''Aida'' (or ''Aïda'', ) is a tragic

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

in four acts by

Giuseppe Verdi Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma ...

to an Italian

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

by Antonio Ghislanzoni. Set in the

Old Kingdom of Egypt In ancient Egyptian history, the Old Kingdom is the period spanning –2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth Dynasty ...

, it was commissioned by

Cairo Cairo ( ; , ) is the Capital city, capital and largest city of Egypt and the Cairo Governorate, being home to more than 10 million people. It is also part of the List of urban agglomerations in Africa, largest urban agglomeration in Africa, L ...

's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's

Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...

alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist

Auguste Mariette François Auguste Ferdinand Mariette (11 February 182118 January 1881) was a French scholar, archaeologist and Egyptologist, and the founder of the Egyptian Department of Antiquities, the forerunner of the Supreme Council of Antiquities. Earl ...

, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually

Temistocle Solera Temistocle Solera (25 December 1815 – 21 April 1878) was an Italian opera composer and librettist. Life and career He was born in Ferrara. He received his education at the Imperial College in Vienna and at the University of Pavia. Throughou ...

Elements of the opera's genesis and sources

Isma'il Pasha Isma'il Pasha ( ; 25 November 1830 or 31 December 1830 – 2 March 1895), also known as Ismail the Magnificent, was the Khedive of Egypt and ruler of Sudan from 1863 to 1879, when he was removed at the behest of Great Britain and France. Shari ...

Khedive Khedive ( ; ; ) was an honorific title of Classical Persian origin used for the sultans and grand viziers of the Ottoman Empire, but most famously for the Khedive of Egypt, viceroy of Egypt from 1805 to 1914.Adam Mestyan"Khedive" ''Encyclopaedi ...

of Egypt, commissioned Verdi to write an opera to celebrate the opening of the

Suez Canal The Suez Canal (; , ') is an artificial sea-level waterway in Egypt, Indo-Mediterranean, connecting the Mediterranean Sea to the Red Sea through the Isthmus of Suez and dividing Africa and Asia (and by extension, the Sinai Peninsula from the rest ...

, but Verdi declined. However,

, a French

Egyptologist Egyptology (from ''Egypt'' and Greek , ''-logia''; ) is the scientific study of ancient Egypt. The topics studied include ancient Egyptian history, language, literature, religion, architecture and art from the 5th millennium BC until the end ...

, proposed to Khedive Pasha a plot for a celebratory opera set in ancient Egypt. Khedive Pasha referred Mariette to theatre manager

Camille du Locle Camille du Locle (16 July 18329 October 1903) was a French theatre manager and a librettist. He was born in Orange, France. From 1862 he served as assistant to his father-in-law, Émile Perrin, at the Paris Opéra. From 1870, he was co-dire ...

, who sent Mariette's story idea to Verdi. Eventually, Verdi agreed to compose an opera based on that story, for 150,000 francs. Because the scenery and costumes were stuck in the French capital during the

Siege of Paris (1870–71) Siege of Paris may refer to: *Siege of Paris (845), the Viking siege by Reginherus, possibly Ragnar Lodbrok * Siege of Paris (885–886), the Viking siege by Rollo * Siege of Paris (978), by Otto II of Germany, and Holy Roman Emperor * Siege of Pari ...

of the ongoing

Franco-Prussian War The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 Janua ...

, the premiere was delayed and Verdi's ''

Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had c ...

'' was performed instead. The first opera performed at the Khedivial Opera House, ''Aida'' eventually premiered in Cairo on 24 December 1871.

Performance history

Cairo premiere and initial success in Italy

Leopoldo Metlicovitz - Aida- Act IV Scene 2

Verdi originally chose to write a brief orchestral prelude instead of a full overture for the opera. He then composed an overture of the "

potpourri Potpourri ( ) is a mixture of dried, naturally fragrant plant materials used to provide a gentle natural scent, commonly in residential settings. It is often placed in a decorative bowl. Etymology The word "potpourri" comes into English from ...

