Caroline Shaw

Caroline Adelaide Shaw (born August 1, 1982) is an American composer, violinist, and singer. She was awarded the Pulitzer Prize for Music in 2013 for her a cappella piece ''Partita for 8 Voices'' and the 2022 Grammy Award for Best Contemporary Classical Composition for her ''Narrow Sea''.

Early life and education

Shaw was born in Greenville, North Carolina, and began playing the violin when she was two years old. Her mother was her first teacher. She began writing music when she was 10 years old, mostly in imitation of the chamber music of Mozart and Brahms. At the time, her main focus was on violin performance. Shaw received her Bachelor of Music (violin performance) from Rice University in 2004, and her master's degree (violin) from Yale University in 2007. She entered the PhD program in composition in Princeton University in 2010.

Career

At 30, Shaw became the youngest recipient of the Pulitzer Prize for Music for her composition ''Partita for 8 Voices''. The jury citation praised the composition as "a highly polished and inventive a cappella work uniquely embracing speech, whispers, sighs, murmurs, wordless melodies and novel vocal effects." The work comprises four movements inspired by baroque dance forms: Allemande, Sarabande, Courante and Passacaglia. A recording of the work was released by New Amsterdam Records on October 30, 2012, performed by the ensemble Roomful of Teeth (including Shaw). According to Steven Mackey, chair of the Department of Music at Princeton, this is the first Pulitzer Prize awarded to a member of the department. (Milton Babbitt was awarded a Pulitzer citation in 1982 for his life's work as a composer.)

Besides composition, Shaw is known as a musician appearing in many guises. She performs primarily as violinist with the American Contemporary Music Ensemble (ACME) and as vocalist with Roomful of Teeth. She also works with the Trinity Wall Street Choir, Alarm Will Sound, Wordless Music Orchestra, Ensemble Signal, AXIOM, The Yehudim, Victoire, Opera Cabal, the Mark Morris Dance Group Ensemble, Hotel Elefant, the Oracle Hysterical, Red Light New Music, and Robert Mealy's Yale Baroque Ensemble.

Her works have been performed by Roomful of Teeth, So Percussion, ACME, the Brentano String Quartet, yMusic, and the Brooklyn Youth Chorus. Shaw has been a Yale Baroque Ensemble fellow and a Rice University Goliard fellow. She received the Thomas J. Watson Fellowship in 2004/5.

Shaw was the musician in residence at Dumbarton Oaks during the fall of 2014, and was composer in residence with Music on Main in Vancouver, British Columbia, Canada through 2016, and she has said that The Evergreen was inspired by a particular tree in Bluffs Park, Galiano Island.

In October 2015, rapper Kanye West released a remix of "Say You Will", the opening track from his 2008 album, '' 808's & Heartbreak''. The remix, co-produced by Caroline Shaw, features vocals from Shaw similar to her classical compositions. She also features on "Wolves" and contributed vocals to "Father Stretch My Hands Pt. 2", both from West's 7th studio album, ''The Life of Pablo''. Shaw also contributed vocals to a leaked version of " Only One" that appeared on the internet in February 2016.

Compositions

In 2016, the Baltimore Symphony Orchestra commissioned and premiered Shaw's ''The Baltimore Bomb'' as part of the orchestra's bicentennial celebration.

She composed the music for Josephine Decker's 2018 feature film, '' Madeline’s Madeline''.

In 2018, the British Broadcasting Corporation with Coretet, the Philips Collection, the Royal Philharmonic Society and the University of Delaware commissioned Shaw to write two works, ''Second Essay, Echo'' and ''Third Essay: Ruby''. These received their world premiere, performed by the Calidore String Quartet, at the Cadogan Hall, London on July 16, 2018 in the BBC Proms, where they followed her 2016 work ''First Essay, Nimrod''. According to Shaw, ''Nimrod'' was composed while listening to a recording of Marilynne Robinson's book ''The Givenness of Things'' and then in the 2016 US presidential election, which she stated accounted for the "disintegration of elements" in the piece. Shaw stated that ''Echo'' alluded to the 'echo' function in the PHP programming language, as well as to physical echoes, while ''Ruby'' is named for the Ruby programming language as well as for the gemstone.

