Bahman Yasht
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The ''Zand-i Wahman Yasn'' is a medieval
Zoroastrian Zoroastrianism ( ), also called Mazdayasnā () or Beh-dīn (), is an Iranian religion centred on the Avesta and the teachings of Zarathushtra Spitama, who is more commonly referred to by the Greek translation, Zoroaster ( ). Among the wo ...
apocalyptical text in
Middle Persian Middle Persian, also known by its endonym Pārsīk or Pārsīg ( Inscriptional Pahlavi script: , Manichaean script: , Avestan script: ) in its later form, is a Western Middle Iranian language which became the literary language of the Sasania ...
. It professes to be a prophetical work, in which
Ahura Mazda Ahura Mazda (; ; or , ),The former is the New Persian rendering of the Avestan form, while the latter derives from Middle Persian. also known as Horomazes (),, is the only creator deity and Sky deity, god of the sky in the ancient Iranian ...
gives
Zoroaster Zarathushtra Spitama, more commonly known as Zoroaster or Zarathustra, was an Iranian peoples, Iranian religious reformer who challenged the tenets of the contemporary Ancient Iranian religion, becoming the spiritual founder of Zoroastrianism ...
an account of what was to happen to the ''behdin'' (those of the "good religion", i.e. the Zoroastrians) and their religion in the future. The oldest surviving manuscript (K20, in Copenhagen) is from about 1400, but the text itself is older, written and edited over the course of several generations. The work is also known as the ''Bahman Yasht'' and ''Zand-i wahman yasht''. These titles are scholastic mistakes, in the former case due to 18th century
Anquetil Du Perron Abraham Hyacinthe Anquetil-Duperron (7 December 173117 January 1805) was the first professional French Indologist. He conceived the institutional framework for the new profession. He inspired the founding of the École française d'Extrême-Ori ...
, and the latter due to 19th century
Edward William West Edward William West (1824-1905), usually styled E. W. West, was a scholarly English engineer, orientalist, and translator of Zoroastrian texts. He was educated at King's College London. He prepared five volumes of Pahlavi texts (the ''Marvels of ...
. The text is neither a
Yasht A Yasht (, ) is a hymn of praise composed in the Young Avestan language and dedicated to specific Zoroastrian divinities. The term commonly applies to the collection of 21 Yashts, although it may also refer to other texts within the wider Avest ...
, nor is it in any way related to the
Avesta The Avesta (, Book Pahlavi: (), Persian language, Persian: ()) is the text corpus of Zoroastrian literature, religious literature of Zoroastrianism. All its texts are composed in the Avestan language and written in the Avestan alphabet. Mod ...
's (lost) ''Bahman Yasht'' (see note
below Below may refer to: *Earth *Ground (disambiguation) *Soil *Floor * Bottom (disambiguation) *Less than *Temperatures below freezing *Hell or underworld People with the surname * Ernst von Below (1863–1955), German World War I general * Fred Belo ...
). Chapter and line pointers to the ''Zand-i Wahman Yasn'' are conventionally abbreviated ''ZWY'', and follow the subdivisions defined in the 1957 Anklesaria translation. These subdivisions differ from those used in earlier translations. The text survives in two versions: a Middle Persian version in
Pahlavi script Pahlavi may refer to: Iranian royalty *Seven Parthian clans, ruling Parthian families during the Sasanian Empire *Pahlavi dynasty, the ruling house of Imperial State of Persia/Iran from 1925 until 1979 ** Reza Shah Pahlavi (1878–1944), Shah of ...
, and in a
Pazand Pazend () or Pazand (; ) is one of the writing systems used for the Middle Persian language. It was based on the Avestan alphabet, a phonetic alphabet originally used to write Avestan, the language of the Avesta, the primary sacred texts of Zor ...
transliteration with commentary in
Avestan script The Avestan alphabet ( Avestan phonology#Transcription, transliteration: , Middle Persian: Middle Persian#Transliteration of Pahlavi script, transliteration: , Middle Persian#Transcription, transcription: , ) is a writing system developed duri ...
