A C mount is a type of
lens mount
A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, singl ...
commonly found on
16 mm
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, edu ...
movie cameras,
closed-circuit television cameras,
machine vision cameras and
microscope phototubes.
C-mount lenses provide a male thread, which mates with a female thread on the camera. The thread is nominally in diameter, with 32 threads per inch (0.794 mm
pitch), designated as "1-32 UN 2A" in the
ANSI B1.1 standard for
unified screw threads. The
flange focal distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and sourc ...
is for a C mount.
Merely to say that a lens is "C-mount" says very little about the lens's intended use. C-mount lenses have been made for many different formats. C-mount lenses are built for the
8 mm and
16 mm film
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educ ...
formats and the 1/3", 1/2", 2/3", 1", and 4/3" video formats, which corresponds to a range of image circles approximately from 5 to 22 mm in diameter.
Depending on the format, the design of the lens and its performance will differ considerably. For example, for the 4/3 format, a 12 mm lens is a wide-angle lens and will have a
retrofocus design. For the 2/3-inch format, a 12 mm lens is "normal" and can have a simple and fast double Gauss layout. For the 1/3-inch format, a 12 mm lens is long and can have a telephoto design.
Some TV lenses lack provision to focus or vary the aperture, so may not operate properly with film cameras. Also, some TV lenses may have bits that protrude behind the mount far enough to interfere with the shutter or reflex finder mechanisms of a film camera.
Although C-mount lenses have a back focal distance far too short to be used with 35 mm film SLRs or any existing digital SLR, they can be mounted on interchangeable-lens mirrorless digital cameras such as the
Micro Four Thirds used by Olympus and Panasonic. However, the vast majority of C-mount lenses produce an image circle too small to effectively cover the entire sensor which has approximately 22 mm diagonal, this produces
vignetting. The
Nikon 1 series and the
Pentax Q series can use C-mount lenses without vignetting.
C mount was created by
Bell & Howell for their Filmo 70 cine cameras. The earliest Filmos had slightly different mounts, known as A mount, and B mount. C mount was found on Filmo 70 cameras with serial numbers 54090 and higher, probably from about 1926. Soon after, other camera manufacturers adopted the same mount, and it became a
de facto standard for 16 mm cine cameras.
CS mount
CS-mount has a
flange focal distance
For an interchangeable lens camera, the flange focal distance (FFD) (also known as the flange-to-film distance, flange focal depth, flange back distance (FBD), flange focal length (FFL), back focus or register, depending on the usage and sourc ...
of ,
compared to for a C mount, but is otherwise the same as C-mount, including the fact that lenses for many different formats are made for it. CS-mount lenses are built for the smaller formats, 1/2 inch and down.
{, class="wikitable"
, + , Combinations: C, CS and extension adapter
! , Camera
body
! , Extension
tube
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! , Lens
! , Net
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! , Focus
! , View
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! , Zoom
! , Exposure
, - ,
, , C
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, ,
, , Normal
, , Normal
, , Normal
, , Normal
, - ,
, , C
, ,
, , CS
, , +5 mm
, , Near-sighted
, , Narrower
, , Larger
, , Darker
, - ,
, , C
, ,
, , C
, , +5 mm
, , Near-sighted
, , Narrower
, , Larger
, , Darker
, - ,
, , C
, ,
, , CS
, , +10 mm
, , Most near-sighted
, , Narrowest
, , Largest
, , Darkest
, - ,
, , CS
, ,
, , C
, , −5 mm
, , Far-sighted
, , Wider
, , Smaller
, , Brighter
, - ,
, , CS
, ,
, , CS
, ,
, , Normal
, , Normal
, , Normal
, , Normal
, - ,
, , CS
, ,
, , C
, ,
, , Normal
, , Normal
, , Normal
, , Normal
, - ,
, , CS
, , {{Convert, 5.0, mm, in, abbr=on
, , CS
, , +5 mm
, , Near-sighted
, , Narrower
, , Larger
, , Darker
, - ,
See also
*
T-mount
*
Lens mount
A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, singl ...
*
Pentax K-mount
*
D-mount
*
PL-mount
*
S-mount
References
*
ISO 10935:1996, "Optics and optical instruments -- Microscopes -- Interfacing connection type C"
External links
Making Digital Camera Microscope Adapters The section "Understanding C-Mount and CS-Mount Standard Mechanics, Optics, and Cameras" discusses the standards and custom machining of C-mount apparatus.
List of some C-mount lenses Collection of cine optics and photos of them.
Selection of Lens and extension ring/tube for machine vision
C-Mount explained Explanation of C-mount and CS-mount
Lens mounts
Film and video technology