HOME

TheInfoList



OR:

Boris Pavlovich Stepantsev (; 7 December 1929 — 21 May 1983) was a
Soviet The Union of Soviet Socialist Republics. (USSR), commonly known as the Soviet Union, was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 until Dissolution of the Soviet ...
and Russian
animation director An animation director is the director in charge of all aspects of the animation process during the production of an animated or television film, or an animated segment for a live-action film or television show. Alternatively, the animation direct ...
, animator, artist and book illustrator, as well as a vice-president of
ASIFA The International Animated Film Association (French: ''Association Internationale du Film d'Animation'', ASIFA) is an international non-profit organization founded in 1960 in Annecy, France by well-known animation artists including Canadian an ...
(1972–1982) and creative director of the Multtelefilm animation department of the Studio Ekran (1980–1983). Honored Artist of the RSFSR (1972).''
Giannalberto Bendazzi Giannalberto Bendazzi (17 July 1946 – 13 December 2021) was an Italian animation historian, author, and professor. Life and career Born in Ravenna, Italy, and raised in Milan, Bendazzi started his career as a journalist and at the same time a ...
(2016)''
Animation: A World History: Volume II: The Birth of a Style - The Three Markets
at
Google Books Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google that searches the full text of books and magazines that Google has scanned, converted to text using optical charac ...
, p. 287, 77
''Sergei Kapkov (2006)''. Encyclopedia of Domestic Animation. — Moscow: Algorithm, p. 615—616


