Charles-Simon Catel (10 June 1773 – 29 November 1830) was a French composer and educator born at
L'Aigle,
Orne.
Biography
Catel studied at the Royal School of Singing in Paris. He was the chief assistant to
François-Joseph Gossec at the orchestra of the National Guard in 1790. A member of the Institute, he jointly composed pieces of military music for official state ceremonies, including ''L'Hymne à la Victoire'' (Victory Hymn), with words by
Ponce-Denis Écouchard-Lebrun. He was appointed inaugural professor of harmony at the
Conservatoire de Paris, but was destitute in 1814. Amongst his students were the
Prix de Rome winning composers
Joseph Daussoigne-Méhul
Joseph Daussoigne-Méhul (10 June 1790 – 10 March 1875) was a French composer and music educator. He served as the first director of the Royal Conservatory of Liège from 1826–1862; having been appointed to that post by William I of the Nethe ...
and
, the Belgian composer
Martin-Joseph Mengal
Martin-Joseph Mengal (27 January 1784 - 4 July 1851) was a Belgian composer and teacher.
Mengal came from a musical family and received horn and violin lessons as a child, and by the age of 13 played first horn at the Ghent opera. From 1804 Meng ...
, and the famous, if eccentric, harpist
Nicolas-Charles Bochsa. Catel died in
Paris.
His works include a ''Treatise on Harmony'' (1802), which was used by the young
Berlioz, several concert band works, several dramatic compositions at the
Opéra National de Paris: ''
Sémiramis'', ''
Les bayadères
''Les bayadères'' is an opera in three acts by the composer Charles-Simon Catel. The French-language libretto, by Victor-Joseph Étienne de Jouy, is based on Voltaire's story ''L'education d'un prince''. It was first performed on 8 August 1810 ...
''; at the
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
: ''Artistes par occasion'', ''L'Auberge de Bagnères'' (1807); ''Wallace'' (1817); symphonies, quartets etc.
Works
Lyrical works
* ''
Sémiramis'', lyric tragedy in three acts, libretto by
Philippe Desriaux based on
Voltaire, performed by the Opéra de Paris on 4 May 1802.
* ''Les artistes par occasion'', farcical opera in one act, libretto by
Alexandre Duval, performed at the
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
in 1807.
* ''L'auberge de Bagnères'', farcical opera in 3 acts, libretto by C. Jalabert, performed by the Opéra-Comique in 1807.
* ''
Les bayadères
''Les bayadères'' is an opera in three acts by the composer Charles-Simon Catel. The French-language libretto, by Victor-Joseph Étienne de Jouy, is based on Voltaire's story ''L'education d'un prince''. It was first performed on 8 August 1810 ...
'', opera in 3 acts, libretto by
Victor-Joseph-Étienne de Jouy based on
Voltaire, performed at Opéra de Paris on 8 August 1810.
* ''Les aubergistes de qualité'', comedy in 3 acts, libretto by
Victor-Joseph-Étienne de Jouy, performed at Opéra-Comique on 17 June 1812
* ''Bayard à Mézières'', comedy in one act, libretto by
Alisvan de Chazet and
Louis Emmanuel Mercier Dupaty, performed at Opéra-Comique in 1814.
* ''Le premier en date'', comedy in one act, libretto by
Marc-Antoine Désaugiers and Pessey, performed at Opéra-Comique in 1814.
* ''Wallace ou Le ménestrel écossais'', epic opera in 3 acts, libretto by L. Ch. J. Fontanes de Saint-Marcellin, performed at Opéra-Comique in 1817.
* ''Zirphile et fleur de myrte ou cent ans en un jour'', "opéra-féerie" in 2 acts, libretto by
Victor-Joseph-Étienne de Jouy and
Nicolas Lefebvre, performed at Opéra de Paris in 1818.
* ''L'officier enlevé'', comedy in one act, libretto by
Alexandre Duval, performed at Opéra-Comique in 1819.
Vocal and choral works
* ''Chant triomphal'', 1807.
* ''Ode sur le Vaisseau
Le Vengeur'', words by
Ponce-Denis Écouchard-Lebrun, for euphonium and orchestra.
* ''Hymne sur la reconquête de Toulon'', for male choir and orchestra.
Sources
*Bouillet's ''Dictionnaire d'histoire et de géographie'' (1842),
Burials at Père Lachaise Cemetery
Academic staff of the Conservatoire de Paris
French male classical composers
French opera composers
1773 births
1830 deaths
French male non-fiction writers
French music theorists
Male opera composers
Military music composers
People from Orne
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