''Blame!'' (stylized in
all caps) is a Japanese
science fiction
Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space ...
manga
are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long history in earlier Japanese art. The term is used in Japan to refer to both comics ...
series written and illustrated by
Tsutomu Nihei. It was published by
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
in the
manga magazine ''
Monthly Afternoon'' from 1997 to 2003, with its chapters collected in ten volumes. A six-part
original net animation (ONA) by
Group TAC was produced in 2003, with a seventh episode included on the DVD release. An
anime
is a Traditional animation, hand-drawn and computer animation, computer-generated animation originating from Japan. Outside Japan and in English, ''anime'' refers specifically to animation produced in Japan. However, , in Japan and in Ja ...
film adaptation by
Polygon Pictures was released as a
Netflix
Netflix is an American subscription video on-demand over-the-top streaming service. The service primarily distributes original and acquired films and television shows from various genres, and it is available internationally in multiple lang ...
original in May 2017.
Synopsis
Setting
''Blame!'' is set in "The City", a gigantic megastructure occupying much of what used to be the Solar System. Its exact size is unknown, but
Tsutomu Nihei suggested its diameter to be at least equal to
Jupiter
Jupiter is the fifth planet from the Sun and the List of Solar System objects by size, largest in the Solar System. It is a gas giant with a Jupiter mass, mass more than 2.5 times that of all the other planets in the Solar System combined a ...
's orbit, or about 1.6 billion kilometers (a detail suggested in the manga by having Killy cross an empty, spherical room roughly the size of Jupiter, suggesting that it had housed the planet before its disassembly).
According to the prequel manga ''
NOiSE
Noise is sound, chiefly unwanted, unintentional, or harmful sound considered unpleasant, loud, or disruptive to mental or hearing faculties. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrat ...
'', the City began as a much smaller structure erected on Earth by the robotic "Builders". Humanity controlled the Builders through the Netsphere, an advanced computer network whose access was restricted to human use only, and authenticated by a genetic marker known as the Net Terminal Gene. Anyone who attempted to access the Netsphere without the marker was eliminated by an automated security force known as the Safeguards. However, a terrorist cult known as "the Order" released a retrovirus that deleted the Net Terminal Gene from all humans, thus cutting off their access to the Netsphere and their control over the Builders. Without specific instructions, the Builders began to build chaotically and indefinitely, while the Safeguards' programming degraded into a mandate to kill all humans without the Net Terminal Gene, whether they wanted to access the Netsphere or not.
By the time of the events of the manga, the City has come to resemble a series of layered, concentric
Dyson spheres, filled with haphazard architecture and largely devoid of life. These layers compose the supporting scaffold of the City, known as the Megastructure; the underside of each layer periodically illuminates the overside of the one below to provide a day–night cycle. The Megastructure is extremely durable, with only a direct blast from a Gravitational Beam Emitter being able to penetrate it. Travel between layers is challenging, both due to the City's chaotic layout and the risk of provoking a Safeguard response; due to the size of the City, it is also extremely time-consuming, despite such amenities as elevators that can reach relativistic speeds. The buildings on each layer are largely uninhabited, although scattered human and post-human tribes, rogue Builders, hostile Safeguards, and Silicon Life can be found throughout the entire City.
Plot
Killy, a silent loner possessing an incredibly powerful weapon known as a Gravitational Beam Emitter, wanders a vast technological world known as "The City". He is searching for
Net Terminal Genes, a (possibly) extinct genetic marker that allows humans to access the "Netsphere", a sort of computerized control network for The City. The City is an artificial structure of immense volume, separated into massive "floors" by nearly-impenetrable barriers known as "
Megastructure
A megastructure (or macrostructure) is a very large artificial object, although the limits of precisely how large vary considerably. Some apply the term to any especially large or tall building. Some sources define a megastructure as an enorm ...
". The City is inhabited by scattered human and
transhuman tribes as well as hostile
cyborgs known as
Silicon Life. The Net Terminal Genes appear to be the key to halting the unhindered, chaotic expansion of the Megastructure, as well as a way of stopping the murderous robot horde known as the
Safeguard from destroying all of humanity.
