In
Hindustani music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...
, a Chalan is an extensive series of note patterns which summarises the development of a particular
raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
. It discloses the basic grammar of the raga and provides a treatment and melodic context of each tone.
Chalan is the movement of a raga or development of a raga while performing Alap. It may also refer to a Pakad of a raga. (Note: Chalan is mostly similar to the Pakad of a raga)
For example, the Chalan of the
Kedar (raga)
Raga Kedar, also known as Kedara, is a Hindustani classical music, Hindustani classical raga. Named after Lord Shiva, the raga occupies a high pedestal in Indian classical music. It is characterised by many melodious turns. This raga is the re ...
is () ,
Beneath are some Chalans of different ragas for better understanding:
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Bridabani Sarang
Brindaavani Sarang or Brindaabani Sarang, also known as raga Sarang, is a Hindustani classical raga. It is also called Vridaavani Sarang. This raga falls under the category of Sarang ragas.
Theory
Brindabani Sarang is a Kafi thaat raga. ...
- Ni Sa Re Ma Re Pa Ma Re Ni Sa
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Sohni
Sohini is a raga in Hindustani classical music in the Marwa thaat. Alternate transliterations include Sohani and Sohni. Like Bahar, it is a small raga, with not much space for elaboration. It emotes the feel of longing, of passive sensuousnes ...
- Sa Ni Dha, Ga Ma# Dha Ga Ma# Ga
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Ahir Bhairav
Ahir Bhairav is a Hindustani classical ''raga''. It is a mixture of Bhairav and the ancient, rare ''raga'' Ahiri or Abhiri,Bor 1999 or perhaps a mixture of Bhairav and Bageshree.
Theory
Arohana and avarohana
Arohana:
Avarohana:
Key: ...
- S r G M G M r ṇ Ḍ ṇ r S
See also
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Pakad
In Hindustani music, a ''pakad'' (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga. The pakad contains the melodic theme of the raga, on listening to the paka ...
References
Hindustani music theory
Hindustani music terminology
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