" variety to replace the original prelude. However, in the end he decided not to have the overture performed because of its—his own words—"pretentious silliness". This overture, never used today, was given a rare broadcast performance by

Arturo Toscanini Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orche ...

and the

NBC Symphony Orchestra The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, the parent corporation of the National Broadcasting Company especially for the conductor Arturo Toscanini. The NBC ...

on 30 March 1940, but was never commercially issued. ''Aida'' met with great acclaim when it finally opened in Cairo on 24 December 1871. The costumes and accessories for the première were designed by

, who also oversaw the design and construction of the sets, which were made in Paris by the Opéra's scene painters Auguste-Alfred Rubé and

Philippe Chaperon Philippe Chaperon (2 February 1823 – 21 December 1906) was a French painter and scenic designer, particularly known for his work at the Paris Opera. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's ...

(acts 1 and 4) and

Édouard Desplechin Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for ...

and

Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), Je ...

(acts 2 and 3), and shipped to Cairo. Although Verdi did not attend the premiere in Cairo, he was most dissatisfied with the fact that the audience consisted of invited dignitaries, politicians and critics, but no members of the general public. He therefore considered the Italian (and European) première, held at

La Scala La Scala (, , ; officially , ) is a historic opera house in Milan, Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as (, which previously was Santa Maria della Scala, Milan, a church). The premiere performa ...

Milan Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nea ...

on 8 February 1872, and a performance in which he was heavily involved at every stage, to be its ''real'' première. Verdi had also written the role of Aida for the voice of

Teresa Stolz Teresa Stolz (born Tereza Stolzová; 2 June 1834 – 23 August 1902) was a spinto soprano from Bohemia, for long a resident in Italy, who was associated with significant performances of the works of Giuseppe Verdi, some with his supervision i ...

, who sang it for the first time at the Milan première. Verdi had asked her fiancé, Angelo Mariani, to conduct the Cairo première, but he declined, so Giovanni Bottesini filled the gap. The Milan Amneris, Maria Waldmann, was his favourite in the role and she repeated it a number of times at his request. ''Aida'' was received with great enthusiasm at its Milan première. The opera was soon mounted at major opera houses throughout Italy, including the Teatro Regio di Parma (20 April 1872), the

Teatro di San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and ...

(30 March 1873),

La Fenice Teatro La Fenice (; "The Phoenix Theatre") is a historic opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th cen ...

(11 June 1873), the

Teatro Regio di Torino The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several b ...

(26 December 1874), the

Teatro Comunale di Bologna The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early ...

(30 September 1877, with Giuseppina Pasqua as Amneris and Franco Novara as the King), and the Teatro Costanzi (8 October 1881, with Theresia Singer as Aida and Giulia Novelli as Amneris) among others.

Other 19th-century performances

Verdi conducting Aida in Paris 1880 - Gallica - Restoration

Details of important national and other premières of ''Aida'' follow: * Argentina: 4 October 1873, at the original

Teatro Colón The Teatro Colón () is a historic opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leadin ...

, Buenos Aires, located at Rivadavia and Reconquista, then replaced by the headquarters of the Bank of the Argentine Nation. * United States: 26 November 1873, Academy of Music in New York City, with Ostava Torriani in the title role, Annie Louise Cary as Amneris,

Italo Campanini Italo Campanini (30 June 1845 – 14 November 1896) was a leading Italian operatic tenor, whose career reached its height in London in the 1870s and in New York City in the 1880s and 1890s. He had a repertoire of 80 operas and was the brother of ...

as Radamès, Victor Maurel as Amonasro, and Evasio Scolara as the King * Germany: 20 April 1874,

Berlin State Opera The Staatsoper Unter den Linden ( State Opera under the Lime Trees), also known as the Berlin State Opera (), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of P ...

, with

Mathilde Mallinger Mathilde Mallinger (; 17 February 1847 – 19 April 1920) was a Croatian lyric soprano opera singer. Life and career Born as Mathilde Lichtenegger in Graz, the daughter of composer and teacher Vatroslav Lichtenegger, she studied singing with at ...

as Aida, Albert Niemann as Radamès, and Franz Betz as Amonasro * Austria: 29 April 1874,

Vienna State Opera The Vienna State Opera (, ) is a historic opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by ...

