Bartolomeo Passerotti
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Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the
mannerist Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ...
period, who worked mainly in his native
Bologna Bologna ( , , ; ; ) is the capital and largest city of the Emilia-Romagna region in northern Italy. It is the List of cities in Italy, seventh most populous city in Italy, with about 400,000 inhabitants and 150 different nationalities. Its M ...
. His family name is also spelled Passerotti or Passarotto.


Life and work

From approximately 1550 to 1555, he lived in Rome, where he worked under Giacomo Barozzi da Vignola and Taddeo Zuccari. Upon returning to Bologna, he established a large studio and, from 1564 to 1565, was engaged in painting a large altarpiece for the Basilica of San Giacomo Maggiore. In his later work, he turned to Tuscan models, such as
Giorgio Vasari Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideol ...
and Prospero Fontana. His last known work was ''The Presentation of Mary in the Temple'', from 1583, now at the Pinacoteca Nazionale di Bologna. He influenced many Bolognese who would later play a role in the rise of the Baroque.
Annibale Carracci Annibale Carracci ( , , ; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother Agostino Carracci, Agostino and cousin Ludovico Carracci, Ludovico (with whom the Ca ...
(whose brother Agostino studied with Passerotti) was influenced by Passerotti's
genre Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
scenes in a select set of paintings (such as '' The Beaneater'' and '' The Butcher's Shop'', the latter being originally attributed to Passerotti). Lucio Massari and Francesco Brizzi were among his pupils. Three of Passerotti's sons, including Ventura (1566–1618), Aurelio (1560–1609) and Tiburzio, were painters.


Selected works

File:Bartolomeo Passarotti - The fish stall.jpg, ''The Fish Stall'' File:Bartolomeo Passarotti - Lezione di anatomia.jpg, ''Anatomy Lesson'' File:Bartolomeo Passerotti - Madona do Silêncio.jpg, ''The Madonna of Silence'' File:Bartolomeo Passarotti - Three men with two dogs.jpeg, ''Three Men and Two Dogs'', 1529


Sources

* Angela Ghirardi, ''Bartolomeo Passerotti. Pittore (1529-1592)'' Catalogo generale, Rimini, Luisè Editore, 1990, * Angela Ghirardi, "PASSEROTTI, Bartolomeo", in, ''Dizionario biografico degli italiani'', vol. 81, Roma, Istituto dell'Enciclopedia Italiana, 2014 * Corinna Höper, ''Bartolomeo Passarotti (1529-1592)'', 2 Bde., Worms 1987 * Jürgen Müller, Das Geheimnis der unsichtbaren Schwelle. Bartolomeo Passerottis ''Allegra compagnia'' als Gemeinschaft von Toren, in: ''Kunstchronik'' 75/4 (2022), S. 182-199.


External links


''A Caravaggio Rediscovered, The Lute Player''
an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Passarotti (see cat. no. 11) {{DEFAULTSORT:Passerotti, Bartolomeo 1529 births 1592 deaths 16th-century Italian painters Italian male painters Painters from Bologna Italian Mannerist painters