Bhatiyar () is a Hindustani classical

raga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...

assigned to the Marva

thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal ...

Theory

Arohana Arohana, Arohanam, Aroh or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases a ...

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

: Vadi:

Samavadi The samavadi or samvadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samavadi are in most cases a fourth or fifth a ...

Thaat A ''thaat'' () is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term '' Melakartha raga'' of Carnatic music. The concept of the ''thaat'' is not exactly equivalent to the western musical scal ...

: Marva. Pakad or Chalan: S m P D N r' N D m P G r S M D S', r' N D P, D m P G r S Or we have other way for Chalan as S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s Time: Early morning, 3–6

Behaviour

Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be ''accurate,'' but it can attempt to reflect how the music existed. The raag Bhatiyar was the favorite raag of famous Hindi film music director, SD Burman.

Notes

Film Songs

References

Sources

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External links

SRA on Samay and RagasRajan Parrikar on RagasFilm Songs in Rag Bhatiyar
Bhatiyar {{India-music-stub