Capital I
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''Capital I'' is a 2015
Odia language Odia (;"Odia"
''Lexico''.
, ISO 15919, ISO: , ; formerly rendere ...
independent
feature film A feature film or feature-length film (often abbreviated to feature), also called a theatrical film, is a film (Film, motion picture, "movie" or simply “picture”) with a running time long enough to be considered the principal or sole present ...
written and directed by
Amartya Bhattacharyya Amartya Bhattacharyya is a filmmaker, writer and artist from eastern India. He was awarded the National Film Award for Best Non-Feature Film Cinematography, Silver Lotus (Rajat Kamal) for the Best Cinematography in non-feature film at the 63rd ...
. This film, tagged as an
existential Existentialism is a family of philosophical views and inquiry that explore the human individual's struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of existence. In examining meaning, purpose, and value ...
psychodrama Psychodrama is an action method, often used as a psychotherapy, in which clients use spontaneous Adaptation (arts), dramatization, role playing, and dramatic self-presentation to investigate and gain insight into their lives. Developed by Jaco ...
, is the first independent feature film of Odisha. The film is produced by Susant Misra and Swastik Choudhury. This film is shot on a shoe-string budget without any film industry involvement. This film marks the feature film debut of Amartya Bhattacharyya as a writer, director, cinematographer and editor. All actors in this film are non-professional actors, and all of them make their feature film debut in ‘Capital I'. Kisaloy Roy makes his debut as a music director, and so does Amrita Chowdhury as a
Choreographer Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A chor ...
. ''Capital I'' was premiered at Festival du Film d'Asie du Sud Transgressif (South Asian Alternative Film Festival) at Paris in February 2015. Thereafter, the film was screened at various film festivals including 20th
International Film Festival of Kerala The International Film Festival of Kerala (abbreviated as IFFK) is a film festival held annually in Thiruvananthapuram, the capital city of Kerala, India. This film festival started in 1996 and is hosted by the Kerala State Chalachitra Academy ...
in December 2015. ''Capital I'' is distributed worldwide through the Italian sales and distribution company The Open Reel. ''Capital I'' is the first
Indian film The cinema of India, consisting of motion pictures made by the Indian film industry, has had a large effect on world cinema since the second half of the 20th century. Indian cinema is made up of various film industries, each focused on pr ...
to be acquired by The Open Reel. In India, the film has been theatrically released in multiplexes (INOX and Cinépolis). The film's initial release dates are 23 October 2016 for
Bhubaneswar Bhubaneswar () is the capital and the largest city of the States and territories of India, Indian state of Odisha. It is located in the Khordha district. The suburban region, especially the old town, was historically often depicted as ''Chakra ...
, 6 November 2016 for
Kolkata Kolkata, also known as Calcutta ( its official name until 2001), is the capital and largest city of the Indian state of West Bengal. It lies on the eastern bank of the Hooghly River, west of the border with Bangladesh. It is the primary ...
and 4 December 2016 for
Mumbai Mumbai ( ; ), also known as Bombay ( ; its official name until 1995), is the capital city of the Indian state of Maharashtra. Mumbai is the financial capital and the most populous city proper of India with an estimated population of 12 ...
. ''Capital I'' is also the first ever Odia film to be released on Amazon Prime. In 2017, the film released on Amazon Prime in English speaking territories like USA, UK, Australia, Canada etc.


Plot

Capital I is a fictitious character having its root in reality. There was an old house which was locked from inside with all windows closed, and when the police broke open the door, they found no one, neither any living person, nor a dead body. They only found few papers lying, with some abstract phrases and pictures with the signature below reading 'Capital I'. Police found the case unworthy of further investigations, as it doesn't affect anyone. They close the case. But media spreads the rumor about the mysterious character and creates a buzz in the town. A young girl, pursuing MSC Psychology gets involved with her old Physics professor to research about Capital I. They research on the name, the phrases and the pictures and wrack their brain through a lot of intellectual thoughts. They eventually start transforming themselves psychologically. The girl, who wasn't satisfied with her submissive boyfriend living in Delhi, gets into a state of deep trance and starts hallucinating. Under extreme stress of the research, she loses her conscious control. The professor, also into a trance, couldn't break away, and the film suggestively ventures into the inevitable. The film breaks away from realistic continuity and ventures into the surreal sphere. Scenes move randomly, just like a wandering mind having its root in reality. The film ends with an abstract culmination. Existence meanders through reality and imagination and ventures into a time-independent eternity. Moments tear apart and the debris of thoughts is periodically washed out, through the menstrual cycle of our minds. And the mind gets ready, yet again, for a new conception.


Cast

* Pallavi Priyadarshini as Piyali * Susant Misra as Professor Misra * Ipsita Mohanty as Pooja * Ashutosh Panda as Farmer/Mime- artist


Independent production

‘Capital I' was made with a DSLR camera (Canon 550D) and a still-photography tripod. The film is shot with a team size of less than five people including the cast, and can be considered a guerrilla film. The film was produced independently by Susant Misra and Swastik Choudhury, who also make their debut as producers. It is the first independent film made in the state of Odisha. The lenses used were ordinary 18-55mm (f4-5.6) and 50mm (f1.8) lens. The complete post production, from editing to colour correction, sound design to sound mixing, was done in a home desktop. There was no use of any professional studio for conventional post-production services.


Critical acclaim

The film, with its limited exposure, earned a lot of critical acclaim from different corners of the world. The film was received with a lot of attention at its premiere at ‘Festival du Film d'Asie du Sud Transgressif' (South Asian Alternative Film Festival), Paris, France in February 2015 where it was one of the six films in competition. Amartya Bhattacharyya was listed by an editor of ‘FantastikIndia' as one of the two most impactful Indian film personalities of 2015 in ‘Les Fanta d'Or 2015'. The film was reviewed by many
film critics Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findin ...
and considered to be a bold film coming out of India. Richard Propes of ‘The Independent Critic' writes "It's the kind of film where you just sit there thinking to yourself - How has this film not been discovered?" He further writes - "Capital I is stellar a case of a talented writer/filmmaker with a clarity of vision and an ability to communicate that vision to his cast and crew in such a way that the talent involved far transcends the film's meager budget. The film is visually appealing, narratively involving and thought-provoking, and nicely constructed by cast and crew." Shirley Rodriguez of ‘Independent Film Now' writes "The gift of Capital I is the space it leaves for the audience to think for themselves. Relax and go for the ride." Film critic Misty Layne of Rogue Cinema expresses "Capital I is one of those films where every sentence spoken has meaning." She goes on to say - "Seriously, this is a Must Watch, particularly if surrealism is your thing. I think this may be my first Indian film (Bollywood has never quite appealed) but if this is what's coming out of India right now, I am SO there." Independent critic 'Vivek' of ‘Films that Matter' writes - "10 years from now, this film would be remade and probably then the original would be looked upon. There hasn't been a cinematic piece in a long time which was driven solely by such individualistic expression."


Film Festival journey


References


External links

* {{IMDb title, tt3690050 2015 films 2010s Odia-language films