Back Stage (1919 Film)
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''Back Stage'' is a 1919 American
two-reel A short film is a film with a low running time. The Academy of Motion Picture Arts and Sciences (AMPAS) defines a short film as "an original motion picture that has a running time of not more than 40 minutes including all credits". Other film or ...
silent
comedy film The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the o ...
directed by and starring
Roscoe "Fatty" Arbuckle Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel ...
and featuring
Buster Keaton Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently ...
and Al St. John. In this film, Keaton, Arbuckle, Al St. John, and others work back stage as stagehands in a playhouse trying to help out and, in some cases, stay away from the eccentric performers. When the performers rebel and refuse to do the show, the stagehands, along with Arbuckle's love interest (the assistant of one of the rebelling performers) perform in their stead—including Keaton doing
butterflies Butterflies are winged insects from the lepidopteran superfamily Papilionoidea, characterized by large, often brightly coloured wings that often fold together when at rest, and a conspicuous, fluttering flight. The oldest butterfly fossi ...
and no-handed cartwheels in drag. Several Arbuckle shorts use
sight gag In comedy, a visual gag or sight gag is anything which conveys its humour visually, often without words being used at all. The gag may involve a physical impossibility or an unexpected occurrence. The humor is caused by alternative interpretation ...
s that other comedians elaborated on in other films. In ''Back Stage,'' Arbuckle uses the falling wall sequence, where a piece of set falls on him but a window in the set piece allows him to escape being crushed. Keaton used this gag in his first short '' One Week'' (1920) and, most famously, in his 1928 film '' Steamboat Bill, Jr.''


Plot

Fatty, Keaton and St John play stagehands at a theater preparing the sets for the next big show. Fatty puts up a sign on the front door of the theater reading: YOU MUST NOT MISS GERTRUDE McSKINNY FAMOUS STAR WHO WILL PLAY THE LITTLE LAUNDRESS FIRST TIME HERE TOMORROW AT 2PM But upon returning inside the theatre he unwittingly leaves the door open so it obscures the left side of the sign and appears to read: MISS SKINNY WILL UNDRESS HERE AT 2PM The evening's entertainment arrives, first an extremely flexible dancer whom Fatty and Keaton feebly attempt to mimic. Next, a tall and egotistical, strongman who badly mistreats his assistant (Malone). The staff attempt to defend the assistant but the strongman is so powerful that he is able to blow Fatty away using only his breath and does not even flinch when Keaton repeatedly hits him over the head with an axe. Eventually the staff manage to subdue the strongman by challenging him to prove his immense strength by lifting a heavy weight then electrocuting him. That night the theater is completely full (due to the partially obscured sign) but due to his treatment earlier the strongman quits and takes the dancer with him forcing Fatty, Keaton and the assistant to plan an operetta, which they title "The Falling Reign", at short notice. Fatty and Keaton dress in drag and perform an elaborate dance act. The dancer who quit earlier is in the audience and frequently heckles the show but is soon dispatched when Keaton's dancing proves to energetic and launches him into the audience knocking the dancer out. The second act is a routine in which Fatty and Keaton are being covered with fake snow but the theater is so hot that Keaton has to fan himself and take off his coat, ruining the illusion. Things are made worse when the man slowly releasing the fake snow accidentally drops the whole bag onto Fatty, and during a scene where Fatty is serenading the assistant who sits in the window of the facade of a house, Keaton accidentally bumps into it knocking it over and causing it to fall towards Fatty but the open window fits neatly around his body saving him from harm. Despite the show being a disaster, the audience nevertheless applaud and roar with laughter, believing the performers fumbles to be part of the act. The strongman, sitting in the audience, is outraged that his assistant is now a success. He produces a gun and shoots her before starting a brawl with the entire stage team. As Keaton and St John keep the strongman busy, Fatty loads a trunk full of weights and drops it on the strongman's head, knocking him out. The short ends with Fatty visiting the assistant in the hospital who is recovering well.


Cast

*
Roscoe 'Fatty' Arbuckle Roscoe Conkling "Fatty" Arbuckle (; March 24, 1887 – June 29, 1933) was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabe ...
- Stagehand *
Buster Keaton Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently ...
- Stagehand * Al St. John - Stagehand * Charles A. Post - Strongman *
Molly Malone "Molly Malone" ( Roud 16932, also known as "Cockles and Mussels" or "In Dublin's Fair City") is a song set in Dublin, Ireland, which has become the city's unofficial anthem. A statue representing Molly Malone, designed by Dublin artist Jeanne ...
- Strongman's Assistant * John Henry Coogan Jr. - Eccentric Dancer (
Jackie Coogan John Leslie Coogan (October 26, 1914 – March 1, 1984) was an American actor and comedian who began his film career as a child actor in silent films. Coogan's role in Charlie Chaplin's film ''The Kid (1921 film), The Kid'' (1921) made him one o ...
's father, credited as John Coogan) * Rube Miller - Stagehand


See also

*
List of American films of 1919 This list of American films of 1919 is a compilation of American films that were released in the year 1919. A B C D E F G H I J K L M N O P–Q R S T U V W Y–Z Short films See also * 1919 ...


References


External links

* * * {{DEFAULTSORT:Back Stage (1919 Film) 1919 films 1919 comedy films 1919 short films 1910s American films 1910s English-language films American black-and-white films Articles containing video clips English-language comedy short films Films directed by Roscoe Arbuckle Films produced by Joseph M. Schenck Films with screenplays by Jean Havez Paramount Pictures films Silent American comedy short films Surviving American silent films