Bartholomeus van der Helst (1613 – buried 16 December 1670) was a Dutch painter. Considered to be one of the leading

portrait painter Portrait painting is a Hierarchy of genres, genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commissio ...

s of the

Dutch Golden Age The Dutch Golden Age ( ) was a period in the history of the Netherlands which roughly lasted from 1588, when the Dutch Republic was established, to 1672, when the '' Rampjaar'' occurred. During this period, Dutch trade, scientific development ...

, his elegant portraits gained him the patronage of Amsterdam's elite as well as the

Stadtholder In the Low Countries, a stadtholder ( ) was a steward, first appointed as a medieval official and ultimately functioning as a national leader. The ''stadtholder'' was the replacement of the duke or count of a province during the Burgundian and ...

's circle.Walter A. Liedtke, ''Dutch Paintings in the Metropolitan Museum of Art, Volumes 1-2'', Metropolitan Museum of Art, 2007, pp. 223-331 Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.Rudolf E. O. Ekkart. "Helst, Bartholomeus van der." Grove Art Online. Oxford Art Online. Oxford University Press, accessed 15 May 2017

Life

Bartholomeus van der Helst was born in

Haarlem Haarlem (; predecessor of ''Harlem'' in English language, English) is a List of cities in the Netherlands by province, city and Municipalities of the Netherlands, municipality in the Netherlands. It is the capital of the Provinces of the Nether ...

in 1613. His exact date of birth is not known as the birth records of Haarlem of that time are lost. He was the son of a Haarlem innkeeper called Lodewijk and Lodewijk's second wife, Aeltgen Bartels. Van der Helst had moved to Amsterdam some time before 1636, the year in which he married Anna du Pire, an 18-year-old woman from a prosperous family of the

Southern Netherlands The Southern Netherlands, also called the Catholic Netherlands, were the parts of the Low Countries belonging to the Holy Roman Empire which were at first largely controlled by Habsburg Spain (Spanish Netherlands, 1556–1714) and later by the ...

who was already orphaned. The couple had six children of whom one, called

Lodewijk Lodewijk () is the Dutch name for Louis. In specific it may refer to: Given name Literature * Lodewijk Hartog van Banda (1916–2006), Dutch comic strip writer * Lodewijk Paul Aalbrecht Boon, (1912–1979) Flemish writer * Lodewijk van De ...

(1642 - c. 1684), became a portrait painter like his father.Website about Bartholomeus van der Helst
Pieter Lucaszn van de Venne with Anna de Carpentier 1652 van der Helst

Pieter Lucaszn van de Venne with Anna de Carpentier 1652 van der Helst

His first dated picture, the ''Regents of the Walloon Orphanage in Amsterdam'', dates from 1637. The style of this painting suggests that in Amsterdam van der Helst may have trained with Nicolaes Eliaszoon Pickenoy. His first important commission was for a large '' schuttersstuk'' known as the ''Civic Guard led by Captain Roelof Bicker and Lieutenant Jan Michielsz. Blaeuw''. Van der Helst received the commission in 1639 and finished it in 1642. The large 7.5m wide canvas was hung over the fireplace of the grand assembly of the Kloveniers guild, the same room for which Rembrandt painted ''

The Night Watch ''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' (), is a 1642 painting ...

''. The success, which the artist achieved with this composition, led to many commissions for single and double portraits of Amsterdam's leading class such as his ''Portrait of Andries Bicker'', the mayor of Amsterdam. The city's military brass and wealthy members of the regent class all had portraits made by van der Helst. Even though van der Helst was active in Amsterdam at the same time as

Rembrandt Rembrandt Harmenszoon van Rijn (; ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt was a Dutch Golden Age painter, printmaker, and Drawing, draughtsman. He is generally considered one of the greatest visual artists in ...

, he was able to become the most popular portraitist in that city, through his elegant and flattering portrayals in the style of

Anthony van Dyck Sir Anthony van Dyck (; ; 22 March 1599 – 9 December 1641) was a Flemish Baroque painting, Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy. The seventh child of ...

. His work was considered more immediately appealing than the dark, intense and introspective work during this later period of Rembrandt.Bartholomeus van der Helst
at the J. Paul Getty Museum Rare among portrait artists in Amsterdam of his time, he was able to attract bourgeois patrons from other cities such as Rotterdam. His large group portrait, ''Banquet of the Amsterdam Civic Guard in Celebration of the

Peace of Münster The Peace of Münster, signed on 30 January 1648, was a treaty between Philip IV of Spain and the States-General of the Netherlands, Lords States General of the Dutch Republic. Negotiated in parallel to, but not part of, the Peace of Westphalia, ...

