Songs and arias by
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, joːhan zeˈbasti̯an baχ ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety ...
are compositions listed in
Chapter 6 of the
Bach-Werke-Verzeichnis
The (, ; BWV) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990 and the third edition in ...
(BWV 439–524), which also includes the
Quodlibet
A quodlibet (; Latin for "whatever you wish" from '' quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous ma ...
. Most of the songs and arias included in this list are set for voice and
continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme. The best known of these, "
Bist du bei mir
"" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera ''Diomedes'', which was first staged on 16 November 1718. The aria is best known as "," Bach-Werke-Verzeichnis, BWV 508, a version for voice and basso ...
", was however not composed by Bach.
An aria by Bach was rediscovered in the 21st century, and was assigned the number
BWV 1127. Further hymn settings and arias by Bach are included in his
cantatas
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
The meaning ...
,
motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Engl ...
,
masses, passions, oratorios and
chorale harmonisations (BWV 1–438 and later additions). The
second Anhang of the BWV catalogue also lists a few songs of doubtful authenticity.
Songs, arias and Quodlibet, BWV 439–524
, - style="background: #E3F6CE;"
, data-sort-value="0439.000" , 439
, data-sort-value="304.003" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ach, dass nicht die letzte Stunde" ('' Schemelli'' #831; tune #56)
,
, V Bc
, data-sort-value="000.39: 279a" , 39: 279
, data-sort-value="III/02 1: 256" , III/2.1: 210
, ↔ Z 6721; text by Neumeister
,
, - style="background: #E3F6CE;"
, data-sort-value="0440.000" , 440
, data-sort-value="304.004" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Auf, auf! die rechte Zeit ist hier" ('' Schemelli'' #171; tune #11)
,
, V Bc
, data-sort-value="000.39: 279b" , 39: 279
, data-sort-value="III/02 1: 211" , III/2.1: 123
, data-sort-value="↔ Z 0705" , ↔ Z 705; text by Opitz
,
, - style="background: #E3F6CE;"
, data-sort-value="0441.000" rowspan="2" , 441
, data-sort-value="304.005" rowspan="2" , 6.
, data-sort-value="1730-01-01" , or earlier
, chorale setting "Auf, auf, mein Herz, mit Freuden"
, rowspan="2" , F maj.
, SATB
,
, data-sort-value="III/02 1: 095" , III/2.1: 67
, rowspan="2" , after Z 5243; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
, rowspan="2" ,
, - style="background: #E3F6CE;"
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Auf, auf, mein Herz, mit Freuden" ('' Schemelli'' #320; tune #27)
, V Bc
, data-sort-value="000.39: 279c" , 39: 279
, data-sort-value="III/02 1: 227" , III/2.1: 152
, - style="background: #E3F6CE;"
, data-sort-value="0442.000" , 442
, data-sort-value="304.006" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Beglückter Stand getreuer Seelen" ('' Schemelli'' #570; tune #39)
,
, V Bc
, data-sort-value="000.39: 280a" , 39: 280
, data-sort-value="III/02 1: 239" , III/2.1: 176
, after Z 5970; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0443.000" , 443
, data-sort-value="304.007" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Beschränkt, ihr Weisen dieser Welt" ('' Schemelli'' #689; tune #47)
,
, V Bc
, data-sort-value="000.39: 280b" , 39: 280
, data-sort-value="III/02 1: 247" , III/2.1: 192
, ↔ Z 7765; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0444.000" , 444
, data-sort-value="304.008" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Brich entzwei, mein armes Herze" ('' Schemelli'' #303; tune #24)
,
, V Bc
, data-sort-value="000.39: 280c" , 39: 280
, data-sort-value="III/02 1: 224" , III/2.1: 146
, after Z 7110–7111a; → Z 7111b; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0445.000" , 445
, data-sort-value="304.009" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Brunnquell aller Güter" ('' Schemelli'' #335; tune #29)
,
, V Bc
, data-sort-value="000.39: 281a" , 39: 281
, data-sort-value="III/02 1: 229" , III/2.1: 156
, after Z 6252b; text by Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0446.000" , 446
, data-sort-value="304.010" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Der lieben Sonnen Licht und Pracht" ('' Schemelli'' #39; tune #2)
,
, V Bc
, data-sort-value="000.39: 281b" , 39: 281
, data-sort-value="III/02 1: 202" , III/2.1: 106
, after Z 5659; text by Scriver
,
, - style="background: #E3F6CE;"
, data-sort-value="0447.000" , 447
, data-sort-value="304.011" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Der Tag ist hin, die Sonne gehet nieder" ('' Schemelli'' #40; tune #3)
,
, V Bc
, data-sort-value="000.39: 281c" , 39: 281
, data-sort-value="III/02 1: 203" , III/2.1: 108
, data-sort-value="after Z 0923; ↔ BWV 297" , after Z 923; ↔ BWV 297
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to the ...
; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0448.000" , 448
, data-sort-value="304.012" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Der Tag mit seinem Lichte" ('' Schemelli'' #43; tune #4)
,
, V Bc
, data-sort-value="000.39: 282a" , 39: 282
, data-sort-value="III/02 1: 204" , III/2.1: 110
, after Z 7512b; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0449.000" , 449
, data-sort-value="305.001" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Dich bet ich an, mein höchster Gott" ('' Schemelli'' #396; tune #31)
,
, V Bc
, data-sort-value="000.39: 282b" , 39: 282
, data-sort-value="III/02 1: 231" , III/2.1: 160
, ↔ Z 2437; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0450.000" , 450
, data-sort-value="305.002" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Die bittre Leidenszeit beginnet abermal" ('' Schemelli'' #258; tune #17)
,
, V Bc
, data-sort-value="000.39: 282c" , 39: 282
, data-sort-value="III/02 1: 217" , III/2.1: 134
, after Z 7429; text by
,
, - id="Schemellis Gesangbuch No. 13" style="background: #E3F6CE;"
, data-sort-value="0451.000" , 451
, data-sort-value="305.003" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Die güldne Sonne" ('' Schemelli'' #13; tune #1)
,
, V Bc
, data-sort-value="000.39: 283" , 39: 283
, data-sort-value="III/02 1: 201" , III/2.1: 104
, after Z 8015; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0452.000" , 452
, data-sort-value="305.004" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Dir, dir, Jehova, will ich singen
"" (To you, to you, Jehova, I want to sing) is a Lutheran hymn, with 1695 text by Bartholomäus Crasselius. A melody attributed to Johann Sebastian Bach appeared in Schemellis Gesangbuch. It was translated into English by Catherine Winkworth in 1 ...