Biography

As a child Boris Stepantsev (born Stepantsov) fell in love with animated films "because there was nothing funnier in the whole world"''Sergei Asenin (1983)''. The Wisdom of Fiction: Masters of Animation about Themselves and Their Art. — Moscow: Iskusstvo, p. 155-159 and decided to dedicate his life to comedy animation. He graduated from the Moscow Art School and in 1946, right after the end of
war War is an armed conflict between the armed forces of states, or between governmental forces and armed groups that are organized under a certain command structure and have the capacity to sustain military operations, or between such organi ...
, joined animation courses at Soyuzmultfilm where he watched many "trophy" movies, including films by
Disney The Walt Disney Company, commonly referred to as simply Disney, is an American multinational mass media and entertainment industry, entertainment conglomerate (company), conglomerate headquartered at the Walt Disney Studios (Burbank), Walt Di ...
that served as a major inspiration for him. Between 1947 and 1949 Stepantsev worked as animator on a number of films, including the award-winning ''Grey Neck'' (1948) by Leonid Amalrik and Vladimir Polkovnikov. He spent the next five years serving in the
Soviet Navy The Soviet Navy was the naval warfare Military, uniform service branch of the Soviet Armed Forces. Often referred to as the Red Fleet, the Soviet Navy made up a large part of the Soviet Union's strategic planning in the event of a conflict with t ...
, and on his return entered the
Moscow State University of Printing Arts Moscow State University of Printing Arts of Ivan Fedorov (MSUPA (MGUP in Russian); former name: Moscow Polygraphic Institute, Moscow State Academy of Printing) is Russia's largest university in the field of preparing specialists in printing and pu ...
while continuing his animation career. In 1954 he co-directed his first short ''A Villain with a Label'' (together with Vsevolod Shcherbakov) which also became one of the first Soviet post-war
stop motion Stop-motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exh ...
animated films produced at the newly founded puppet division of Soyuzmultfilm. Starting with 1955 Stepanstev worked with Anatoly Savchenko, an art director and his regular collaborator on the majority of his animated and art projects that included book illustrations and
filmstrip The filmstrip is a form of still image instructional Media (communication), media, once widely used by educators in primary and secondary schools (K–12) and for corporate presentations (e.g., sales training and new product introductions). ...
s produced for the Diafilm studio. (in Russian) In 1958 they produced ''Petya and the Little Red Riding Hood'', a postmodern comedy based on the fairy tale by Vladimir Suteev about a pioneer Petya who sneaked into the
Little Red Riding Hood "Little Red Riding Hood" () is a fairy tale by Charles Perrault about a young girl and a Big Bad Wolf. Its origins can be traced back to several pre-17th-century European Fable, folk tales. It was later retold in the 19th-century by the Broth ...
movie in order to save the girl from the Big Bad Wolf. The film was co-directed by Evgeny Raykovsky and drew inspiration from Disney and
Tex Avery Frederick Bean "Tex" Avery (; February 26, 1908 – August 26, 1980) was an American animator, cartoonist, animation director, director, and voice actor. He was known for directing and producing animated cartoons during the golden age of America ...
in contrast to the majority of "realistic" movies of that time that used rotoscopy. It turned very popular and won a prize at the 1960
Annecy International Animation Film Festival The Annecy International Animation Film Festival (, officially abbreviated in English as the Annecy Festival, or simply Annecy) was created in 1960 and takes place at the beginning of June in the town of Annecy, France. Initially occurring ever ...
. In 1962 they made a sequel of sorts — a half-hour
live-action animated film Live-action animation is a film genre that combines live-action filmmaking with animation. Projects that are both live-action and computer animation tend to have fictional characters or figures represented and characterized by cast members throu ...
''Not Just Now'' where Petya, played by a real-life child actor, traveled through time and interacted with hand-drawn environment.widescreen Widescreen images are displayed within a set of aspect ratio (image), aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ...
animated short and was awarded the first prize at the 1960
Karlovy Vary International Film Festival The Karlovy Vary International Film Festival (, KVIFF) is an annual film festival held in Karlovy Vary, Czech Republic. The Karlovy Vary Festival is one of the oldest in the world and has become Central and Eastern Europe, Central and Eastern Eur ...
. Since 1963 Stepantsev directed films on his own. Between 1965 and 1970 he produced three of his most popular pictures: ''Vovka in Faraway Tsardom'' (1965), another postmodern comedy about a lazy pioneer Vovka who found his way into a book of
Russian fairy tale A Russian fairy tale or folktale (; ''skazka''; plural ) is a fairy tale in Russian culture. Various sub-genres of ''skazka'' exist. A ''volshebnaya skazka'' �олше́бная ска́зка(literally "magical tale") is considered a magical ...
s, and the '' Karlsson-on-the-Roof'' dilogy (''Kid and Karlsson'', 1968 and ''Karlsson Returns'', 1970) based on the fairy tale by the Swedish author
Astrid Lindgren Astrid Anna Emilia Lindgren (; ; 14 November 1907 – 28 January 2002) was a Swedish writer of fiction and screenplays. She is best known for several children's book series, featuring Pippi Longstocking, Emil i Lönneberga, Emil of Lönneberga, ...
. The latter were also the first Soviet animated movies to introduce
xerography Xerography is a dry photocopying technique. Originally called electrophotography, it was renamed xerography—from the Greek roots , meaning "dry" and , meaning "writing"—to emphasize that unlike reproduction techniques then in use such as c ...
. With the colorful cartoon art style, funny dialogues and some of the best voice talents involved ( Rina Zelyonaya,
Vasily Livanov Vasily Borisovich Livanov (; born 19 July 1935), MBE, is a Soviet and Russian film actor, animation and film director, screenwriter and writer most famous for portraying Sherlock Holmes in the Soviet TV series. He was named People's Artist of ...
, Klara Rumyanova, Faina Ranevskaya) all of them became extremely quatable and the main characters joined the pantheon of beloved animated icons, along with Cheburashka. In fact, Stepantsev and Savchenko illustrated Cheburashka's adventures for the Diafilm strips in 1968, before the work on animated series was even started. Author Eduard Uspensky later used it as an argument during his legal battle against the artist Leonid Shvartsman, stating that he held no rights for the character's image.Eduard Uspensky // Cheburashka. The Road to Calvary
interview with Eduard Uspensky at the
Delo ''Delo'' () is a business oriented online media in Ukraine, belonging to ekonomika+ media holding. ''Delo'' was the first daily in Ukraine, publishing its real print circulation (13.000 - 15.000) and trying to introduce Western editorial and b ...
newspaper, October 10, 2005 (in Russian)
Around the same time Stepantsev felt he "got tired from quizzery" and decided to explore other themes. He directed two pictures without a single spoken word, based solely on classical music: ''Window'' (1968) inspired by
Sergei Prokofiev Sergei Sergeyevich Prokofiev; alternative transliterations of his name include ''Sergey'' or ''Serge'', and ''Prokofief'', ''Prokofieff'', or ''Prokofyev''. , group=n ( – 5 March 1953) was a Russian composer, pianist, and conductor who l ...
's Visions fugitives and ''
The Nutcracker ''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. Th ...
'' (1973) adapted from
Tchaikovsky Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular ...
's ballet of the same name. He described Prokofiev's music as "drawing what should happen on screen by itself, defining character's smallest gestures... its dramaturgy was more logical, clearer than many far-fetched plot twists". While filming ''The Nutcracker'' he and cinematographer Yan Topper used trick photography, and Anatoly Savchenko described the work on it as "non-stop torture". In 1967 they produced the first Soviet widescreen paint-on-glass animation ''Song of a Falcon'' (1967) based on the story by
Maxim Gorky Alexei Maximovich Peshkov (;  – 18 June 1936), popularly known as Maxim Gorky (; ), was a Russian and Soviet writer and proponent of socialism. He was nominated five times for the Nobel Prize in Literature. Before his success as an aut ...
. It also used classical musical score by
Alexander Scriabin Alexander Nikolayevich Scriabin, scientific transliteration: ''Aleksandr Nikolaevič Skrjabin''; also transliterated variously as Skriabin, Skryabin, and (in French) Scriabine. The composer himselused the French spelling "Scriabine" which was a ...
to tell the story, but with the involvement of several voice actors. In 1972 he was chosen as a vice-president of
ASIFA The International Animated Film Association (French: ''Association Internationale du Film d'Animation'', ASIFA) is an international non-profit organization founded in 1960 in Annecy, France by well-known animation artists including Canadian an ...
where he served until 1982. In 1974 Iosif Boyarsky "lured" Stepantsev to the puppet division of Soyuzmultfilm where he directed two
stop motion Stop-motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exh ...
shorts based on
Nikolai Gogol Nikolai Vasilyevich Gogol; ; (; () was a Russian novelist, short story writer, and playwright of Ukrainian origin. Gogol used the Grotesque#In literature, grotesque in his writings, for example, in his works "The Nose (Gogol short story), ...
's Dead Souls. According to Boyarsky, the second film turned less successful because of the weak voice cast, and Stepantsev left the studio for the Studio Ekran where he served as a creative director of the Multtelefilm animation department from 1980 till his death.'' Iosif Boyarsky (1995)''
Literary Collages
— Moscow: Russian Binding (online magazine, in Russian)
Stepantsev liked to spend a lot of time developing his films, and yet he easily switched between completely different projects as soon as he got obsessed with a new idea. Neither the '' Karlsson-on-the-Roof'' nor the ''Dead Souls'' series were ever finished because of this. In one of his last publications he expressed a lot of enthusiasm regarding the possibilities of
computer animation Computer animation is the process used for digitally generating Film, moving images. The more general term computer-generated imagery (CGI) encompasses both still images and moving images, while computer animation refers to moving images. Virtu ...
which he predicted to be the future of animation. His last project ''Assol'' (1982) based on the Scarlet Sails novel by
Alexander Grin Aleksandr Stepanovich Grinevsky (better known by his pen name, Aleksander Green / Grin (spelling varies in non-Russian literature), rus, Александр Грин, p=ɐlʲɪˈksandr ɡrʲin, a=Ru-Aleksandr Grin.ogg, 23 August 1880 – 8 July 1 ...
was also his first feature. Once again he decided to combine live action with traditional animation. Only this time he wanted to "approach from the other end... to transform a live actor into an animated figure using the achievements of modern photography". All this resulted in an unusual look, "as if it went through the Prisma app". According to Iosif Boyarsky, the work on this movie was hard and nervous, and it undermined director's health. Boris Stepantsev died in 1983 at the age of 53 of heart failure.