Along the way, Killy meets and joins forces with a resourceful engineer named
Cibo. Their quest is indirectly supported by the City's Authority, which is unable to stop the Safeguard from opposing them. Together, Killy and Cibo meet a young girl named Sanakan and a tribe of human warriors called the
Electro-Fishers. Killy's cybernetic abilities are restored after he is attacked by a high-level Safeguard, which turns out to have been Sanakan in disguise. She transforms into her Safeguard form and attacks the Electro-Fishers' village when discovered. Killy and Cibo defend the Electro-Fishers by bringing them to the cylindrical megastructure of Toha Heavy Industries. Here they meet Mensab, an AI independent from the Administration, and her guardian Seu, a human. The megastructure is ultimately destroyed due to attacks by Silicon Life and Sanakan, but Mensab is able to give Cibo a sample of Seu's DNA.
Killy and Cibo next come to a region of the City ruled by a group of Silicon Life, where they ally with a pair of "provisional Safeguards" named Dhomochevsky and Iko. Seu's DNA is stolen by the Silicon leader, Davine, who uses it to access the Netsphere. Dhomochevsky sacrifices his life to kill Davine, but not before she downloads an extremely powerful Level 9 Safeguard from the Netsphere which manifests in Cibo's body. The Cibo Safeguard destroys the entire region.
14 years later, Killy's body repairs itself from the attack and he continues his journey. He meets a human whose physical body is dead and whose consciousness is preserved in a device resembling a USB stick, and takes her with him. Upon eventually finding Cibo again he discovers that she, having lost her memory, was eventually rescued by Sanakan, who is now allied with the Authority against the rest of the Safeguard. Cibo's body is incubating a "sphere" which contains both her and Sanakan’s genetic information. Ultimately, Cibo and Sanakan both die in a final confrontation with the Safeguard, but Killy survives and preserves the sphere. The digital consciousness Killy picked up earlier is seen in human form in the Netsphere, recounting Killy’s quest to other entities an unknown amount of time in the future. She is told that Killy’s journey to the outside of the City will be longer and harder than anything that came before.
Killy finally reaches the edge of the City, where he is shot in the head and incapacitated, but a flood of water carries him to the surface of the City where stars are visible and the sphere begins to glow. In the final page, Killy is seen fighting in the corridors of the City again, alongside a small child wearing a hazmat suit.
Media
Manga
''Blame!'' was written and illustrated by
Tsutomu Nihei. The series ran in
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
's ''
Monthly Afternoon'' from 1997 to 2003. Its chapters were collected in ten volumes by
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
's ''Afternoon KC'' imprint.
In February 2005,
Tokyopop announced that it has licensed ''Blame!'' for U.S. distribution, with publication beginning in August 2005. After releasing the final volume in 2007, the series has gone out of print with several volumes becoming increasingly hard to find. In February 2016,
Vertical announced that it had licensed the series.
Volumes
; ''Tankōbon'' release
; Master's edition
''Blame Academy!''
is a spin-off series of ''Blame!''. Set in the same "City" as ''Blame!'', it is a parody and comedy about various characters in the main ''Blame!'' story in a traditional Japanese school setting. Various elements in the main ''Blame!'' story are being parodied, including the relationship between Killy and Cibo, and Dhomochevsky and Iko. It was irregularly published in ''
Monthly Afternoon''. A compilation volume, titled ''Blame Academy! and So On'' was published by
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
on September 19, 2008.
''Blame!2''
, subtitled , is a full-color, 16-page
one-shot. Like ''NSE: NetSphere Engineer'', ''Blame!2'' is a
sequel
A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same ...
to the original ''Blame!'', taking place at a point in the distant future. It was published March 21, 2008 in the second volume of
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
's Weekly Morning Special Edition magazine, ''Mandala''. This one-shot was also compiled in one volume with ''Blame Academy!'', titled ''Blame Academy! and So On'' in 2008. Set an undefined but long time after the events of ''Blame!'', it follows an incarnation of Pcell. After Killy's success in ''Blame!'', humanity has begun to dominate The City once more and began wiping out most Silicon Life. After P-cell escapes the extinction as the sole survivor of her kind (which is beset by humanity and the Safeguard), she is saved from death by Killy. She eventually makes it to the edge of the City, where it is implied she travels to another planet and restarts Silicon Life civilization using the stored gene-data of her dead companions.
''NSE: NetSphere Engineer''
is a
sequel
A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same ...
to ''Blame!''. It was originally published as a one-shot in the ''Bessatsu Morning'' magazine. This one-shot was compiled in one volume with ''Blame Academy!'', titled ''Blame Academy! and So On'' in 2008. ''NSE: NetSphere Engineer'' follows a "Dismantler", a NetSphere Engineer in charge of disabling the remaining nexus towers that summon Safeguard interference upon its detection of humans without the net terminal genes. Like ''Blame!2'', NSE is set in a long but undefined time period after the events of ''Blame!''. However, it is implied it is even later than ''Blame!2'' as Safeguards are now very rare encounters.