" ('' Schemelli'' #397; tune #32)
,
, V Bc
, data-sort-value="000.39: 284a" , 39: 284
, data-sort-value="III/02 1: 232" , III/2.1: 162
, data-sort-value="after BWV 0299" , after BWV 299
The title ''Notebook for Anna Magdalena Bach'' () refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Keyboard music (minuets, rondeaux, polonaises, c ...
; → Z 3068; text by Crasselius
,
, - style="background: #E3F6CE;"
, data-sort-value="0453.000" , 453
, data-sort-value="305.005" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Eins ist not! ach Herr, dies Eine" ('' Schemelli'' #112; tune #7)
,
, V Bc
, data-sort-value="000.39: 284b" , 39: 284
, data-sort-value="III/02 1: 207" , III/2.1: 116
, ↔ Z 7129; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0454.000" , 454
, data-sort-value="305.006" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ermuntre dich, mein schwacher Geist" ('' Schemelli'' #187; tune #12)
,
, V Bc
, data-sort-value="000.39: 284c" , 39: 284
, data-sort-value="III/02 1: 212" , III/2.1: 124
, after Z 5741; text by Rist Rist is a surname. Notable people with the surname include:
* Boy Rist (1912–1972), Norwegian officer and WWII resistance fighter
* Charles Rist (1874–1955), French economist
* Gilbert Rist (1938–2023), Swiss academic
* Edwin Rist, America ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0455.000" , 455
, data-sort-value="305.007" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Erwürgtes Lamm, das die verwahrten Siegel" ('' Schemelli'' #580; tune #43)
,
, V Bc
, data-sort-value="000.39: 285a" , 39: 285
, data-sort-value="III/02 1: 243" , III/2.1: 184
, after Z 3138; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0456.000" , 456
, data-sort-value="305.008" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Es glänzet der Christen inwendiges Leben" ('' Schemelli'' #572; tune #40)
,
, V Bc
, data-sort-value="000.39: 285b" , 39: 285
, data-sort-value="III/02 1: 240" , III/2.1: 178
, after Z 6969; text by Richter
,
, - style="background: #E3F6CE;"
, data-sort-value="0457.000" , 457
, data-sort-value="305.009" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Es ist nun aus mit meinem Leben" ('' Schemelli'' #847; tune #57)
,
, V Bc
, data-sort-value="000.39: 286a" , 39: 286
, data-sort-value="III/02 1: 257" , III/2.1: 212
, after Z 6969; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0458.000" , 458
, data-sort-value="305.010" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Es ist vollbracht! Vergiss ja nicht dies Wort" ('' Schemelli'' #306; tune #25)
,
, V Bc
, data-sort-value="000.39: 286b" , 39: 286
, data-sort-value="III/02 1: 225" , III/2.1: 148
, after Z 2692; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0459.000" , 459
, data-sort-value="305.011" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Es kostet viel, ein Christ zu sein" ('' Schemelli'' #522; tune #38)
,
, V Bc
, data-sort-value="000.39: 286c" , 39: 286
, data-sort-value="III/02 1: 238" , III/2.1: 174
, after Z 2727; text by Richter
,
, - style="background: #E3F6CE;"
, data-sort-value="0460.000" , 460
, data-sort-value="305.012" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Gib dich zufrieden und sei stille" ('' Schemelli'' #647; tune #45)
,
, V Bc
, data-sort-value="000.39: 288a" , 39: 288
, data-sort-value="III/02 1: 245" , III/2.1: 188
, after Z 7415; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0461.000" , 461
, data-sort-value="305.013" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Gott lebet noch" ('' Schemelli'' #488; tune #37)
,
, V Bc
, data-sort-value="000.39: 288b" , 39: 288
, data-sort-value="III/02 1: 237" , III/2.1: 172
, after Z 7951; ↔ BWV 320; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0462.000" , 462
, data-sort-value="305.014" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Gott wie groß ist deine Güte" ('' Schemelli'' #360; tune #30)
,
, V Bc
, data-sort-value="000.39: 289a" , 39: 289
, data-sort-value="III/02 1: 230" , III/2.1: 158
, text by Schemelli; → Z 7937
,
, - style="background: #E3F6CE;"
, data-sort-value="0463.000" , 463
, data-sort-value="305.015" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Herr, nicht schicke deine Rache" ('' Schemelli'' #78; tune #5)
,
, V Bc
, data-sort-value="000.39: 289b" , 39: 289
, data-sort-value="III/02 1: 205" , III/2.1: 112
, after Z 6863; text by Opitz
,
, - style="background: #E3F6CE;"
, data-sort-value="0464.000" , 464
, data-sort-value="305.016" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich bin ja, Herr, in deiner Macht" ('' Schemelli'' #861; tune #58)
,
, V Bc
, data-sort-value="000.39: 290a" , 39: 290
, data-sort-value="III/02 1: 258" , III/2.1: 214
, after Z 5869a; text by Dach
''trans''-1,2-Diaminocyclohexane is an organic compound with the formula C6H10(NH2)2. This diamine is a building block for ''C''2-symmetric ligands that are useful in asymmetric catalysis.
A mixture of all three stereoisomers of 1,2-diaminocy ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0465.000" , 465
, data-sort-value="306.001" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich freue mich in dir" ('' Schemelli'' #194; tune #13)
,
, V Bc
, data-sort-value="000.39: 290b" , 39: 290
, data-sort-value="III/02 1: 213" , III/2.1: 126
, after Z 5138; text by Ziegler, C.
