Professor B. R. Deodhar (11 September 1901 – 10 March 1990) was an Indian
classical singer, musicologist and music educator. He was a vocalist of
Khayal-genre of
Hindustani classical music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...
.
He was awarded the 1964
Sangeet Natak Akademi Fellowship, the highest honour conferred by
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English language, English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture (India) ...
, India's National Academy for Music, Dance and Drama. Thereafter in 1976, he was awarded the
Padma Shri
The Padma Shri (IAST: ''padma śrī'', lit. 'Lotus Honour'), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. In ...
, by
Government of India
The Government of India (ISO 15919, ISO: Bhārata Sarakāra, legally the Union Government or Union of India or the Central Government) is the national authority of the Republic of India, located in South Asia, consisting of States and union t ...
.
Early life and training
Deodhar was born in
Miraj
Miraj (Pronunciation: iɾəd͡z ) is a city that is part of the Sangli-Miraj-Kupwad metropolitan region in Sangli district, Maharashtra. Founded in the early 10th century, Miraj was an important jagir of the Bijapur Sultanate.
Chhatrapa ...
in present
Sangli district of Maharashtra on 11 September 1901.
[ He started his musical training with Nilkanth Buwa Alurmath, the ''guru bhai'' of noted singer and educator Vishnu Digambar Paluskar (1872–1931), and a disciple of Balakrishnabuwa Ichalkaranjikar of Gwalior gharana.] Thereafter, he also received training under Abdul Karim Khan of Kirana gharana and Vinayakrao Patwardhan, another disciple of Paluskar.[ Later he joined the Gandharva Mahavidyalaya, where he became a leading disciple of Vishnu Digambar Paluskar, the founder of institution. Deodhar was the only student of Paluskar who was allowed to also pursue formal education. Thus after matriculation he also pursued higher education and later received a B.A. degree. He also studied Western classical music.][ Deshpande, p. 168]
In the coming years, he continued his musical education from leading musicians of various traditions including those from Agra gharana, Mohanrao Pakelar from Jaipur Gharana, sarangi
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music (the ...
-player Majeed Khan, Inayat Khan
Inayat Khan Rehmat Khan (; 5 July 1882 – 5 February 1927) was an Indian professor of musicology, singer, exponent of the saraswati vina, poet, philosopher, and pioneer of the transmission of Sufism to the West. At the urging of his students ...
, Ganpatrao Dewaskar, Pt. Sadashivbuwa Jadhav of Gokhale gharana, Shinde Khan of Talwandi gharana, binkaar Murad Khan of Indore gharana, and most importantly, Bade Ghulam Ali Khan of Patiala gharana, with whom he remained associated for many years, and became an important musical influence on his '' gayaki'', singing style. Thus, he incorporate styles of several traditions, gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musi ...
s into his singing, and this also paved way for his career as a musicologist. In time, he also collected musical compositions, rare ragas from all the traditions he was associated with, through his career.[
]
Career
He established the Deodhar School of Music in Mumbai, breaking from the gharana tradition.
He also edited Hindi music monthly magazine, ''Sangeet Kala Vihar'', and also published several books on music and musicians.
In 1964, he was awarded the Sangeet Natak Akademi Fellowship the highest honour conferred by Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English language, English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture (India) ...
, India's National Academy for Music, Dance and Drama. This was followed by Padma Shri
The Padma Shri (IAST: ''padma śrī'', lit. 'Lotus Honour'), also spelled Padma Shree, is the fourth-highest Indian honours system, civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. In ...
, by Government of India
The Government of India (ISO 15919, ISO: Bhārata Sarakāra, legally the Union Government or Union of India or the Central Government) is the national authority of the Republic of India, located in South Asia, consisting of States and union t ...
in 1976.
Amongst his noted disciples, were singer Kumar Gandharva, Saraswati Rane, and Laxmi Ganesh Tewari. In 1993, his monthly columns, in ''Sangeet Kala Vihar'', which included biographies of 19th-century Indian musicians, were published as book, ''Pillars of Hindustani music''.
He died on 10 March 1990 in Mumbai.
Works
*
References
Bibliography
*
{{DEFAULTSORT:Deodhar, B. R.
1901 births
1990 deaths
People from Miraj
Hindustani singers
Musicologists from British India
Indian musicologists
Indian magazine editors
Recipients of the Sangeet Natak Akademi Fellowship
Recipients of the Padma Shri in science & engineering
Indian music educators
20th-century Indian male classical singers
Singers from Maharashtra
20th-century Indian educational theorists
20th-century Indian musicologists