Filmography


Director

* 1954 — ''A Villain with a Label'' * 1956 — ''Murzilka Adventures. Issue 1'' * 1957 — ''Grade D, Again'' * 1958 — '' Petya and the Little Red Riding Hood'' * 1960 — ''Murzilka on Sputnik'' * 1962 — ''Not Just Now'' * 1964 — ''A Cock and Paints'' * 1965 — '' Vovka in Faraway Tsardom'' * 1966 — ''Window'' * 1967 — ''Song of a Falcon'' (also screenwriter) * 1968 — '' Junior and Karlson'' * 1970 — '' Karlson Returns'' * 1971 — ''Heart'' (also screenwriter) * 1971 — ''Pioneer's Violin'' * 1973 — ''
The Nutcracker ''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. Th ...
'' (also screenwriter) * 1974 — ''Chichikov's Adventures. Manilov'' (also screenwriter) * 1974 — ''Chichikov's Adventures. Nozdryov'' (also screenwriter) * 1976 — ''Fly-Clatterfly'' (also screenwriter) * 1979 — ''Why Did the Donkey Become Stubborn'' (also screenwriter) * 1982 — ''Assol'' (also screenwriter)


Animator

* 1947 — ''Merry Garden'' * 1947 — ''Adventure to the Land of Giants'' * 1948 — ''Grey Neck'' * 1948 — ''Champion'' * 1949 — ''Geese-Swans'' * 1949 — ''A Lion and a Hare'' * 1949 — ''Mashenka's Concert'' * 1949 — ''Polkan and Shavka'' * 1954 — ''Goat-Musician'' * 1954 — ''At the Forest Stage'' (also art director) * 1954 — ''The Signature Is Unclear'' * 1955 — ''Incredible Match''


See also

* History of Russian animation


References


External links


Boris Stepantsev
at Animator.ru * {{DEFAULTSORT:Stepantsev, Boris 1929 births 1983 deaths Russian animated film directors Artists from Moscow Russian animators Russian film directors Russian children's book illustrators Soviet animation directors Soviet animators Soviet screenwriters Soviet male screenwriters 20th-century Russian screenwriters Russian male screenwriters 20th-century Russian male writers