,
, - style="background: #E3F6CE;"
, data-sort-value="0466.000" , 466
, data-sort-value="306.002" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich halte treulich still" ('' Schemelli'' #657; tune #46)
,
, V Bc
, data-sort-value="000.39: 290c" , 39: 290
, data-sort-value="III/02 1: 246" , III/2.1: 190
, text by ; → Z 5082
,
, - style="background: #E3F6CE;"
, data-sort-value="0467.000" , 467
, data-sort-value="306.003" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich lass dich nicht" ('' Schemelli'' #734; tune #51)
,
, V Bc
, data-sort-value="000.39: 291a" , 39: 291
, data-sort-value="III/02 1: 251" , III/2.1: 200
, after Z 7455; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0468.000" , 468
, data-sort-value="306.004" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich liebe Jesum alle Stund" ('' Schemelli'' #737; tune #52)
,
, V Bc
, data-sort-value="000.39: 291b" , 39: 291
, data-sort-value="III/02 1: 252" , III/2.1: 202
, after Z 4731; → Z 4732
,
, - style="background: #E3F6CE;"
, data-sort-value="0469.000" , 469
, data-sort-value="306.005" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ich steh an deiner Krippen hier" ('' Schemelli'' #195; tune #14)
,
, V Bc
, data-sort-value="000.39: 292a" , 39: 292
, data-sort-value="III/02 1: 214" , III/2.1: 128
, ↔ Z 4663; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0476.000" , 476
, data-sort-value="306.016" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Ihr Gestirn, ihr hohlen Lüfte" ('' Schemelli'' #197; tune #15)
,
, V Bc
, data-sort-value="000.39: 294b" , 39: 294
, data-sort-value="III/02 1: 215" , III/2.1: 130
, after Z 3703; text by Franck, J.
,
, - style="background: #E3F6CE;"
, data-sort-value="0471.000" , 471
, data-sort-value="306.021" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesu, deine Liebeswunden" ('' Schemelli'' #139; tune #10)
,
, V Bc
, data-sort-value="000.39: 292c" , 39: 292
, data-sort-value="III/02 1: 210" , III/2.1: 122
, text by ?; → Z 1302
,
, - style="background: #E3F6CE;"
, data-sort-value="0470.000" , 470
, data-sort-value="306.022" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesu, Jesu, du bist mein" ('' Schemelli'' #741; tune #53)
,
, V Bc
, data-sort-value="000.39: 292b" , 39: 292
, data-sort-value="III/02 1: 253" , III/2.1: 204
, data-sort-value="↔ BWV 0357" , ↔ BWV 357; → Z 6446
,
, - style="background: #E3F6CE;"
, data-sort-value="0472.000" , 472
, data-sort-value="306.032" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesu, meines Glaubens Zier" ('' Schemelli'' #119; tune #8)
,
, V Bc
, data-sort-value="000.39: 293a" , 39: 293
, data-sort-value="III/02 1: 208" , III/2.1: 118
, after Z 6453; text by Sacer
,
, - style="background: #E3F6CE;"
, data-sort-value="0473.000" , 473
, data-sort-value="306.033" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesu, meines Herzens Freud" ('' Schemelli'' #696; tune #48)
,
, V Bc
, data-sort-value="000.39: 293b" , 39: 293
, data-sort-value="III/02 1: 248" , III/2.1: 194
, after Z 4797–4798; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0474.000" , 474
, data-sort-value="306.034" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesus ist das schönste Licht" ('' Schemelli'' #463; tune #33)
,
, V Bc
, data-sort-value="000.39: 293c" , 39: 293
, data-sort-value="III/02 1: 233" , III/2.1: 164
, after Z 6412; text by Richter
,
, - style="background: #E3F6CE;"
, data-sort-value="0475.000" , 475
, data-sort-value="306.035" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Jesus, unser Trost und Leben" ('' Schemelli'' #333; tune #28)
,
, V Bc
, data-sort-value="000.39: 294a" , 39: 294
, data-sort-value="III/02 1: 228" , III/2.1: 154
, after Z 4918; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0477.000" , 477
, data-sort-value="306.037" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Kein Stündlein geht dahin" ('' Schemelli'' #869; tune #60)
,
, V Bc
, data-sort-value="000.39: 294c" , 39: 294
, data-sort-value="III/02 1: 260" , III/2.1: 218
, after 4243b; text by Franck, M.?
,
, - style="background: #E3F6CE;"
, data-sort-value="0478.000" , 478
, data-sort-value="306.038" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Komm, süßer Tod" ('' Schemelli'' #868; tune #59)
,
, V Bc
, data-sort-value="000.39: 295a" , 39: 295
, data-sort-value="III/02 1: 259" , III/2.1: 216
, → Z 4400
,
, - style="background: #E3F6CE;"
, data-sort-value="0479.000" , 479
, data-sort-value="306.039" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Kommt, Seelen, dieser Tag" ('' Schemelli'' #936; tune #67)
,
, V Bc
, data-sort-value="000.39: 295b" , 39: 295
, data-sort-value="III/02 1: 267" , III/2.1: 232
, → Z 5185; text by Löscher
,
, - style="background: #E3F6CE;"
, data-sort-value="0480.000" , 480
, data-sort-value="306.040" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Kommt wieder aus der finstern Gruft" ('' Schemelli'' #938; tune #68)
,
, V Bc
, data-sort-value="000.39: 296a" , 39: 296
, data-sort-value="III/02 1: 268" , III/2.1: 234
, → Z 4709; text by Löscher
,
, - style="background: #E3F6CE;"
, data-sort-value="0481.000" , 481
, data-sort-value="306.041" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Lasset uns mit Jesu ziehen" ('' Schemelli'' #281; tune #18)
,
, V Bc
, data-sort-value="000.39: 296b" , 39: 296
, data-sort-value="III/02 1: 218" , III/2.1: 136
, after Z 7886b; ↔ BWV 413; text by Birken
,
, - style="background: #E3F6CE;"
, data-sort-value="0482.000" , 482
, data-sort-value="307.002" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Liebes Herz, bedenke doch" ('' Schemelli'' #467; tune #34)
,
, V Bc
, data-sort-value="000.39: 297a" , 39: 297
, data-sort-value="III/02 1: 234" , III/2.1: 166
, after Z 6434; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0483.000" , 483
, data-sort-value="307.003" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Liebster Gott, wann werd ich sterben" ('' Schemelli'' #873; tune #61)
, E♭ maj.