, with Amalie Materna as Amneris * Hungary: 10 April 1875, Hungarian State Opera House, Budapest * France: 22 April 1876, Théâtre-Lyrique Italien, Salle Ventadour, Paris, with almost the same cast as the Milan premiere, but with Édouard de Reszke making his debut as the King. This performance was conducted by Verdi. * United Kingdom: 22 June 1876,

Royal Opera House The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orch ...

, Covent Garden, with

Adelina Patti Adelina Patti (19 February 184327 September 1919) was a Spanish-Italian opera singer. At the height of her career, she was earning huge fees performing in the music capitals of Europe and America. She first sang in public as a child in 1851, a ...

as Aida, Ernesto Nicolini as Radamès, and Francesco Graziani as Amonasro * Australia: 6 September 1877, Royal Theatre, Melbourne * Munich: 1877,

Bavarian State Opera The Bavarian State Opera () is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bavarian State Orchestra. History The parent ensemble of the company was founded in 1653, under El ...

, with Josephine Schefsky as Amneris * Stockholm: 16 February 1880,

Royal Swedish Opera Royal Swedish Opera () is an opera and ballet company based in Stockholm, Sweden. Location and environment The building is located in the centre of Sweden's capital, Stockholm, in the borough of Norrmalm (borough), Norrmalm, on the eastern si ...

in Swedish, with Selma Ek in the title roleEk Biography at operissimo.com (in German)
*

Palais Garnier The (, Garnier Palace), also known as (, Garnier Opera), is a historic 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the ...

, Paris: 22 March 1880, sung in French, with

Gabrielle Krauss Marie-Gabrielle Krauss (24 March 18426 January 1906) was an important 19th century Austrian-born French operatic soprano. She created major roles in operas by Anton Rubinstein, Charles Gounod, Camille Saint-Saëns, Auguste Mermet, Clémence de Gr ...

as Aida, Rosine Bloch as Amnéris, Henri Sellier as Radamès, Victor Maurel as Amonasro, Georges-François Menu as the King, and Auguste Boudouresque as Ramphis. *

, New York: 12 November 1886, conducted by Anton Seidl, with Therese Herbert-Förster (the wife of

Victor Herbert Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, Cello, cellist and conducting, conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and co ...

) in the title role, Carl Zobel as Radamès, Marianne Brandt as Amneris, Adolf Robinson as Amonasro,

Emil Fischer Hermann Emil Louis Fischer (; 9 October 1852 – 15 July 1919) was a German chemist and List of Nobel laureates in Chemistry, 1902 recipient of the Nobel Prize in Chemistry. He discovered the Fischer esterification. He also developed the Fisch ...

as Ramfis, and as the King. * Rio de Janeiro: 30 June 1886, Theatro D. Pedro II. During rehearsals, the performers of the Italian touring opera company had disagreements with the local conductor Leopoldo Miguez, described as "inept". After the failure of two replacement conductors,

, at the time a 19-year-old cellist who was assistant chorus master, was persuaded to conduct the performance. He conducted the opera from memory with great success.

20th century and beyond

PikiWiki Israel 13773 AIDA AT MASADA 2011

A complete concert version of the opera was given in New York City in 1949. Conducted by Toscanini with

Herva Nelli Herva Nelli (January 9, 1909May 31, 1994) was an Italian and American operatic soprano. Biography Named after the French socialist Gustave Hervé, she was born in Florence, where she attended a convent school. At the age of ten, however, she and ...

as Aida and

Richard Tucker Richard Tucker (August 28, 1913January 8, 1975) was an American operatic tenor and cantor. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States. Early life Tucker was born Rivn (Rubin) Ticker ...

as Radamès, it was televised on the

NBC The National Broadcasting Company (NBC) is an American commercial broadcast television and radio network serving as the flagship property of the NBC Entertainment division of NBCUniversal, a subsidiary of Comcast. It is one of NBCUniversal's ...

television network. Due to the length of the opera, it was divided into two telecasts, preserved on

kinescope Kinescope , shortened to kine , also known as telerecording in Britain, is a recording of a television program on motion picture film directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940s ...

s, and later released on video by

RCA RCA Corporation was a major American electronics company, which was founded in 1919 as the Radio Corporation of America. It was initially a patent pool, patent trust owned by General Electric (GE), Westinghouse Electric Corporation, Westinghou ...