Voice

* ''Cantico delle creature'' (2007), for soprano, violin, and piano (with an arrangement for an additional cello), premiered by Abigail Haynes Lennox, Trevor Gureckis, and Shaw in April 2007.
* ''By and By'', for string quartet and voice, premiered by Abigail Lennox and the Hudson Quartet on March 11, 2010.
* ''Sounds of the Ocean Cassette Vol. 1'', for narrator, cassette player, and two instruments, premiered in September 2011.
* ''Fly Away I'', for SATB chorus, premiered by the International Orange Chorale of San Francisco in June 2012.
* ''Partita for 8 Voices'', four pieces for eight singers, written 2009–2011 for Roomful of Teeth, premiered as a whole on November 4, 2013, winner of the 2013 Pulitzer Prize for Music.
* ''Its Motion Keeps'', for treble chorus and viola or cello, commissioned by the Brooklyn Youth Chorus, premiered, with Shaw on viola, in November 2013.
* ''Music in Common Time'', for chorus and strings, premiered by Roomful of Teeth and A Far Cry on May 10, 2014.
* ''Anni’s Constant'', for chorus, two violins, cello, piano, guitar, bass guitar, and percussion, commissioned by the Brooklyn Youth Chorus and BAM, premiered November 2014.
* ''and the swallow'', for SATB chorus, on text from Psalm 84; premiered by the Netherlands Chamber Choir on November 11, 2017.
* ''Dolce Cantavi'', for three voices (SSA), on a text by Francesca Turina Bufalini, Contessa di Stupinigi (1544-1641), commissioned and premiered by TENET (Jolle Greenleaf, Molly Quinn, and Virginia Warnken Kelsey performing).
* ''Can’t voi l’aube'' (2016), on an anonymous 12th century French trouvère text; written for Anne Sofie von Otter and Brooklyn Rider.
* ''Ad manus (To the Hands)'' (2016), commissioned by The Crossing for ''Seven Responses'', a seven-piece compilation inspired by Dieterich Buxtehude's ''Membra Jesu Nostri'' cantatas.
* ''so quietly'' (2016), premiered on June 9, 2016 by the Brooklyn Youth Chorus.
* ''Don't Let Me Be Lonely'' (2016), for voices and small chamber group, on text by Claudia Rankine, commissioned by the Ojai Music Festival where it was premiered on June 11, 2016 by Shaw and Roomful of Teeth.
* ''Is a Rose'', three songs commissioned by the Philharmonia Baroque Orchestra for Anne Sofie von Otter:
** ''red, red rose'' (2016), on words by Robert Burns
** ''The Edge'' (2017), on words by Jacob Polley
** ''And So'' (2018), on words by Shaw, Burns, Gertrude Stein, and Billy Joel
* ''Narrow Sea'' (2017), a five-part song cycle on texts from ''The Sacred Harp''.
* ''How to fold the Wind'' (2020), for 12-part SATB chorus; premiered by Ars Nova Copenhagen on September 20, 2020.

Solo instrument

* ''in manus tuas'', for cello or viola, premiered by Hannah Collins in 2009.
* ''Gustave Le Gray'', for piano, premiered by Amy Yang on April 24, 2012.
* ''The Walking Man'', for shakuhachi, written with and for Riley Lee, premiered on April 3, 2012.