, V Bc
, data-sort-value="000.39: 297b" , 39: 297
, data-sort-value="III/02 1: 261" , III/2.1: 220
, after Z 6634; text by Neumann
Neumann () is a German language, German surname, with its origins in the pre-7th-century (Old English) word ''wikt:neowe, neowe'' meaning "new", with ''wikt:mann, mann'', meaning man. The English form of the name is Newman. Von Neumann is a varian ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0484.000" , 484
, data-sort-value="307.004" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Liebster Herr Jesu, wo bleibst du so lange" ('' Schemelli'' #874; tune #62)
,
, V Bc
, data-sort-value="000.39: 298a" , 39: 298
, data-sort-value="III/02 1: 262" , III/2.1: 222
, ↔ Z 3969; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0485.000" , 485
, data-sort-value="307.005" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Liebster Immanuel, Herzog der Frommen" ('' Schemelli'' #761; tune #54)
,
, V Bc
, data-sort-value="000.39: 298b" , 39: 298
, data-sort-value="III/02 1: 254" , III/2.1: 206
, after Z 4932c; text by Fritsch Fritsch is a German surname. Like Fritsche, Fritzsch and Fritzsche, it is a patronymic derived from Friedrich.
Notable people with the surname include:
* Ahasverus Fritsch (1629–1701), German jurist, poet and hymn writer
* Antonin Fritsch (183 ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0488.000" , 488
, data-sort-value="307.008" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Meines Lebens letzte Zeit" ('' Schemelli'' #881; tune #63)
,
, V Bc
, data-sort-value="000.39: 299b" , 39: 299
, data-sort-value="III/02 1: 263" , III/2.1: 224
, after Z 6380; ↔ BWV 381
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:
* four-part harmony
* SATB vocal forces
* pre-existing hymn tune allotted to th ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0486.000" , 486
, data-sort-value="307.016" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Mein Jesu, dem die Seraphinen" ('' Schemelli'' #121; tune #9)
,
, V Bc
, data-sort-value="000.39: 298c" , 39: 298
, data-sort-value="III/02 1: 209" , III/2.1: 120
, after Z 5988; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0487.000" , 487
, data-sort-value="307.017" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Mein Jesu! was vor Seelenweh" ('' Schemelli'' #283; tune #19)
,
, V Bc
, data-sort-value="000.39: 299a" , 39: 299
, data-sort-value="III/02 1: 219" , III/2.1: 138
, text by Schemelli?; → Z 8383
,
, - style="background: #E3F6CE;"
, data-sort-value="0489.000" , 489
, data-sort-value="307.019" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Nicht so traurig, nicht so sehr" ('' Schemelli'' #574; tune #41)
,
, V Bc
, data-sort-value="000.39: 300a" , 39: 300
, data-sort-value="III/02 1: 241" , III/2.1: 180
, after Z 3342; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
?
,
, - style="background: #E3F6CE;"
, data-sort-value="0490.000" , 490
, data-sort-value="307.020" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Nur mein Jesus ist mein Leben" ('' Schemelli'' #700; tune #49)
,
, V Bc
, data-sort-value="000.39: 300b" , 39: 300
, data-sort-value="III/02 1: 249" , III/2.1: 196
, after Z 8404c
,
, - style="background: #E3F6CE;"
, data-sort-value="0491.000" , 491
, data-sort-value="307.021" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "O du Liebe meiner Liebe" ('' Schemelli'' #284; tune #20)
,
, V Bc
, data-sort-value="000.39: 300c" , 39: 300
, data-sort-value="III/02 1: 220" , III/2.1: 140
, after Z 6693; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0492.000" , 492
, data-sort-value="307.022" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "O finstre Nacht, wenn wirst du doch vergehen" ('' Schemelli'' #891; tune #64)
,
, V Bc
, data-sort-value="000.39: 301b" , 39: 301
, data-sort-value="III/02 1: 264" , III/2.1: 226
, ↔ Z 6171; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0493.000" , 493
, data-sort-value="307.023" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "O Jesulein süß, o Jesulein mild" ('' Schemelli'' #203; tune #16)
,
, V Bc
, data-sort-value="000.39: 302a" , 39: 302
, data-sort-value="III/02 1: 216" , III/2.1: 132
, after Z 2016a; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0494.000" , 494
, data-sort-value="307.024" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "O liebe Seele, zieh die Sinnen" ('' Schemelli'' #575; tune #42)
,
, V Bc
, data-sort-value="000.39: 302b" , 39: 302
, data-sort-value="III/02 1: 242" , III/2.1: 182
, → Z 7787
,
, - style="background: #E3F6CE;"
, data-sort-value="0495.000" , 495
, data-sort-value="307.025" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "O wie selig seid ihr doch, ihr Frommen" ('' Schemelli'' #894; tune #65)
,
, V Bc
, data-sort-value="000.39: 302c" , 39: 302
, data-sort-value="III/02 1: 265" , III/2.1: 228
, after Z 1583; ↔ BWV 405; text by Dach
''trans''-1,2-Diaminocyclohexane is an organic compound with the formula C6H10(NH2)2. This diamine is a building block for ''C''2-symmetric ligands that are useful in asymmetric catalysis.