and Testament. The audio portion of the broadcast, including some remakes in June 1954, was released on LP and CD by RCA Victor. Other notable performances from this period include a 1955 performance conducted by Tullio Serafin with

Maria Callas Maria Callas (born Maria Anna Cecilia Sophia Kalogeropoulos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. Many critics praised ...

as Aida and Richard Tucker as Radamès and a 1959 performance conducted by

Herbert von Karajan Herbert von Karajan (; born ''Heribert Adolf Ernst Karajan''; 5 April 1908 – 16 July 1989) was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, ...

with

Renata Tebaldi Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian spinto soprano, lirico-spinto soprano popular in the post-World War II, war period, and especially prominent as one of the stars of La Scala, Teatro di San Carlo, San ...

as Aida and Carlo Bergonzi as Radamès.

mounted a lavish new production of ''Aida'' designed by

Franco Zeffirelli Gian Franco Corsi Zeffirelli (; 12 February 1923 – 15 June 2019) was an Italian stage and film director, producer, production designer and politician. He was one of the most significant opera and theatre directors of the post–World War II e ...

for the opening night of its 2006/2007 season. The production starred Violeta Urmana in the title role and Roberto Alagna as Radamès. Alagna subsequently made the headlines when he was booed for his rendition of "Celeste Aida" during the second performance, walked off the stage, and was dismissed from the remainder of the run. The production continued to cause controversy in 2014 when Zeffirelli protested at La Scala's rental of the production to the Astana Opera House in Kazakhstan without his permission. According to Zeffirelli, the move had doomed his production to an "infamous and brutal" fate. ''Aida'' continues to be a staple of the standard operatic repertoire. It is frequently performed in the

Verona Arena The Verona Arena is a Roman amphitheatre located in the historic center of Verona, an iconic symbol of the Venetian city alongside the figures of Romeo and Juliet. It stands as one of the grand structures that defined Roman architecture and ...

, and is a staple of its renowned

opera festival This is an inclusive list of opera festivals and summer opera seasons, and music festivals which have opera productions. This list may have some overlap with Early music festivals, list of early music festivals. Opera is part of the Western clas ...

Roles

Instrumentation

flutes The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...

(3rd also

piccolo The piccolo ( ; ) is a smaller version of the western concert flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the ...

), 2

oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...

English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially ...

, 2

clarinet The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instrume ...

bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays no ...

, 2

bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...

s, 4 horns, 2

trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...

s, 3

trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...

cimbasso The cimbasso ( , ) is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term ''cimbasso'' came to denote several instruments that ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...

triangle A triangle is a polygon with three corners and three sides, one of the basic shapes in geometry. The corners, also called ''vertices'', are zero-dimensional points while the sides connecting them, also called ''edges'', are one-dimension ...

bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...

cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sou ...

tam-tam A gongFrom Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and fl ...

harp The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...

, strings; on-stage

banda Banda may refer to: People * Banda (surname) * Banda Prakash (born 1954), Indian politician * Banda Kanakalingeshwara Rao (1907–1968), Indian actor * Banda Karthika Reddy (born 1977), Indian politician *Banda Singh Bahadur (1670–1716), Sikh ...

: 6 Egyptian trumpets ("Aida trumpets"), military band,

Setting

The libretto does not specify a precise time period, so it is difficult to place the opera more specifically than the

Old Kingdom In ancient Egyptian history, the Old Kingdom is the period spanning –2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth Dynast ...

. For the first production, Mariette went to great efforts to make the sets and costumes authentic. Considering the consistent artistic styles throughout the 3000-year history of ancient Egypt, a given production does not particularly need to choose a specific time period within the larger frame of ancient Egyptian history.

Synopsis

Backstory: The Egyptians have captured and enslaved Aida, an

Ethiopia Ethiopia, officially the Federal Democratic Republic of Ethiopia, is a landlocked country located in the Horn of Africa region of East Africa. It shares borders with Eritrea to the north, Djibouti to the northeast, Somalia to the east, Ken ...

n princess. An Egyptian military commander, Radamès, struggles to choose between his love for her and his loyalty to the

King of Egypt King of Egypt (), officially referred to as, King of Egypt, Sovereign of Nubia, Sudan, Kordofan, and Darfur, was the title used by the Head of State in Egypt between 1922 and 1953. When the United Kingdom issued the Unilateral Declaration of Eg ...

