Early life and training
Brian Earnshaw was born in Huddersfield, England, a large market town in West Yorkshire, halfway between Leeds and Manchester. Having begun his dance studies in his home town, he moved to London as a teenager and continued his training at the Sadler's Wells Ballet School. In the summer of 1943, in the midst of World War II, Londoners were "keeping calm and carrying on," as they were advised to do by the British Ministry of Information. In July, the Production Club of the Royal Academy of Dancing arranged a matinee performance of Sadler's Wells students in ''Suite of Dances'', set by resident choreographer Andrée Howard to Handel's jauntily life-affirming ''Water Music''. Among the talented students dancing that afternoon were Philip Chatfield and Brian Earnshaw, both of whom were destined to have distinguished careers with the Sadler's Wells Ballet, later known as theProfessional career
With a truncated surname, Brian Shaw joined the Sadler's Wells Ballet upon graduation from its school in June 1944, when he was still only fifteen years old, and was soon promoted to soloist. The shortage of male dancers during the war years doubtless played a part in his quick advancement. Barely two years later, at age seventeen, he was cast byRoles created
* 1946. ''Symphonic Variations'', choreography by Frederik Ashton, music by César Franck. Role: principal dancer. The six dancers in the cast were Margot Fonteyn, Pamela May, Moira Shearer, Michael Somes, Henry Danton, and Shaw. * 1951. ''Tiresias'', choreography by Frederick Ashton, music by Constant Lambert. Role: Snake, with Pauline Clayden as his partner. * 1952. ''Sylvia'', choreography by Frederick Ashton, music by Léo Delibes. Role: Slave. * 1952. ''Bonne-Bouche: A Cautionary Tale'', choreography by John Cranko, music by Arthur Oldham. Role: The Lover, partnering Nadia Nerina. * 1953. ''Homage to the Queen'', choreography by Frederick Ashton, music by Malcolm Arnold. Role: ''pas de trois'' with Julia Farron and Rowena Jackson. * 1956. ''Birthday Offering'', choreography by Frederick Ashton, music by Alexander Glazunov, arranged by Robert Irving. Role: principal dancer. * 1956. ''Noctambules'', choreography by Kenneth MacMillan, music by Humphrey Searle. Role: The Soldier. * 1957. ''The Prince of the Pagodas'', choreography by John Cranko, music by Benjamin Britten. Role: The Prince. * 1957. ''Les Patineurs'' (enlarged version), choreography by Frederick Ashton, music by Giaomo Meyerbeer, arranged by Constant Lambert. Role: Blue Boy, also known as the Blue Skater, a role famously created in 1937 by Harold Turner. * 1958. ''Ondine'', choreography by Frederick Ashton music by Hans Werner Henze. Role: dancer in lead couple, with Maryon Lane, in a ''divertissement'' with Merle Park, Doreen Wells, Peter Clegg, Pirmin Treu, and ''corps de ballet''. * 1966. ''Monotones'' (later known as ''Monotones I''), choreography by Frederick Ashton, music by Erik Satie, orchestrated by John Lanchbery. Role: a ''pas de trois'' with Antoinette Sibley and Georgina Parkinson. * 1968. ''Enigma Variations (My Friends Pictured Within)'', choreography by Frederick Ashton, music by Edward Elgar. Role: Richard Baxter Townshend, Oxford don and author of a series of books about the Wild West of America.Later life
Appointed principal teacher at the Royal Ballet in 1972, Shaw continued to teach there for many years after his accident and was a popular guest teacher with other companies in Europe and America. He was also in demand to assist in revivals of Ashton ballets throughout the world, especially those in which he had created roles, such as ''Symphonic Variations'', or in which he had danced to particular acclaim, such as ''Les Patineurs''. With his longtime companion, Royal Ballet dancerReferences
{{DEFAULTSORT:Shaw, Brian 1928 births 1992 deaths British male ballet dancers Dancers of The Royal Ballet People from Huddersfield Gay dancers British LGBTQ dancers British gay entertainers