''Blame! Denki Ryōshi Kiki Kaisō Dasshutsu Sakusen''
A manga adaptation of the ''
Blame!'' film illustrated by Kotaro Sekine was serialized in
Kodansha
is a Japanese privately held publishing company headquartered in Bunkyō, Tokyo. Kodansha publishes manga magazines which include ''Nakayoshi'', ''Morning (magazine), Morning'', ''Afternoon (magazine), Afternoon'', ''Evening (magazine), Eveni ...
's ''
Monthly Shōnen Sirius'' from April 26 to October 26, 2017, and collected into one volume, released on February 9, 2018.
''Blame!: The Ancient Terminal City''
A trailer revealing a special ''Blame!'' short, appearing at the beginning of the 8th episode of ''Knights of Sidonia: Battle for Planet Nine'' (the second season of the anime adaptation of ''
Knights of Sidonia''), was released in November 2014. The episode aired in May 2015. The short is contextualized as a TV program that the people of Sidonia tune in for.
Film
Plans for a full-length CG animated film were announced in 2007. However, this proposed CG film project was not released before Micott and Basara (the studio hired) filed for bankruptcy in 2011.
It was announced in November 2015 that the series would get an
anime
is a Traditional animation, hand-drawn and computer animation, computer-generated animation originating from Japan. Outside Japan and in English, ''anime'' refers specifically to animation produced in Japan. However, , in Japan and in Ja ...
theatrical film adaptation. The film is directed by Hiroyuki Seshita and written by Tsutomu Nihei and Sadayuki Murai, with animation by
Polygon Pictures and character designs by Yuki Moriyama. It was released globally as a
Netflix
Netflix is an American subscription video on-demand over-the-top streaming service. The service primarily distributes original and acquired films and television shows from various genres, and it is available internationally in multiple lang ...
original on May 20, 2017.
On October 5, 2017,
Viz Media
Viz Media, LLC is an American entertainment company headquartered in San Francisco, California, focused on publishing manga, and distribution and licensing Japanese anime, films, and television series.
The company was founded in 1986 as Viz, ...
announced at their
New York Comic Con
The New York Comic Con is an annual New York City fan convention dedicated to comics, Western comics, graphic novels, anime, manga, video games, cosplay, toys, Film, movies, and television. It was first held in 2006. With an attendance of 200,00 ...
panel that they licensed the home video rights to the film. They released it on DVD and
Blu-ray
Blu-ray (Blu-ray Disc or BD) is a digital optical disc data storage format designed to supersede the DVD format. It was invented and developed in 2005 and released worldwide on June 20, 2006, capable of storing several hours of high-defin ...
on March 27, 2018.
Reception
Jarred Pine from Mania.com commented "
tis not an easy task" to talk about the story in the first volume as "it leaves quite a gamut of questions open for the reader, nothing on the surface to give the reader a sense of direction or purpose".
Pine said ''Blame!'' doesn't have a mass appeal and "there will be quite a strong line dividing those who love and hate Nihei's unique and convoluted cyberpunk journey".
In 2006, the Tokyopop distribution was nominated for a
Harvey Award
The Harvey Awards are given for achievement in comic books. Named for writer-artist Harvey Kurtzman, the Harvey Awards were founded by Gary Groth in 1988, president of the publisher Fantagraphics, to be a successor to the Kirby Awards, which were ...
in the category "Best American Edition of Foreign Material".
Notes
References
External links
*
*
*
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{{Monthly Shōnen Sirius
Blame!
Action anime and manga
Anime and manga about terrorism
Cyberpunk anime and manga
Fiction about artificial intelligence
Fiction about augmented reality
Fiction about brain–computer interface
Fiction about consciousness transfer
Fiction about cyborgs
Fiction about immortality
Fiction about malware
Fiction about nanotechnology
Fiction about prosthetics
Fiction about robots
Fiction about transhumanism
Fiction about virtual reality
Group TAC
Kodansha manga
Manga adapted into films
Media Blasters
Post-apocalyptic anime and manga
Production I.G
Seinen manga
Shōnen manga
Tokyopop titles
Tsutomu Nihei
Vertical (publisher) titles
Works about the future