. To complicate the story further, the King's daughter Amneris is in love with Radamès, although he does not return her feelings.

Act 1

''Scene 1: A hall in the King's palace; through the rear gate the pyramids and temples of Memphis are visible'' Ramfis, the high priest of Egypt, tells Radamès, the young warrior, that war with the Ethiopians seems inevitable, and Radamès hopes that he will be chosen as the Egyptian commander (Ramfis, Radamès: "Sì, corre voce l'Etiope ardisca" / Yes, it is rumored that Ethiopia dares once again to threaten our power). Radamès dreams both of gaining victory on the battlefield and of Aida, an Ethiopian slave, with whom he is secretly in love (Radamès: " Se quel guerrier io fossi! ... Celeste Aida" / Heavenly Aida). Aida, who is also secretly in love with Radamès, is the captured daughter of the Ethiopian King Amonasro, but her Egyptian captors are unaware of her true identity. Her father has invaded Egypt to deliver her from servitude. Amneris, the daughter of the Egyptian King, enters the hall. She too loves Radamès, but fears that his heart belongs to someone else (Radamès, Amneris: "Quale insolita gioia nel tuo sguardo" / In your looks I trace an unwonted joy). Aida appears and, when Radamès sees her, Amneris notices that he looks disturbed. She suspects that Aida could be her rival, but is able to hide her jealousy and approach Aida (Amneris, Aida, Radamès: "Vieni, o diletta, appressati" / Come, O delight, come closer). Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica - Restored

The King enters, along with the High Priest, Ramfis, and the whole palace court. A messenger announces that the Ethiopians, led by King Amonasro, are marching towards Thebes. The King declares war and proclaims that Radamès is the man chosen by the goddess

Isis Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her sla ...

to be the leader of the army (The King, Messenger, Radamès, Aida, Amneris, Ramfis, chorus: "Alta cagion v'aduna .. Guerra, guerra, guerra!" / Oh fate o'er Egypt looming .. War, war, war!). Upon receiving this mandate from the King, Radamès proceeds to the temple of Vulcan to take up the sacred arms (The King, Radamès, Aida, Amneris, chorus: "Su! del Nilo al sacro lido" .. (reprise) "Guerra, guerra, guerra!" / On! Of Nilus' sacred river, guard the shores .. (reprise) War, war, war!). Alone in the hall, Aida feels torn between her love for her father, her country, and Radamès (Aida: "Ritorna vincitor!" / Return a conqueror!). ''Scene 2: Inside the Temple of Ptah'' Solemn ceremonies and dances by the priestesses take place (High Priestess, chorus, Radamès: "Possente Ftha ... Tu che dal nulla" / O mighty

Ptah Ptah ( ; , ; ; ; ) is an ancient Egyptian deity, a creator god, and a patron deity of craftsmen and architects. In the triad of Memphis, he is the husband of Sekhmet and the father of Nefertem. He was also regarded as the father of the ...

). This is followed by the installation of Radamès to the office of commander-in-chief (High Priestess, chorus, Ramfis, Radamès: "Immenso Ftha .. Mortal, diletto ai Numi" / O mighty one, guard and protect!). All present in the temple pray fervently for the victory of Egypt and protection for their warriors ("Nume, custode e vindice"/ Hear us, O guardian deity).

Act 2

''Scene 1: The chamber of Amneris'' Dances and music to celebrate Radamès' victory take place (Chorus, Amneris: "Chi mai fra gli inni e i plausi" / Our songs his glory praising). However, Amneris is still in doubt about Radamès' love and wonders whether Aida is in love with him. She tries to forget her doubt, entertaining her worried heart with the dance of

Moorish The term Moor is an exonym used in European languages to designate the Muslim populations of North Africa (the Maghreb) and the Iberian Peninsula (particularly al-Andalus) during the Middle Ages. Moors are not a single, distinct or self-defi ...