'' (

Rijksmuseum The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the S ...

, Amsterdam), was painted in 1648, and exhibited to popular acclaim. It was this painting that sealed his fame for future generations, according to the Dutch artist biographer

Arnold Houbraken Arnold Houbraken (28 March 1660 – 14 October 1719) was a Dutch people, Dutch Painting, painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters. Life Houbraken was sent first to learn ''threadt ...

Bartholomeus vander Helst biography
in: ''De groote schouburgh der Nederlandsche konstschilders en schilderessen'', 1718 The painting was admired by Godfried Kneller and

Joshua Reynolds Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter who specialised in portraits. The art critic John Russell (art critic), John Russell called him one of the major European painters of the 18th century, while Lucy P ...

. Van der Helst received a commission from the circle of the Stadtholder family, when he was asked in 1652 to paint the portrait of Mary, the widow of

William II, Prince of Orange William II (Dutch language, Dutch: ''Willem II''; 27 May 1626 – 6 November 1650) was sovereign Prince of Orange and Stadtholder of County of Holland, Holland, County of Zeeland, Zeeland, Lordship of Utrecht, Utrecht, Guelders, Lordship of Ove ...

The artist remained active throughout his life and maintained a high level of production until the end of his career. His late works such as the pendant portraits of Lieutenant-Admiral Aert van Nes and his wife Geertruida den Dubbeld and Vice-Admiral Johan de Liefde (all three dated 1668 and in the Rijksmuseum) still set the trend in portrait painting in his age. The harbour scenes in the background in these three works were painted by Ludolf Bakhuizen. He was the teacher of his son

who followed his style.Bartholomeus van der Helst
at the

Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: ), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center in the world. The center specializes in document ...

Marcus Waltes was his pupil in 1650. He had no other known pupils but exerted an influence on Govert Flinck, Eustache Lesueur, Constantin Hansen, Alexander Sanders and Abraham van den Tempel. Van der Helst died in Amsterdam in 1670. While he had been able to charge very high prices for his works, he appears to have lived above his means. He had bought a large house at Nieuwe Doelenstraat and acquired many paintings of leading artists such as Frans Floris, Simon de Vos, Goltzius, Adriaen Brouwer,

Pieter Lastman Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to ...

, Gerard van Zyl, Simon de Vlieger, Hendrik Gerritsz Pot, Otto Marcelis, and Willem van de Velde. After his death his wife was compelled to offer his works and those from his art collection for sale in 1671 in an advertisement in the Haarlems Dagblad. Early 1671 Lodewijk and his sister Susanne assisted their mother when they visited their father's former studio, when his belongings were registered. According to the inventory he owned the schilder-boeck by

Karel van Mander Karel van Mander (I) or Carel van Mander IKarel van Mander
at the Netherlands Institute for Art History ...

;

Metamorphoses The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Cre ...

by Ovid; books by Serlio, Scamozzi,

Vitruvius Vitruvius ( ; ; –70 BC – after ) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work titled . As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissan ...

and Palladio; and portraits of Dutch admirals such as Egbert Bartholomeusz Kortenaer.

Work

General

In addition to the portraits for which he is most famous, van der Helst painted a few genre, historical, biblical, mythological, and allegorical scenes. In all these paintings, the portrait aspect is still important.

Portraits

Bartholomeus van der Helst - A young woman holding a sunflower

Van der Helst was principally a painter of portraits. The majority of his work is made up of individual portraits, though he also painted family portraits, double portraits and pendant portraits. An example of the latter are the portraits of Lieutenant-Admiral Aert van Nes and his wife Geertruida den Dubbeld. Among his most prestigious assignments were the group portraits of Amsterdam 'schutters' (civil militia members) and regents. The most famous work in this category is his 1648 ''Banquet of the Amsterdam Civic Guard in Celebration of the

'' (

, Amsterdam).Judith van Gent, ''Stilistische ontwikkeling''
at ''Bartholomeus van der Helst blog'' In this large-scale composition depicting 25 people, van der Helst was able to do justice to each individual. He also realised a clear composition through his sophisticated use of light and color. As a portrait painter to Amsterdam's elite, he created life-sized portraits, which responded to the demand of the patricians of Amsterdam for portraits that offered a good likeness rather than an idealized image. His style is characterized by clear drawing, plasticity, even lighting and a pleasant palette relying on light and clear tones. He preferred balanced compositions.Judith van Gent, ''Stilistische ontwikkeling''
at ''Bartholomeus van der Helst blog'' BartholomeusVanderHelst Hinlopen

His early works show the influence of Pickenoy, his presumed master, and to a certain extent of Rembrandt. This is clear in the ''Portrait of an unknown man, probably a Protestant minister'' of 1638 (

Museum Boijmans Van Beuningen Municipal Museum Boijmans Van Beuningen () is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from its two most important donors, Frans Jacob Otto Boijmans and Daniël George van Beuningen. The museum is located a ...

