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''Ceddo'' (), also known as ''The Outsiders'', is a 1977 Senegalese drama film directed by
Ousmane Sembène Ousmane Sembène (; 1 January 1923 or 8 January 1923 – 9 June 2007), often credited in the French style as Sembène Ousmane in articles and reference works, was a Senegalese film director, producer and writer. The ''Los Angeles Times'' consider ...
. It was entered into the
10th Moscow International Film Festival The 10th Moscow International Film Festival was held 7-21 July 1977. The Golden Prizes were awarded to the Hungarian film '' The Fifth Seal'' directed by Zoltán Fábri, the Spanish film '' El puente'' directed by Juan Antonio Bardem and the S ...
.


Plot

In
Senegal Senegal,; Wolof: ''Senegaal''; Pulaar: 𞤅𞤫𞤲𞤫𞤺𞤢𞥄𞤤𞤭 (Senegaali); Arabic: السنغال ''As-Sinighal'') officially the Republic of Senegal,; Wolof: ''Réewum Senegaal''; Pulaar : 𞤈𞤫𞤲𞤣𞤢𞥄𞤲𞤣� ...
, sometime after the establishment of a European presence in the area but before the imposition of direct French colonial administration, the Ceddo (the outsiders, or non-Muslims) try to preserve their traditional culture against the onslaught of Islam,
Christianity Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesu ...
, and the slave trade. When local king Demba War sides with the Muslims, the Ceddo abduct his daughter, Dior Yacine, to protest their forced conversion to Islam. Two members of the tribe try and fail to recapture the princess. Fearing their position is under threat, the local Imam inspires the Muslims to kill the king and the white Christian slave-traders. They convert the entire village to Islam by force, and manage to recapture the princess. When returning to the village, Dior Yacine rallies the ceddo against the Muslims, and kills the Imam who has taken her father's throne.


Background

When questioned on what year the film takes place Ousmane said "I can't give a date. These events occurred in the 18th and 19th century and are still occurring". The story can be viewed as an abridged version of West-African history, and the village as a microcosm of the continent. For Sembène, the Ceddo embody the resistance of a culture and a traditional way of life to the encroachments of Islam, Christianity and colonialism. The director argued: "I believe today that Africans must get beyond the question of colour, they must recognise the problems which confront the whole world, as human beings like other human beings. If others undervalue us, that has no further significance for us. Africa must get beyond deriving everything from the European view. Africa must consider itself, recognise its problems and attempt to resolve them." He added "Often in Africa it's only the men who speak, but one forgets the role, interest of women. I think the princess is the incarnation of modern Africa... There can be no development in Africa if women are left out of the account".


Banning

Along with a number of Sembène's other films, ''Ceddo'' was banned in Senegal for its presentation of the conflicts between the Islamic and Christian religions and ethnic and traditional beliefs. According to another account reported in ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' in 1978, the banning was not "because of any religious sensitivity, but because Mr. Sembene insists on spelling 'ceddo' with two d's while the Senegalese Government insists it be spelled with one." Sembène had been a major supporter of the pioneering efforts to develop a system for the transcription of the Wolof language, and of the first Wolof-language publications, and spoke with contempt about President Léopold Sédar Senghor's knowledge of Wolof, or lack thereof. Senghor was a Serer, and in his language, unlike Wolof and other languages spoken in Senegal, consonants were not doubled. Sembène had also imposed a ban of his own, a refusal to make multiple prints of the film available to the agents of the Shah, for use in Iran as a propaganda weapon against the appeal of the Ayatollah Khomeini.


See also

* Cinema of Senegal


References


External links

* * {{Ousmane Sembène Films directed by Ousmane Sembène Senegalese drama films 1977 films 1970s French-language films Wolof-language films Films set in the 17th century Films set in Senegal Films set in pre-colonial sub-Saharan Africa Films about Christianity Films about Islam Censored films Films about slavery 1977 multilingual films