slaves (Chorus, Amneris: "Vieni: sul crin ti piovano" / Come bind your flowing tresses). When Aida enters the chamber, Amneris asks everyone to leave. By falsely telling Aida that Radamès has died in the battle, she tricks her into professing her love for him. In grief, and shocked by the news, Aida confesses that her heart belongs to Radamès eternally (Amneris, Aida: "Fu la sorte dell'armi a' tuoi funesta" / The battle's outcome was cruel for your people). This confession fires Amneris with rage, and she plans on taking revenge on Aida. Ignoring Aida's pleadings (Amneris, Aida, chorus: "Su! del Nilo al sacro lido" / Up! at the sacred shores of the Nile), Amneris leaves her alone in the chamber. ''Scene 2: The grand gate of the city of Thebes'' Radamès returns victorious and the troops

march March is the third month of the year in both the Julian and Gregorian calendars. Its length is 31 days. In the Northern Hemisphere, the meteorological beginning of spring occurs on the first day of March. The March equinox on the 20 or 2 ...

into the city (Chorus, Ramfis: "Gloria all'Egitto, ad Iside" / Glory to Egypt, ndto Isis!). The Egyptian king decrees that on this day the triumphant Radamès may have anything he wishes. The Ethiopian captives are led onstage in chains, Amonasro among them. Aida immediately rushes to her father, who whispers to her to conceal his true identity as King of Ethiopia from the Egyptians. Amonasro deceptively proclaims to the Egyptians that the Ethiopian king (referring to himself) has been slain in battle. Aida, Amonasro, and the captured Ethiopians plead with the Egyptian King for mercy, but Ramfis and the Egyptian priests call for their death (Aida, Amneris, Radamès, The King, Amonasro, chorus: "Che veggo! .. Egli? .. Mio padre! .. Anch'io pugnai .. Struggi, o Re, queste ciurme feroci" / What do I see?.. Is it he? My father? .. Destroy, O King, these ferocious creatures). Claiming the reward promised by the King of Egypt, Radamès pleads with him to spare the lives of the prisoners and to set them free. The King grants Radamès' wish, and declares that he (Radamès) will be his (the King's) successor and will marry the King's daughter (Amneris). (Aida, Amneris, Radamès, Ramfis, The King, Amonasro, chorus: "O Re: pei sacri Numi! .. Gloria all'Egitto" / O King, by the sacred gods ... Glory to Egypt!). At Ramfis' suggestion to the King, Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat.

Act 3

''On the banks of the Nile, near the Temple of Isis'' Prayers are said (Chorus, High Priestess, Ramfis, Amneris: "O tu che sei d'Osiride" / O thou who to Osiris art) on the eve of Amneris and Radamès' wedding in the Temple of Isis. Outside, Aida waits to meet with Radamès as they had planned (Aida: "Qui Radamès verra .. O patria mia" / Oh, my dear country!). Amonasro appears and orders Aida to find out the location of the Egyptian army from Radamès. Aida, torn between her love for Radamès and her loyalty to her native land and to her father, reluctantly agrees. (Aida, Amonasro: "Ciel, mio padre! .. Rivedrai le foreste imbalsamate" / Once again shalt thou gaze). When Radamès arrives, Amonasro hides behind a rock and listens to their conversation. Radamès affirms that he will marry Aida ("Pur ti riveggo, mia dolce Aida .. Nel fiero anelito"; "Fuggiam gli ardori inospiti .. Là, tra foreste vergini" / I see you again, my sweet Aida!), and Aida convinces him to flee to the desert with her. To facilitate their escape, Radamès suggests using a secure route free from the risk of discovery and discloses the location his army plans to attack. Upon hearing this, Amonasro emerges from hiding and reveals his true identity. Radamès, horrified, realizes he has inadvertently divulged a critical military secret to the enemy. Meanwhile, Amneris and Ramfis leave the temple, spot Radamès in conference with the enemy, and summon the imperial guards. Amonasro, armed with a dagger, intends to kill Amneris and Ramfis before they can alert the guards, but Radamès disarms him. He swiftly instructs Amonasro to flee with Aida and surrenders himself to the guards, who arrest him as a traitor.