). It shows a man reading a book who looks up at the viewer as if he has been disturbed, a motive derived from Rembrandt. The vivid representation of the sitter is characteristic of van der Helst's early work. Van der Helst found his own style in the 1640s. The ''Portrait of Andries Bicker'' dated 1642 (Rijksmuseum, Amsterdam) is typical his work from this period: it is well modeled, of a strong plasticity and painted with a barely visible brush stroke. The fashion for the French elegant style was visible in his work after 1650. An example is the ''Portrait of the animal painter Paulus Potter'' painted in 1654. This work was based on a self-portrait of Potter, which he had made shortly before his early death. The gestures and movements of the sitter in the painting are elegant. The artist has further succeeded in rendering the fabrics in a smooth painting style and almost perfect technique. The paintings of the final years of Van der Helst's career are characterized by increased attention to detail and a more even lighting. The subtlety and intensity that characterizes his earlier work has made way for a clarity of expression that leaves nothing to the imagination. The artist also used a more colourful palette and richer contrasts and emphasized more strongly the distinctions between dark and light tones.

Portrait of Gerard Andriesz Bicker

One of Van der Helst's most famous works is the portrait of Gerard Andriesz Bicker at half-length of 1639 (Rijksmuseum, Amsterdam). Van der Helst painted in 1642 a portrait of Andries Bicker, the father of Gerard Andriesz Bicker (1622–1666) and the mayor of Amsterdam, as a pendant to this work. The contrast between the two sitters could not be more pronounced: while the father looks like a stern and sober Protestant, the son looks like a fanciful dandy with a smug look in his eyes. At the time the painting was made Gerard Andriesz Bicker was only 20 years old, but already held the title of ''Lord of Engelenburg'', an estate near Herwijnen belonging to the family. This portrait is often used to illustrate the decadent wealth of the Amsterdam merchants of the

in Amsterdam. In 1647 he became ''High Bailiff of Muiden and Gooiland''. In 1650, during the Attack on Amsterdam (1650), a postman from Hamburg heading for Amsterdam ran into the forces, and warned Gerard Bicker, who immediately left by boat for Amsterdam to inform his uncle, burgemeester Cornelis Bicker. The latter and former burgemeester Andries Bicker rallied the civic guard, hired 2,000

mercenaries A mercenary is a private individual who joins an War, armed conflict for personal profit, is otherwise an outsider to the conflict, and is not a member of any other official military. Mercenaries fight for money or other forms of payment rath ...

, lifted the bridges, closed the gates and positioned the artillery. In April 1656 he secretly married Alida Conincx, his housekeeper. In 1660 she was buried in the Nieuwe Kerk, Amsterdam.

Genre scenes

Bartholomeus van der Helst - The Nieuwmarkt in Amsterdam

Van der Helst also painted a number of genre scenes. An example of a genre scene by van der Helst is the ''View of the Nieuwmarkt'' (1638,

Hermitage Museum The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia, and holds the large ...

, Saint Petersburg), which combines still life, cityscape and figure piece. The composition shows an old woman holding a big wheelbarrow full of vegetables. On her left hangs the carcass of large slaughtered pig. Next to the pig are four children, one of whom blows the pig's bladder while the others look at the viewer. In the background is a view on the Nieuwmarkt with the Sint Anthoniswaag. This work was probably made for van der Helst's private use as it likely depicts the view from his house on the Nieuwmarkt. Another genre scene is '' The Musician'' (1662,

Metropolitan Museum of Art The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of larg ...

), which depicts a woman tuning a

theorbo The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rose ...

while a

viola da gamba The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (m ...

is resting in front of her. Printed music in tenor and soprano parts is placed on a table nearby. The musician looks directly at the viewer as if inviting him to take up the viola da gamba to join her in a duet. While the work has usually been regarded as a genre scene, it is possible that it is in fact a portrait of Anna du Pire, the artist's wife.