. From the scholastic point of view, the work is enormously interesting for the study of religion. While the text is superficially an Iranian one, there is some question whether some of the details are Iranian adaptions from alien sources. Arguments for both an indigenous origin (with loaning to Judeo-Christian-Islamic tradition), and vice versa (borrowing from Semitic and Hellenistic sources) have been put forward. A connection to the Hellenistic '' Oracles of Hystaspes'' is generally acknowledged. That text, unlike most works attributed to Pseudo-Zoroastrian authors, was apparently based on genuine Zoroastrian traditions. Structurally, the ''Zand-i Wahman Yasn'' is laid out as a conversation between Zoroaster and Ahura Mazda, in which the latter gives his prophet the ability to see into the future. Chapters 1, 2 and 3 introduce a millennial scheme with seven periods. The first three periods represent the ages up and including the "millennium of Zoroaster". The last four periods, which account for what will occur thereafter, are analogized as a tree with four branches, one each of gold, silver, steel, and impure iron. Chapters 4, 5 and 6 prophesy the calamities that will occur when the "enemies of the good religion" (see
Aniran Anērān (Middle Persian, ) or Anīrân ( Modern Persian, ) is an ethno-linguistic term that signifies "non-Iranian" or "non-Iran" (non-Aryan). Thus, in a general sense, 'Aniran' signifies lands where Iranian languages are not spoken. In a pejorati ...
) conquer Iran at the end of the "tenth millennium", causing a debasement of moral, social, religious order (see
Asha ''Asha'' () or ''arta'' (; ) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right' (or 'righteousness'), 'order' and 'right wor ...
, "order"). Chapters 7, 8 and 9 prophesy the events of the last 3,000 years of the world, beginning with the eleventh millennium, and in which the arrival of each of the three ''
saoshyant Saoshyant ( ) is an Avestan-language term that literally means "one who brings benefit", and which is used in several different ways in Zoroastrian scripture and tradition. In particular, the expression is the proper name of ''the'' Saoshyant, an ...
''s are foretold. The text prophecies the end of the world as a great conflagration in which the world is destroyed/purified by fire, with Ahura Mazda's eventual triumph, after which the dead righteous (''
ashavan Ashavan (Avestan: 𐬀𐬴𐬀𐬬𐬀𐬥 ''ašavan'') is a Zoroastrian theological term. It literally means "possessing/mastering '' aša''" and has been interpreted as "possessing/mastering truth" or "possessing/mastering righteousness", but ha ...
'') are resurrected to eternal perfection and reunification with God, and time ends. In the 19th century,
James Darmesteter James Darmesteter (28 March 184919 October 1894) was a French author, orientalist, and antiquarian. Biography He was born of Jewish parents at Château-Salins, in Lorraine. The family name had originated in their earlier home of Darmstadt. He was ...
surmised that the ''Zand-i Wahman Yasn'' represented a translation of parts of the Avesta's lost ''Bahman Yasht''. This notion is no longer followed today; modern scholarship is in agreement that the 6th century work has "nothing in common". with what is actually known of the genuine Avestan Bahman yasht texts. The
Amesha Spenta In Zoroastrianism, the Amesha Spenta (—literally "Immortal (which is) holy/bounteous/furthering") are a class of seven divine entities emanating from Ahura Mazda, the highest divinity of the religion. Later Middle Persian variations of the ter ...
Bahman/Wahman (Av:
Vohu Manah Vohu Manah (Avestan: 𐬬𐬊𐬵𐬎⸱𐬨𐬀𐬥𐬀𐬵 ''vohu manah'') is the Avestan language term for a Zoroastrian concept, generally translated as "Good Purpose", "Good Mind", or "Good Thought", referring to the good state of mind th ...
) does not even appear in the text. That the basic "plot" draws on Avestan material, and that the work mimics the style of the Avesta's authors, are generally acknowledged.


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