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Blake Fitzpatrick FRSC is a photographer, curator and writer, who is concerned with the photographic representation of the nuclear era, contemporary militarism and the
Berlin Wall The Berlin Wall (german: Berliner Mauer, ) was a guarded concrete barrier that encircled West Berlin from 1961 to 1989, separating it from East Berlin and East Germany (GDR). Construction of the Berlin Wall was commenced by the government ...
as a mobile ruin.


Early years

Blake Fitzpatrick was born in 1955 in Oshawa, Ontario. His earliest artistic influences came just after high school in the mid-1970s when he discovered ''The Americans'' by Swiss photographer
Robert Frank Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled ''The Americans'', earned Frank comparisons to a modern-da ...
. As a result, Fitzpatrick developed an interest in photography, which took him to Ryerson Polytechnical Institute in Toronto, for his B.A.A.. Later, he discovered the work of the artist, theorist and teacher Allan Sekula, author of the seminal essay "On the Invention of Photographic Meaning," and studied with him at Ohio State University. He graduated in 1984 with a MFA, then got his PhD, from the Ontario Institute for Studies in Education, University of Toronto.


Career

Fitzpatrick made a long-term study of the history and effects of the uranium-processing industry on the town of Port Hope, Ontario, where he and his family were living. To describe what happened to this town, Fitzpatrick created an installation entitled ''Uranium Landscapes'', first seen in an exhibition in Toronto in 1995. Starting in 2019, he created a documentary titled ''Future Mound'' through photography, video and writing, based on the development of the Port Hope Long-Term waste Management Facility, an above-ground storage mound for radioactive waste – due to radium and uranium refining – deposited throughout Port Hope. It is the most expensive municipal cleanup in Canadian history with a budget of $1.28 billion in federal funding. In 2008, Fitzpatrick had an exhibition of his recent work at the Visual Arts Centre of Clarington, curated by Maralynne Cherry. In 2014, ''Freedom Rocks: The Everyday Life of the Berlin Wall'', a long-term collaborative project that he produced with artist and Ryerson colleague Vid Ingelevics was exhibited at the
Goethe-Institut The Goethe-Institut (, GI, en, Goethe Institute) is a non-profit German cultural association operational worldwide with 159 institutes, promoting the study of the German language abroad and encouraging international cultural exchange and ...
in Los Angeles and was published in photography journals. The exhibition travelled widely and in different versions appeared elsewhere. Fitzpatrick is a member of the Atomic Photographers Guild, an international collective of more than 20 photographers committed to documenting the on-going nuclear activity of the post "mushroom cloud" atomic era. He has curated or co-curated shows of contemporary artists who responded to zones of conflict and include ''War at a Distance: Visual Culture and the Framing of Public Conversations about Canadian Forces in Afghanistan''; ''Disaster Topographics''; and ''The Atomic Photographers Guild: Visibility and Invisibility in the Nuclear Era'' (2001). In 2013, he co-curated an exhibition of the work of
Arthur S. Goss Arthur S. Goss, also known as William Arthurt Scott Goss (1881-1940) was the City of Toronto's first official photographer. Early life William Arthur Scott Goss was born in London, Ontario on 4 March 1881, moving to Toronto in 1883, where ...
, titled ''Arthur S. Goss: Works and Days'' for the Ryerson Image Centre. Fitzpatrick's writing and visual work have appeared in numerous journals and in edited collections including ''The Cultural Work of Photography in Canada'' (McGill-Queen's University Press (MQUP), 2011), ''Camera Atomica'' (Art Gallery of Ontario, 2015) and ''Through Post-Atomic Eyes'' (MQUP, 2020). He is co-editor of ''Critical Distance in Documentary Media'' (Palgrave Macmillan 2018) and contributed a chapter on the aerial image in contemporary documentary art for the volume. In 2020, with R. D. Tredici, he wrote ''Port Hope in the Era of Nuclear Waste'' which was published in C. Lauzon and J. O’Brian (eds.), ''Through Post-Atomic Eyes'' (Montreal: MQUP). Fitzpatrick has held a number of senior academic positions including the position of Dean, School of Design and Communication Arts at Durham College, Oshawa as well as Dean, Faculty of Art, at the Ontario College of Art and Design. He is presently a professor in the School of Image Arts, Ryerson University, Toronto and served as its chair as well as being co-director of the Documentary Media Research Centre. In 2020, he was elected to the Royal Society of Canada.


References


Bibliography

* {{DEFAULTSORT:Fitzpatrick, Blake 1955 births Living people 20th-century Canadian photographers 21st-century Canadian photographers Artists from Ontario Ohio State University alumni