A mixture of all three stereoisomers of 1,2-diaminocy ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0496.000" , 496
, data-sort-value="307.026" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Seelenbräutigam" ('' Schemelli'' #472; tune #35)
,
, V Bc
, data-sort-value="000.39: 303b" , 39: 303
, data-sort-value="III/02 1: 235" , III/2.1: 168
, after Zahn number, Z 3255a–b; ↔ BWV 409; text by Adam Drese, Drese
,
, - style="background: #E3F6CE;"
, data-sort-value="0497.000" , 497
, data-sort-value="307.027" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Seelenweide" ('' Schemelli'' #710; tune #50)
,
, V Bc
, data-sort-value="000.39: 303c" , 39: 303
, data-sort-value="III/02 1: 250" , scores:Seelenweide, BWV 497 (Bach, Johann Sebastian), III/2.1: 198
, after Zahn number, Z 1286; text by Adam Drese, Drese
,
, - style="background: #E3F6CE;"
, data-sort-value="0499.000" , 499
, data-sort-value="308.002" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Sei gegrüßet, Jesu gütig" ('' Schemelli'' #293; tune #22)
,
, V Bc
, data-sort-value="000.39: 304b" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 304
, data-sort-value="III/02 1: 222" , scores:Sei gegrüßet, Jesu gütig, BWV 499 (Bach, Johann Sebastian), III/2.1: 143
, after Zahn number, Z 3889b; ↔ BWV 410; text by Christian Keymann, Keymann
,
, - style="background: #E3F6CE;"
, data-sort-value="0498.000" , 498
, data-sort-value="308.008" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Selig, wer an Jesum denkt" ('' Schemelli'' #292; tune #21)
,
, V Bc
, data-sort-value="000.39: 304a" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 304
, data-sort-value="III/02 1: 221" , scores:Selig! wer an Jesum denkt, BWV 498 (Bach, Johann Sebastian), III/2.1: 142
, → Zahn number, Z 4846
,
, - style="background: #E3F6CE;"
, data-sort-value="0500.000" , 500
, data-sort-value="308.010" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "So gehst du nun, mein Jesu hin" ('' Schemelli'' #296; tune #23)
,
, V Bc
, data-sort-value="000.39: 304c" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 304
, data-sort-value="III/02 1: 223" , scores:So gehst du nun, mein Jesu, hin, BWV 500 (Bach, Johann Sebastian), III/2.1: 144
, after Zahn number, Z 7631b; ↔ BWV 500a; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0501.000" , 501
, data-sort-value="308.012" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "So gibst du nun, mein Jesu, gute Nacht" ('' Schemelli'' #315; tune #26)
,
, V Bc
, data-sort-value="000.39: 304d" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 304
, data-sort-value="III/02 1: 226" , scores:So gibst du nun, mein Jesu, gute Nacht, BWV 501 (Bach, Johann Sebastian), III/2.1: 150
, data-sort-value="after Z 0849; ↔ BWV 412" , after Zahn number, Z 849; ↔ BWV 412; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0502.000" , 502
, data-sort-value="308.013" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "So wünsch ich mir zu guter Letzt" ('' Schemelli'' #901; tune #66)
,
, V Bc
, data-sort-value="000.39: 305a" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 305
, data-sort-value="III/02 1: 266" , scores:So wünsch ich mir zu guter Letzt, BWV 502 (Bach, Johann Sebastian), III/2.1: 230
, ↔ Zahn number, Z 5892; text by Rist Rist is a surname. Notable people with the surname include:
* Boy Rist (1912–1972), Norwegian officer and WWII resistance fighter
* Charles Rist (1874–1955), French economist
* Gilbert Rist (1938–2023), Swiss academic
* Edwin Rist, America ...
,
, - style="background: #E3F6CE;"
, data-sort-value="0503.000" , 503
, data-sort-value="308.014" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Steh ich bei meinem Gott" ('' Schemelli'' #945; tune #69)
,
, V Bc
, data-sort-value="000.39: 305b" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 305
, data-sort-value="III/02 1: 269" , scores:Steh ich bei meinem Gott, BWV 503 (Bach, Johann Sebastian), III/2.1: 236
, after Zahn number, Z 5207; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0504.000" , 504
, data-sort-value="308.015" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Vergiss mein nicht, dass ich dein nicht vergesse" ('' Schemelli'' #475; tune #36)
,
, V Bc
, data-sort-value="000.39: 306a" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 306
, data-sort-value="III/02 1: 236" , scores:Vergiss mein nicht, dass ich dein nicht vergesse, BWV 504 (Bach, Johann Sebastian), III/2.1: 170
, after Zahn number, Z 4779; text by Gottfried Arnold, Arnold
,
, - style="background: #E3F6CE;"
, data-sort-value="0505.000" , 505
, data-sort-value="308.016" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Vergiss mein nicht, ..., Mein allerliebster Gott" ('' Schemelli'' #627; tune #44)
,
, V Bc
, data-sort-value="000.39: 306b" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 306
, data-sort-value="III/02 1: 244" , scores:Vergiss mein nicht, mein allerliebster Gott, BWV 505 (Bach, Johann Sebastian), III/2.1: 186
, text by Gottfried Arnold, Arnold; → Zahn number, Z 4233
,
, - style="background: #E3F6CE;"
, data-sort-value="0506.000" , 506
, data-sort-value="308.017" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Was bist du doch, o Seele, so betrübt" ('' Schemelli'' #779; tune #55)
, A min.
, V Bc
, data-sort-value="000.39: 307b" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 307
, data-sort-value="III/02 1: 255" , scores:Was bist du doch, o Seele, so betrübet, BWV 506 (Bach, Johann Sebastian), III/2.1: 208
, after Zahn number, Z 1837; ↔ BWV 424; text by
,
, - style="background: #E3F6CE;"
, data-sort-value="0507.000" , 507
, data-sort-value="308.018" , 6.
, data-sort-value="1735-12-31" , 1735–1736 or earlier
, song "Wo ist mein Schäflein, das ich liebe" ('' Schemelli'' #108; tune #6)
,
, V Bc
, data-sort-value="000.39: 308" , scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 308
, data-sort-value="III/02 1: 206" , scores:Wo ist mein Schäflein, das ich liebe, BWV 507 (Bach, Johann Sebastian), III/2.1: 114
, after Zahn number, Z 5958a; text by
,
, - style="background: #F5F6CE;"
, data-sort-value="0508.000" , 508
, data-sort-value="309.001" , 6.
, data-sort-value="1735-07-01" , 1718-11-16 (GHS)
after 1733–1734 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 25" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 25: aria "BWV 508, Bist du bei mir"
, E♭ maj.
