The Master of the Bigallo Crucifix or Bigallo Master (
fl.
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicatin ...
1215/20-1265) was an Italian painter active around
Florence in the
first half of the 13th century. He ran one of the first fully organized workshops before
Cimabue, specializing in large painted
crucifixes for churches, one of the main formats for
panel paintings at the time. His
notname comes from one of these in the
Museo del Bigallo in Florence. A similar work is in the
Palazzo Barberini site of the
Galleria Nazionale d'Arte Antica museum, Rome.
Life and work
His earliest established work is a
dossal with four scenes, featuring
Saint Zenobius, preserved at the
Museo dell'Opera del Duomo in Florence. It was displayed at the Saint's actual tomb until 1439 and was created sometime during the term of Archbishop (1205-1230) when the altar was re-consecrated.
[Angelo Tartuferi, ''Il Maestro del Bigallo e la pittura della prima metà del Duecento agli Uffizi'', Firenze, Edizioni Polistampa, 2007. ]
A slightly earlier "Madonna and Child" at
Fiesole Cathedral has also been tentatively identified as his.
The crucifix at the Museo del Bigallo likely dates from the first half of the 1230s. The "Madonna and Child Enthroned with Two Saints" from the latter half of that decade has also been identified as his, although the poor state of preservation makes this determination difficult. It was originally at the in
Certaldo and is now kept at the nearby .
[Rosanna Caterina Proto Pisani, ''Il Museo di Arte Sacra a Certaldo'', collana Biblioteca de "Lo Studiolo", Firenze, Becocci / Scala, 2001]
The latest work known to be his is a crucifix at the
Art Institute of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 mill ...
. Unlike the others, which simply show Christ on the Cross, this one portrays him as "Cristo patiens" (Christ Suffering).
References
Further reading
*
Boskovits, Miklós, Labriola, Ada, & Tartuferi, Angelo, ''The Origins of Florentine Painting, 1100-1270'', Volume 1, 1993, Giunti
google books* Angelo Tartuferi, ''La pittura a Firenze nel Duecento'', Firenze, Alberto Bruschi Editore, 1990,
External links
Master of Bigallofrom the ''Enciclopedia dell' Arte Medievale'' @
Treccani
{{DEFAULTSORT:Bigallo Crucifix, Master of the
Italian painters
13th-century Italian painters
Religious artists
Crucifixes
Anonymous artists
Year of birth unknown