Bedia Chalice
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The Bedia Chalice ( ka, ბედიის თასი, tr) is a piece of medieval Georgian goldsmithery, a liturgical vessel made of gold and richly decorated. Dated to , the
chalice A chalice (from Latin 'cup', taken from the Ancient Greek () 'cup') is a drinking cup raised on a stem with a foot or base. Although it is a technical archaeological term, in modern parlance the word is now used almost exclusively for the ...
was commissioned by King Bagrat III for the Bedia Monastery in
Abkhazia Abkhazia, officially the Republic of Abkhazia, is a List of states with limited recognition, partially recognised state in the South Caucasus, on the eastern coast of the Black Sea, at the intersection of Eastern Europe and West Asia. It cover ...
. Only the bowl of the vessel is preserved and is now in at the
Georgian National Museum The Georgian National Museum ( ka, საქართველოს ეროვნული მუზეუმი, tr) unifies several leading museums in Georgia. The museum was established within the framework of structural, institutional, and ...
in
Tbilisi Tbilisi ( ; ka, თბილისი, ), in some languages still known by its pre-1936 name Tiflis ( ), ( ka, ტფილისი, tr ) is the Capital city, capital and List of cities and towns in Georgia (country), largest city of Georgia ( ...
,
Georgia Georgia most commonly refers to: * Georgia (country), a country in the South Caucasus * Georgia (U.S. state), a state in the southeastern United States Georgia may also refer to: People and fictional characters * Georgia (name), a list of pe ...
.


History

The chalice was a donation by King Bagrat III and his mother, Queen Gurandukht, to the new church at Bedia, which was completed in 999. The base of the vessel was subsequently lost and restored in the 16th century at the behest of Germane Chkhetidze, Metropolitan Bishop of Bedia, as mentioned in a Georgian inscription. The item was preserved in the
sacristy A sacristy, also known as a vestry or preparation room, is a room in Christianity, Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is us ...
of the Ilori Church, when the historian Dimitri Bakradze visited it in 1865 and reported the danger of its being lost. The base then again disappeared. The surviving bowl was removed to Tbilisi, in the Treasure Chamber of the Georgian State Art Museum, now Georgian National Museum, in 1930.


Description

The bowl of the Bedia vessel is 14 cm high and 14 cm in diameter; it weighs 752 g. The piece is made of one sheet of gold, with all figures and details worked in repoussé. The entire outer surface is framed and divided into 12 segments by a continuous arcade. The figures depicted are the enthroned Christ Pantokrator and the
Virgin Hodegetria A Hodegetria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the c ...
on the opposite side. Between them are standing figures of ten
apostles An apostle (), in its literal sense, is an emissary. The word is derived from Ancient Greek ἀπόστολος (''apóstolos''), literally "one who is sent off", itself derived from the verb ἀποστέλλειν (''apostéllein''), "to se ...
, five on each side, holding rotuli in their hands. Christ is identified by a Greek inscription and all apostles by the Georgian texts; there is no inscription associated with the Virgin. The Georgian-language inscription, translated as: "Holy Mother of God, intercede before your son for Bagrat, king of the Abkhazians, and his mother, the queen Gurandukht, the commissioners of this vessel, the decorators of this altar, and the builders of this holy church. Amen." just below the rim, in finely carved
asomtavruli The Georgian scripts are the three writing systems used to write the Georgian language: Asomtavruli, Nuskhuri and Mkhedruli. Although the systems differ in appearance, their letters share the same names and alphabetical order and are written ...
script, mentions King Bagrat and Queen Gurandukht. The Bedia chalice is notable for the orderly and rhythmic composition and decorative details which are endogenously Georgian, but exhibit some stylistic affinities with the contemporary Byzantine ivory icons and enameled chalices in the Treasury of San Marco, Venice. Yet, robust monumental effect of the artwork of the Bedia chalice is unparalleled.


Notes


References

{{reflist Gold objects Art of Georgia (country) Chalices History of Abkhazia