 20th-century English painters British outsider artists Académie Julian alumni History of mental health in the United Kingdom People from Islington (district) Painters from the London Borough of Islington People with mental disorders British artists with disabilities Royal Academicians 19th-century English male artists World War I artists 20th-century British war artists People from Fittleworth 20th-century English male artists Artists who died by suicide 1928 suicides Suicides by drowning in England