Chamber ensemble

* ''Punctum'' (2009, revised 2013), for string quartet, workshopped in 2009–2010 with the Hudson Quartet and the Franklin Quartet, premiered in April 2010. Revised in 2013 for the Brentano Quartet.
* ''Entr'acte'', for string quartet, premiered by the Brentano Quartet on March 21, 2011.
* ''Jacques Duran'', for string trio, premiered by Lorna Tsai, Sage Cole, and Jonina Allan Mazzeo on August 26, 2011.
* ''Limestone & Felt'', for cello and viola, premiered by Hannah Collins and Hannah Shaw in January 2012.
* ''Taxidermy'', for percussion quartet (flower pots, vibraphones, and marimba), premiered by Sō Percussion on May 2, 2012.
* ''Valencia'', for string quartet, premiered by Lorna Tsai, Shaw, Sage Cole, and Shay Rudolph in August 2012.
* ''Boris Kerner'', for cello and flower pots, premiered by New Morse Code (Hannah Collins and Mike Compitello) on November 20, 2012.
* ''Plan & Elevation: The Grounds of Dumbarton Oaks'', for string quartet, commissioned by Dumbarton Oaks, premiered by the Dover Quartet on November 1, 2015.
* ''Draft of a High-Rise'', for sextet, commissioned by Carnegie Hall and yMusic, premiered by the latter on December 2, 2016. In three movements (''Inked Frame''; ''A Scribbled Veneer''; ''Their Stenciled Breath'' ).
* ''Blueprint'' (2016), for string quartet, commissioned by the Wolf Trap Foundation for the Performing Arts for the Aizuri Quartet.
* ''First Essay: Nimrod'' (2016), commissioned by Coretet for the Calidore String Quartet, premiered November 6, 2016.
* ''Second Essay: Echo'' and ''Third Essay: Ruby'', commissioned by the BBC and Chamber Music Northwest, premiered at The Proms by the Calidore String Quartet on July 16, 2018.
* ''Really Craft When You'' (2017), commissioned by Bang on a Can All Stars.
* ''The Evergreen'' (2020), for string quartet, commissioned by Third Angle New Music, Bravo! Vail, Coretet, and Ragazze Quartet. In four movements (''Moss''; ''Stem''; ''Water''; ''Root'').

Orchestra

* ''Entr’acte'', for string orchestra (2014) (an arrangement of the 2011 work for string quartet), commissioned by A Far Cry.
* ''The Baltimore Bomb'' (2016), commissioned by the Baltimore Symphony Orchestra, premiered on September 17, 2016.
* ''Lo'' (2016), concerto for violin and orchestra, premiered March 16, 2016 by Shaw and the Cincinnati Symphony Orchestra, which co-commissioned the work with the Indianapolis Symphony Orchestra, the North Carolina Symphony, and the Princeton Symphony Orchestra.
* ''Watermark'' (2018), concerto for piano and orchestra, commissioned by the Seattle Symphony and the Saint Paul Chamber Orchestra, premiered on January 31, 2019 by pianist Jonathan Biss and the Seattle Symphony.
* ''The Listeners'' (2019), cantata/oratorio for orchestra, chorus, two soloists, and turntable; on texts by Walt Whitman, William Drummond of Hawthornden, Alfred, Lord Tennyson, Carl Sagan, Yesenia Montilla, and Lucille Clifton; premiered on October 17, 2019 by the Philharmonia Baroque Orchestra under conductor Nicholas McGegan.
*''Brush'' (2021), commissioned by the Britt Festival Orchestra, premiered on July 30, 2021 in Jacksonville, Oregon with Teddy Abrams conducting. The work is an experiential installation piece, consisting of multiple stations of musicians that the audience encounters spread along a woodlands trail system. The final station calls for a chamber orchestra which plays a 23-minute repeating work, with musical material drawing from the fragments heard throughout the trails.

Multimedia

* ''Ritornello'', premiered on January 27, 2012.

Film score

* ''To Keep the Light'' (2016)
* '' Madeline's Madeline'' (2018).
* ''The Sky Is Everywhere'' (2022)

Family

Shaw's great-great-grandfather and great-great-great-uncle are Chang and Eng Bunker, conjoined twins from then-Siam (now Thailand) who received great fame during their lifetime.

Other media

Shaw appeared as herself in season 4 of the Amazon Prime series '' Mozart in the Jungle'', for a story line that involved a main character seeking to premiere her piece "Hi" in a competition for conductors. The piece was also played live at the series' release party, with Shaw conducting.

Discography

Singles

As featured artist

Guest appearances

References

External links

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{{DEFAULTSORT:Shaw, Caroline
1982 births
People from Greenville, North Carolina
American women classical composers
American classical composers
21st-century classical composers
Pulitzer Prize for Music winners
Rice University alumni
Yale University alumni
Princeton University alumni
American classical violinists
Living people
21st-century American composers
American people of Thai descent
Women in classical music
Grammy Award winners
21st-century American women musicians
21st-century classical violinists
Women classical violinists
21st-century women composers
21st-century American violinists