, V Bc
, data-sort-value="000.43 2: 036" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 36
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 309
, data-sort-value="V/04: 102" , V/4: 102
, after Gottfried Heinrich Stölzel, Stölzel (''Diomedes'')
,
, - style="background: #F5F6CE;"
, data-sort-value="0509.000" , 509
, data-sort-value="309.003" , 6.
, data-sort-value="1728-07-01" , 1725–1733 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 41" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke"
,
, V Bc
, data-sort-value="000.43 2: 052" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 52
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 310
, data-sort-value="V/04: 128" , V/4: 128
,
,
, -
, data-sort-value="0510.000" , 510
, data-sort-value="309.004" , 6.
, data-sort-value="1728-07-01" , 1725–1733
, data-sort-value="Notebook A. M. Bach (1725) No. 12" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 12: song "Gib dich zufrieden und sei stille"
, F maj.
, V Bc
, data-sort-value="000.43 2: 030" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 30
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 311
, data-sort-value="V/04: 091" , V/4: 91
,
,
, - style="background: #E3F6CE;"
, data-sort-value="0511.000" , 511
, data-sort-value="309.005" , 6.
, data-sort-value="1728-07-01" , 1725–1733
, data-sort-value="Notebook A. M. Bach (1725) No. 13a" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 13a: song "Gib dich zufrieden und sei stille"
, G min.
, V Bc
, data-sort-value="000.43 2: 031" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 31
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 287
, data-sort-value="V/04: 091" , V/4: 91
, text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
; → BWV 512
,
, - style="background: #E3F6CE;"
, data-sort-value="0512.000" , 512
, data-sort-value="309.006" , 6.
, data-sort-value="1728-07-01" , 1725–1733
, data-sort-value="Notebook A. M. Bach (1725) No. 13b" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 13b: song "Gib dich zufrieden und sei stille"
, E min.
, V Bc
, data-sort-value="000.43 2: 031" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 31
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 287
, data-sort-value="V/04: 091" , V/4: 91
, data-sort-value="after BWV 0511; ↔ BWV 315" , after BWV 511; ↔ BWV 315, Zahn number, Z 7417a; text by Gerhardt Gerhardt is a masculine name of German origin. It can refer to the following:
As a first name
* Ants Eskola (1908–1989), Soviet-Estonian actor and singer born Gerhardt Esperk
* Gerhardt Knodel (born 1940), American textile artist, educator
* G ...
,
, - style="background: #F5F6CE;"
, data-sort-value="0513.000" , 513
, data-sort-value="309.007" , 6.
, data-sort-value="1728-07-01" , 1725–1733 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 42" , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 42: song "O Ewigkeit, du Donnerwort"
,
, V Bc
, data-sort-value="000.43 2: 052" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 52
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 301
, data-sort-value="V/04: 129" , V/4: 129
, data-sort-value="↔ BWV 0397" , ↔ BWV 397; text by Rist Rist is a surname. Notable people with the surname include:
* Boy Rist (1912–1972), Norwegian officer and WWII resistance fighter
* Charles Rist (1874–1955), French economist
* Gilbert Rist (1938–2023), Swiss academic
* Edwin Rist, America ...
,
, - style="background: #F5F6CE;"
, data-sort-value="0514.000" , 514
, data-sort-value="309.008" , 6.
, data-sort-value="1728-07-01" , 1725–1733 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 35 , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 35: song "Schaffs mit mir, Gott"
,
, V Bc
, data-sort-value="000.43 2: 048" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 48
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 303
, data-sort-value="V/04: 125" , V/4: 125
, text by Benjamin Schmolck, Schmolck
,
, -
, data-sort-value="0515.000" , 515
, data-sort-value="309.009" , 6.
, data-sort-value="1735-07-01" , after 1733–1734
, data-sort-value="Notebook A. M. Bach (1725) No. 20a , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 20a: aria "So oft ich meine Tobackspfeife"
, D min.
, V Bc
, data-sort-value="000.43 2: 034" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 34
, data-sort-value="V/04: 098" , V/4: 98
, by Gottfried Heinrich Bach, Bach, G. H.?; → BWV 515a
,
, - style="background: #E3F6CE;"
, data-sort-value="0515.A00" , 515a
, data-sort-value="309.010" , 6.
, data-sort-value="1735-07-01" , after 1733–1734
, data-sort-value="Notebook A. M. Bach (1725) No. 20b , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 20b: aria "So oft ich meine Tobackspfeife"
, G min.
, V Bc
, data-sort-value="000.43 2: 034" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 34
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 309
, data-sort-value="V/04: 098" , V/4: 98
, data-sort-value="after BWV 0515" , after BWV 515
,
, - style="background: #F5F6CE;"
, data-sort-value="0516.000" , 516
, data-sort-value="309.011" , 6.
, data-sort-value="1735-07-01" , after 1733–1734 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 33 , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 33: aria "Warum betrübst du dich"
,
, V Bc
, data-sort-value="000.43 2: 046" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 46
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 307
, data-sort-value="V/04: 121" , V/4: 121
,
,
, - style="background: #F5F6CE;"
, data-sort-value="0517.000" , 517
, data-sort-value="309.012" , 6.
, data-sort-value="1735-07-01" , after 1733–1734 (AMB)
, data-sort-value="Notebook A. M. Bach (1725) No. 40 , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen"
,
, V Bc
, data-sort-value="000.43 2: 051" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 51
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 307
, data-sort-value="V/04: 128" , V/4: 128
, text by
,
, -
, data-sort-value="0518.000" , 518
, data-sort-value="309.013" , 6.
, data-sort-value="1738-12-31" , after 1725
, data-sort-value="Notebook A. M. Bach (1725) No. 37 , Notebook for Anna Magdalena Bach, ''Notebook A. M. Bach'' (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"
,
, V Bc
, data-sort-value="000.43 2: 049" , scores:Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian), 432: 49
scores:Songs and Arias, BWV 439-518 (Bach, Johann Sebastian), 39: 311
, data-sort-value="V/04: 126" , V/4: 126
,
,
, - style="background: #F6E3CE;"
, data-sort-value="0519.000" , 519
, data-sort-value="310.002" , 6.
, data-sort-value="1736-07-01" , 1736?
