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''Below Zero'' is a 1930
short film A short film is a film with a low running time. The Academy of Motion Picture Arts and Sciences (AMPAS) defines a short film as "an original motion picture that has a running time of not more than 40 minutes including all credits". Other film o ...
starring
Laurel and Hardy Laurel and Hardy were a British-American double act, comedy duo during the early Classical Hollywood cinema, Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957) ...
, directed by James Parrott and produced by
Hal Roach Harold Eugene "Hal" Roach Sr. Skretvedt, Randy (2016), ''Laurel and Hardy: The Magic Behind the Movies'', Bonaventure Press. p.608. (January 14, 1892 – November 2, 1992) was an American film and television producer, director and screenwriter, ...
.


Plot

On a wintry day, Laurel and Hardy's attempts to earn money as street musicians prove futile, exacerbated by their unwitting performance in front of an Institute for the Deaf. Their renditions, including the nostalgic melody " In the Good Old Summertime," elicit little response from passersby. Their persistence prompts annoyance from a sidewalk shoveler and earns them a dismissive dollar from a woman, who jestingly calls out to "Mr. Whiteman," referencing bandleader
Paul Whiteman Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American Jazz bandleader, composer, orchestral director, and violinist. As the leader of one of the most popular dance bands in the United States during the 1920s and early 193 ...
.The allusion can be explained by Oliver's close physical resemblance to Whiteman. Amidst their misfortune, a quarrel with a woman leads to the destruction of their instruments, but a stroke of luck ensues when Stan discovers a wallet. Their brief respite is interrupted by a thief, prompting a chase until they encounter a benevolent police officer who intervenes on their behalf. Grateful for his assistance, Stan and Ollie share a meal with the officer, only to realize to their dismay that the wallet belongs to him. Upon discovering the truth, the officer's mood sours, leading to their expulsion from the restaurant. Stan's misfortune is further compounded when he is submerged upside down in a barrel of water by the irate waiter. Oliver eventually finds him, but their troubles persist as Stan's unintended consumption of the water results in an unexpected physical transformation, symbolized by his inflated stomach.


Note


Cast


Production

The film was "made three months after ''Night Owls''."


Reception

''Below Zero "''demonstrates the team’s skill in presenting situation comedy through visual means", according to ''The Laurel & Hardy encyclopedia''. The same book recalls that the short "contains very little dialogue, but what there is tends to be quoted frequently. When a lady enquires how much the boys earn per street (so that she can pay them to move two streets away), she calls Ollie ‘Mr Whiteman’, a direct reference to the famous bandleader and Hardy lookalike, Paul Whiteman (the similarity may be inspected in Whiteman’s 1930 film '' King of Jazz''). The computer-colour edition issued on both sides of the Atlantic omits this sequence, as does the British Super-8 sound version released in the late 1970s". Comparing '' Berth Marks'' to this short, William Everson praised the latter over the first, stating "One of the few really poor comedies that the team made, this is a misfire all down the line. The blame cannot be laid entirely on its paucity of plot, since single situations often stood them in good stead, and a similarly simple exercise in frustration, ''Below Zero'', had a great deal of merit." The short is said to reflect the historical context of its production: "It's the Great Depression of 1929, and Laurel and Hardy are about as depressed as you can get ..." It was also described as "a curious, bizarre, almost
surrealist Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike s ...
comedy".


Release

An extended Spanish version, ''Tiembla Y Titubea'' was also produced with Laurel and Hardy speaking phonetically from blackboards placed just out of camera range; Spanish-speaking actors replacing the English speaking supporting players.


References


External links

* * * {{James Parrott 1930 films 1930 comedy films American black-and-white films Films directed by James Parrott Laurel and Hardy (film series) Films with screenplays by H. M. Walker 1930 short films American comedy short films 1930s American films