Collaborations

As was common in 17th-century Dutch artistic practice, van der Helst regularly collaborated with other specialist artists. A frequent collaborator was Ludolf Bakhuizen, a prominent marine and landscape painter. Bakhuizen painted the marine scenes, which are the backdrop of his portraits of the Dutch naval heroes Vice-Admiral Johan de Liefde and Lieutenant-Admiral Aert van Nes with the pendant portrait of his wife Geertruida den Dubbeld (all three dated 1668 and in the Rijksmuseum). An interesting case of a collaboration between multiple Golden Age painters is the ''Portrait of Willem van Wyttenhorst''. No less than four painters had a hand in its creation: Bartholomeus van der Helst, Cornelis van Poelenburgh, Jan Both and Jacob Duck. Van der Helst was responsible for the general composition and Jan Both for the landscape. It is possible that Duck painted the harness as he was a specialist in guardroom scenes (also called 'kortegards'), which depicted soldiers at leisure among their weapons, harnesses and other military gear in a guardroom. It is likely that van der Helst also painted the face but the role of van Poelenburgh is not clear. Van der Helst also collaborated with the animal painter Jan Baptist Weenix on the ''Shepherd boy with sheep and goats''. Van der Helst painted the shepherd boy in the painting. He scratched his signature in the wet paint on the boy's collar while Weenix did the same in the wet paint at the upper right. It is believed the painting was intended to be hung over a large fireplace. This probably explains the contrived perspective with the somewhat too large sheep placed right on the edge in the foreground.Jan Baptist Weenix and Bartholomeus van der Helst, ''Shepherd boy with sheep and goats''
at Sotheby's

Nazi-looted art

Van der Helst's “''Little Boy on His Deathbed'',” was seized by Nazis during the

German occupation of the Netherlands Despite Dutch neutrality, Nazi Germany German invasion of the Netherlands, invaded the Netherlands on 10 May 1940 as part of ''Fall Gelb'' (Case Yellow). On 15 May 1940, one day after the Rotterdam Blitz, bombing of Rotterdam, the Dutch forces ...

in World War II as part of their campaign to plunder Jewish assets. Recovered after the war by the Allies' Monuments Men, it was returned it to the Dutch government which placed it in a museum. The family of the Jewish Dutch art dealer Jacques Goudstikker won a restitution battle for the stolen painting fifty years later. Van der Helst's "''Portrait of a Man''", one of hundreds of works looted from the Schloss family in France in 1943, was stolen twice: after the Allies recovered it and before it could be restituted, it was taken by thieves from the Allied collecting point in Munich in 1945. It reappeared for sale at the Im Kinsky auction house in Vienna.

Gallery

File:Bartholomeus van der Helst - Paul Potter.jpg, ''Portrait of the animal painter

Paulus Potter Paulus Potter (; 20 November 1625 (baptised) – 17 January 1654 (buried)) was a Dutch painter Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid sur ...

'' File:Bartholomeus van der Helst - Portrait of a Boy (blowing Bubbles).jpg, ''Portrait of a boy blowing bubbles'' File:Bartholomeus van der Helst - Portrait of Captain Gideon de Wildt - Google Art Project.jpg, ''Portrait of Captain Gideon de Wildt'' File:Mary Princess of Orange.jpg, ''Mary, Princess of Orange'' File:Daniel Bernard, by Bartholomeus van der Helst.jpg, ''The shipowner Daniel Bernard'' File:Jacob Trip (1627-1670), by Bartholomeus van der Helst.jpg, ''The arms dealer Jacob Trip'' (1627–1670) File:Aert van Nes (1626-93), luitenant-admiraal, by Bartholomeus van der Helst.jpg, ''Lieutenant-Admiral Aert van Nes'' (1626–1693) File:Geertruida den Dubbelde, de echtgenote van luitenant-admiraal Aert van Nes, by Bartholomeus van der Helst.jpg, ''Geertruida den Dubbeld, wife of Lieutenant-Admiral Aert van Nes'' File:Shepherds boy with sheep and goats, by Jan Baptist Weenix and Bartholomeus van der Helst.jpg, ''Shepherd boy with sheep and goats, together with Jan Baptist Weenix'' File:The Musician MET ep73.2.R.jpg, '' The Musician'' File:Bartholomeus van der Helst.jpg, ''The artist's wife Anna du Pire as Granida'' File:Bartholomeus van der Helst - Jonge ontsluierde vrouw heft een gordijn op.jpg, ''Nude young woman lifting a curtain''

References

External links

{{DEFAULTSORT:Helst, Bartholomeus van der 1613 births 1670 deaths Painters from Haarlem Painters from Amsterdam Dutch Golden Age painters Dutch male painters Dutch genre painters Dutch portrait painters History of Amsterdam