, Five Hymns fro
SBB Bach ''P 802''
No. 1: "Hier lieg ich nun, o Vater aller Gnaden"
,
, V Bc
,
,
, by Johann Ludwig Krebs, Krebs, J. L.?; in Spitta's Johann Sebastian Bach, Spitta III
pp. 401–403
,
, - style="background: #F6E3CE;"
, data-sort-value="0520.000" , 520
, data-sort-value="310.003" , 6.
, data-sort-value="1736-07-01" , 1736?
, Five Hymns fro
SBB Bach ''P 802''
No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"
,
, V Bc
,
,
, by Johann Ludwig Krebs, Krebs, J. L.?; in Spitta's Johann Sebastian Bach, Spitta III
pp. 401–403
,
, - style="background: #F6E3CE;"
, data-sort-value="0521.000" , 521
, data-sort-value="310.004" , 6.
, data-sort-value="1736-07-01" , 1736?
, Five Hymns fro
SBB Bach ''P 802''
No. 3: "Gott, mein Herz dir Dank zusendet"
,
, V
,
, data-sort-value="III/03: 000" , III/3
, by Johann Ludwig Krebs, Krebs, J. L.?; in Spitta's Johann Sebastian Bach, Spitta III
pp. 401–403
,
, - style="background: #F6E3CE;"
, data-sort-value="0522.000" , 522
, data-sort-value="310.005" , 6.
, data-sort-value="1736-07-01" , 1736?
, Five Hymns fro
SBB Bach ''P 802''
No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"
,
, V
,
,
, by Johann Ludwig Krebs, Krebs, J. L.?; in Spitta's Johann Sebastian Bach, Spitta III
pp. 401–403
,
, - style="background: #F6E3CE;"
, data-sort-value="0523.000" , 523
, data-sort-value="310.006" , 6.
, data-sort-value="1736-07-01" , 1736?
, Five Hymns fro
SBB Bach ''P 802''
No. 5: "Ich gnüge mich an meinem Stande"
,
, V
,
,
, by Johann Ludwig Krebs, Krebs, J. L.?; in Spitta's Johann Sebastian Bach, Spitta III
pp. 401–403
,
, - style="background: #E3F6CE;"
, data-sort-value="0524.000" , 524
, data-sort-value="310.007" , 6.
, data-sort-value="1707-09-15" , 1707 – July 1708
, Quodlibet
A quodlibet (; Latin for "whatever you wish" from '' quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous ma ...
(incomplete; wedding?)
,
, data-sort-value="SATB Bc" , SATB (SBBB) Bc
, data-sort-value="000.82 2: 000" , scores:Quodlibet, BWV 524 (Bach, Johann Sebastian), NBG 322
, data-sort-value="I/41: 069" , I/41: 69
,
,
Sacred songs and arias from ''Schemelli's Songbook'' (BWV 439–507)
The hymnal or song book known as Schemellis Gesangbuch, published 1736 in Leipzig by Georg Christian Schemelli, contained 954 hymns;
[Georg Christian Schemelli, editor; Johann Sebastian Bach, composer and arranger]
''Musicalisches Gesang-Buch, darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discont und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte, Naumburg-Zeitz gewidmet''.
Leipzig: Bernhard Christoph Breitkopf, 1736 69 of these, listed here, were accompanied by a melody and a figured bass.
* BWV 439 – Ach, dass nicht die letzte Stunde
* BWV 440 – Auf, auf! die rechte Zeit ist hier
* BWV 441 –
* BWV 442 – Beglückter Stand getreuer Seelen
* BWV 443 – Beschränkt, ihr Weisen dieser Welt
* BWV 444 – Brich entzwei, mein armes Herze
* BWV 445 – Brunnquell aller Güter
* BWV 446 – Der lieben Sonnen Licht und Pracht
* BWV 447 – Der Tag ist hin, die Sonne gehet nieder
* BWV 448 – Der Tag mit seinem Lichte
* BWV 449 – Dich bet' ich an, mein höchster Gott
* BWV 450 – Die bittre Leidenszeit beginnet abermal
* BWV 451 – Die güldne Sonne voll Freud und Wonne
* BWV 452 – Dir, dir Jehovah, will ich singen
* BWV 453 – Eins ist Not! ach Herr, dies Eine
* BWV 454 – Ermuntre dich, mein schwacher Geist
* BWV 455 – Erwürgtes Lamm, das die verwahrten Siegel
* BWV 456 – Es glänzet der Christen
* BWV 457 – Es ist nun aus mit meinem Leben
* BWV 458 – Es ist vollbracht! vergiss ja nicht
* BWV 459 – Es kostet viel, ein Christ zu sein
* BWV 460 – Gib dich zufrieden und sei stille
* BWV 461 – Gott lebet noch; Seele, was verzagst du doch?
* BWV 462 – Gott, wie groß ist deine Güte
* BWV 463 – Herr, nicht schicke deine Rache
* BWV 464 – Ich bin ja, Herr, in deiner Macht
* BWV 465 – Ich freue mich in dir
* BWV 466 – Ich halte treulich still und liebe
* BWV 467 – Ich lass' dich nicht
* BWV 468 – Ich liebe Jesum alle Stund'
* BWV 469 – Ich steh' an deiner Krippen hier
* BWV 470 – Jesu, Jesu, du bist mein
* BWV 471 – Jesu, deine Liebeswunden
* BWV 472 – Jesu, meines Glaubens Zier
* BWV 473 – Jesu, meines Herzens Freud
* BWV 474 – Jesus ist das schönste Licht
* BWV 475 – Jesus, unser Trost und Leben
* BWV 476 – Ihr Gestirn', ihr hohen Lufte
* BWV 477 – Kein Stündlein geht dahin
* Komm, süßer Tod, komm selge Ruh, BWV 478 – Komm, süßer Tod, komm, selge Ruh
* BWV 479 – Kommt, Seelen, dieser Tag
* BWV 480 – Kommt wieder aus der finstern Gruft
* BWV 481 – Lasset uns mit Jesu ziehen
* BWV 482 – Liebes Herz, bedenke doch
* BWV 483 – Liebster Gott, wann werd' ich sterben?
