Cavetto Cornice

A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of ''cave'', from the Latin for "hollow" (it is the same root as cave). A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements.

The cavetto moulding is the opposite of the convex, bulging, ovolo, which is equally common in the tradition of Western classical architecture. Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°). A concave moulding of about a full semi-circle is known as a "scotia".

Only a minor element of decoration in classical architecture, the prominent cavetto cornice is a common feature of the ancient architecture of Egypt and the Ancient Near East.

Architecture

Ancient Egyptian architecture made special use of large cavetto mouldings as a cornice, with only a short fillet (plain vertical face) above, and a torus moulding (convex semi-circle) below. This cavetto cornice is sometimes also known as an "Egyptian cornice", "hollow and roll" or "gorge cornice", and has been suggested to be a reminiscence in stone architecture of the primitive use of bound bunches of reeds as supports for buildings, the weight of the roof bending their tops out.

Many types of Egyptian capitals for columns are essentially cavettos running round the shaft, often with added decoration. These include the types known as "bell capitals" or "papyrus capitals". These features are often reproduced in Egyptian Revival architecture, as in the Egyptian Building (1845) in Richmond, Virginia.

The cavetto cornice, often forming less than a quarter-circle, influenced Egypt's neighbours and as well as appearing in early Greek architecture, it is seen in Syria and ancient Iran, for example at the Tachara palace of Darius I at Persepolis, completed in 486 BC. Inspired by this precedent, it was then revived by Ardashir I (r. 224–41 AD), the founder of the Sasanian dynasty.

The cavetto took the place of the Greek cymatium in many Etruscan temples, often painted with vertical "tongue" patterns, and combined with the distinctive "Etruscan round moulding", often painted with scales.

This emphasis on the cavetto was very different from its role in mature Ancient Greek architecture, where cavetto elements were relatively small and subordinated to essentially vertical elements, setting the style for the subsequent Western classical tradition. Often an essentially cavetto section is heavily decorated, in Gothic architecture often smothering the shape beneath.

In general the Greeks made much more use of the cyma moulding, where a cavetto and ovolo were placed one above the other to produce a "S" shape; the cymatium using this was a standard part of the cornice in the classical Ionic order, and often used elsewhere. There are two forms, depending on which curve is uppermost: in the ''cyma recta'' the cavetto is on top, in the ''cyma reversa'' the ovolo. A cavetto alone was sometimes employed in the place of the cymatium of a cornice, as in the Doric order of the Theatre of Marcellus in Rome, one of the standard models for revived classical architecture from the Renaissance onwards. But small cavetto mouldings were normal at various places, including integrated ones, not distinguished as a distinct zone by lines or borders, at the bottom of the shaft of columns, beginning the transition to the wider base. These are called an apophyge, or "concave sweep".

Claude Perrault's rebuilding of the Louvre Palace, especially the Louvre Colonnade, explained in his architectural textbook ''Ordonnance for the five kinds of columns after the method of the Ancients'' (1683) why he had replaced a cavetto with a cyma in his illustration of the Doric capital: "a cavetto is not as strong and is more readily broken than the other molding".

File:Molding-ovulo.svg, Ovolo moulding and resulting shadow pattern
File:Cyma recta.png, Cyma recta, with cavetto above ovolo
File:Cyma reversa.png, Cyma reversa, with ovolo above cavetto
File:Piranesi-4039.jpg, The Doric order of the Theatre of Marcellus in Rome, etched by Giovanni Battista Piranesi.

Vessels

In plates and other flattish shapes, ''cavetto'' is used for the curving area linking the base and the rim. This is the case whether the rim is a broad flat surface (typical 20th-century Western plate), or merely the edge of the cavetto (typical modern cereal bowl). Normally the term refers to the top surface of the vessel; if the underside is meant (where the curve is now convex), that may be described as "under the cavetto", "under-cavetto" and so forth.

The cavetto is very often left undecorated, but may have decoration of a different sort from the middle or a flat rim, and the term is typically used when it is necessary to describe this. In complicated pottery shapes, where the normal vocabulary of mouldings is appropriate, cavetto may be used in that sense for any concave curving section.

In the terminology of archaeology, especially relating to pottery (and generally not used of pottery after antiquity, or outside archaeology), a cavetto zone or cavetto is a "sharp concavity encircling the body of a vessel", and also a "deep but narrow neck", both used in relation to mainly upright vessels for storing or cooking food.Gibson, 120 (quoted)
Glossary, Tyne & Wear Museums
, with illustration; see the table of British Food Vessel type
at p. 124 here
/ref>

File:Kinesiska porslinsfat, 1735-1795, Qianlong - Hallwylska museet - 100905.tif, Pair of bowls with cavettos and no distinct rim. The decorated under-cavetto can be seen at right.
File:C.1500 Italian Maioloca dish (UBC).jpg, Here the main decoration continues over the cavetto
File:Missouri Pacific Lines Dining Car Service Plate.jpg, Here the cavetto is left plain, apart from an inscription.
File:Musée de la faïence-60-assiette.jpg, Completely plain cavetto
File:Baksida av tallrik, 1700-tal - Hallwylska museet - 99440.tif, Upturned Japanese bowl with a decorated under-cavetto.
File:Waster Bowls LACMA M.73.119.23 (2 of 2).jpg, Waster bowls; the profile of the cavetto can be seen at lower left.
File:Landesmuseum Natur und Mensch 045.JPG, Cavetto zone, with three rows of indentations in the upper part, on a Neolithic German pot.
File:RoxtonBronzeAgeCremationUrn.JPG, Bronze Age cremation urn, with cavetto, British

See also

* Cymatium

Notes

References

*
*Gibson, Alex M., ''Prehistoric Pottery for the Archaeologist'', 1997, A&C Black, , 9780718519544
google books
* Perrault, Claude, ''Ordonnance for the Five Kinds of Columns after the Method of the Ancients'', translated by Indra Kagis McEwenand and edited by Alberto Perez-Gomez, 1996, Getty Publications, , 9780892362325
google books
* Summerson, John, ''The Classical Language of Architecture'', 1980 edition, Thames and Hudson ''World of Art'' series,
*Winter, Nancy A., "Monumentalization of the Etruscan Round Moulding in Sixth Century BCE Central Italy", in ''Monumentality in Etruscan and Early Roman Architecture: Ideology and Innovation'', edited by Michael Thomas, Gretchen E. Meyers, 2012, University of Texas Press, {{ISBN, 0292749821, 9780292749825
google books

Architectural terminology
Pottery
Ancient Egyptian architecture