* BWV 484 – Liebster Herr Jesu! wo bleibest du so lange?
* BWV 485 – Liebster Immanuel, Herzog der Frommen
* BWV 486 – Mein Jesu, dem die Seraphinen
* BWV 487 – Mein Jesu! was für Seelenweh
* BWV 488 – Meines Lebens letzte Zeit
* BWV 489 – Nicht so traurig, nicht so sehr
* BWV 490 – Nur mein Jesus ist mein Leben
* BWV 491 – O du Liebe meiner Liebe
* BWV 492 – O finstre Nacht
* BWV 493 – O Jesulein süß, o Jesulein mild
* BWV 494 – O liebe Seele, zieh' die Sinnen
* BWV 495 – O wie selig seid ihr doch, ihr Frommen
* BWV 496 – Seelen-Bräutigam, Jesu, Gottes Lamm
* BWV 497 – Seelenweide, meine Freude
* BWV 498 – Selig, wer an Jesum denkt
* BWV 499 – Sei gegrüßet, Jesu gütig
* BWV 500 – So gehst du nun, mein Jesu, hin
* BWV 501 – So giebst du nun, mein Jesu, gute Nacht
* BWV 502 – So wünsch' ich mir zu guter Letzt
* BWV 503 – Steh' ich bei meinem Gott
* BWV 504 – Vergiss mein nicht, dass ich dein nicht
* BWV 505 – Vergiss mein nicht, vergiss mein nicht
* BWV 506 – Was bist du doch, o Seele, so betrübet
* BWV 507 – Wo ist mein Schäflein, das ich liebe
Songs and arias from the second ''Notebook for Anna Magdalena Bach'' (BWV 508–518)
* BWV 508 –
Bist du bei mir
"" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera ''Diomedes'', which was first staged on 16 November 1718. The aria is best known as "," Bach-Werke-Verzeichnis, BWV 508, a version for voice and basso ...
(on a melody by Gottfried Heinrich Stölzel)
* BWV 509 – Gedenke doch, mein Geist, aria
* BWV 510 – Gib dich zufrieden, chorale
* BWV 511 – Gib dich zufrieden, chorale
* BWV 512 – Gib dich zufrieden, chorale
* BWV 513 – O Ewigkeit, du Donnerwort, chorale
* BWV 514 – Schaffs mit mir, Gott, chorale
* BWV 515 – So oft ich meine Tobackspfeife, aria
* BWV 515a – So oft ich meine Tobackspfeife
* BWV 516 – Warum betrübst du dich, aria
* BWV 517 – Wie wohl ist mir, o Freund der Seelen
* BWV 518 – Willst du dein Herz mir schenken
Five hymns from a manuscript by Johann Ludwig Krebs (BWV 519–523)
' are five hymns as collected by Johann Ludwig Krebs (1713–1780) and published by Breitkopf & Härtel in 1917.
* BWV 519 – Hier lieg ich nun
* BWV 520 – Das walt' mein Gott
* BWV 521 – Gott mein Herz dir Dank
* BWV 522 – Meine Seele, lass es gehen
* BWV 523 – Ich gnüge mich an meinem Stande
Quodlibet (BWV 524)
* BWV 524 – Quodlibet, BWV 524, Wedding Quodlibet (fragment)
Added to the BWV catalogue in the 21st century (BWV 1127)
* BWV 1127 – "BWV 1127, Alles mit Gott und nichts ohn' ihn" (strophic aria composed in Weimar in 1713, rediscovered in 2005)
Doubtful works from BWV Anh. II (BWV Anh. 32–41)
BWV#BWV Anhang II, BWV Anh. II lists eight songs in Christian Hofmann von Hofmannswaldau's ''Deutsche Übersetzungen und Gedichte'' and two in Sperontes' ''Singende Muse an der Pleiße'' as possibly composed by Bach.
From ''Deutsche Übersetzungen und Gedichte''
* BWV Anh. 32 – Sacred Song "Getrost mein Geist, wenn Wind und Wetter krachen" (doubtful)
* BWV Anh. 33 – Sacred song "Mein Jesus, spare nicht" (doubtful)
* BWV Anh. 34 – Sacred Song "Kann ich mit einem Tone" (doubtful)
* BWV Anh. 35 – Sacred Song "Meine Seele lass die Flügel" (doubtful)
* BWV Anh. 36 – Sacred song "Ich stimm' itzund ein Straff-Lied an" (doubtful)
* BWV Anh. 37 – Sacred song "Der schwarze Flügel trüber Nacht" (doubtful)
* BWV Anh. 38 – Sacred song "Das Finsterniß tritt ein" (doubtful)
* BWV Anh. 39 – Song "Ach was wollt ihr trüben Sinnen" (doubtful)
From ''Singende Muse an der Pleiße''
* BWV Anh. 40 – Song (Text lost; doubtful)
* BWV Anh. 41 – Song (doubtful)
Spurious work from BWV Anh. III (BWV Anh. 158)
* BWV Anh. 158 – Aria "Andro dall' colle al prato", by Johann Christian Bach
Other BWV numbers referring to a single aria
In the church cantata (Bach), church cantata range of BWV numbers (BWV 1–200):
* BWV 53 – "Schlage doch, gewünschte Stunde" (probably spurious, by Melchior Hoffmann (composer), Melchior Hoffmann)
* BWV 200 – "Bekennen will ich seinen Namen" (based on an aria included in Ein Lämmlein geht und trägt die Schuld (Stölzel), ''Ein Lämmlein geht und trägt die Schuld'', a passion-oratorio by Gottfried Heinrich Stölzel)
References
External links
*
Schemellis Gesangbuch BWV 439–507with scores and videos for each song
(MP3) Bach Solo Songs, 27 November 2016: Devotional songs, as well as their counterparts in chorus, and classic Bach instrumentalsa
lottelehmannleague.org/singing-sins-archive(Hawaii Public Radio broadcast)
{{Johann Sebastian Bach
Compositions by Johann Sebastian Bach,
Lists of songs by songwriters, Bach
Lists of compositions by Johann Sebastian Bach, Songs and Arias by Johann Sebastian Bach, List of