Act 4

''Scene 1: A hall in the Temple of Justice. To one side is the door leading to Radamès' prison cell'' Amneris desires to save Radamès ("L'aborrita rivale a me sfuggia" / My hated rival has escaped me). She calls for the guard to bring him to her. She asks Radamès to deny the accusations, but Radamès, who does not wish to live without Aida, refuses. He is relieved to know Aida is still alive and hopes she has reached her own country (Amneris, Radamès: "Già i Sacerdoti adunansi" / Already the priests are assembling). Offstage, Ramfis recites the charges against Radamès and calls on him to defend himself, but he stands mute, and is condemned to death as a traitor. Amneris, who remains onstage, protests that Radamès is innocent, and pleads with the priests to show mercy. The priests sentence him to be buried alive; Amneris weeps and curses the priests as he is taken away (Judgment scene, Amneris, Ramfis, and chorus: "Ahimè! .. morir mi sento .. Radamès, è deciso il tuo fato" / Alas .. I feel death .. Radamès, your fate is decided). ''Scene 2: The lower portion of the stage shows the vault in the Temple of Ptah; the upper portion represents the temple itself'' Radamès has been taken into the lower floor of the temple and sealed up in a dark vault, where he thinks that he is alone. As he hopes that Aida is in a safer place, he hears a sigh and then sees Aida. She has hidden herself in the vault in order to die with Radamès (Radamès: "La fatal pietra sovra me si chiuse" / The fatal stone now closes over me). They accept their terrible fate (Radamès: "Morir! Sì pura e bella" / To die! So pure and lovely!) and bid farewell to Earth and its sorrows (duet "Invan! Tutto è finito ... O terra addio"). Above the vault in the temple of Ptah, Amneris weeps and prays to the goddess Isis. In the vault below, Aida dies in Radamès' arms as the priests, offstage, pray to the god Ptah. (Chorus, Aida, Radamès, Amneris: "Immenso Ftha" / Almighty Ptah).

Adaptations

The 1952 Broadway musical '' My Darlin' Aida'', set on a plantation in Tennessee in the first year of the

American Civil War The American Civil War (April 12, 1861May 26, 1865; also known by Names of the American Civil War, other names) was a civil war in the United States between the Union (American Civil War), Union ("the North") and the Confederate States of A ...

, is based on the opera and uses Verdi's music. The opera has been adapted for motion pictures on several occasions, most notably in a 1953 production which starred

Lois Maxwell Lois Ruth Maxwell (née Hooker; February 14, 1927 – September 29, 2007) was a Canadian actress. She was best known for portraying Miss Moneypenny in the first 14 Eon Productions, Eon-produced James Bond in film, ''James Bond'' films (1962–1 ...

as Amneris and

Sophia Loren Sofia Costanza Brigida Villani Scicolone (; born 20 September 1934), known professionally as Sophia Loren ( , ), is an Italian actress, active in her native country and the United States. With a career spanning over 70 years, she is one of the ...

as Aida, and a 1987 Swedish production. In both cases, the lead actors lip-synched to recordings by actual opera singers. In the case of the 1953 film,

Ebe Stignani Ebe Stignani (10 July 1903 – 5 October 1974) was an Italian opera singer, who was pre-eminent in the dramatic mezzo-soprano roles of the Italian repertoire during a stage career of more than thirty years. Career Born in Naples in 1903 (some so ...

sang as Amneris, while

sang as Aida. The opera's story, but not its music, was used as the basis for a 1998 musical of the same name written by

Elton John Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, songwriter and pianist. His music and showmanship have had a significant, lasting impact on the music industry, and his songwriting partnership with l ...

and

Tim Rice Sir Timothy Miles Bindon Rice (born 10 November 1944) is an English songwriter. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, '' Joseph and the Amazing Technicolor Dreamcoat'', ''Jesus C ...

. The opera has been portrayed in the 2001 Italian animated film '' Aida of the Trees'' (''Aida degli alberi''). The characters are seen as anthropomorphic creatures between the fictional kingdoms of Alborea and Petra as the star-crossed lovers must find a way to unify their worlds while facing off against the evil high priest Ramfis. The 2022 version choreographed by the

(directed by Robert Carsen) set the opera in a modern,

Soviet The Union of Soviet Socialist Republics. (USSR), commonly known as the Soviet Union, was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 until Dissolution of the Soviet ...

-style,

totalitarian state Totalitarianism is a political system and a Government#Forms, form of government that prohibits opposition from political parties, disregards and outlaws the political claims of individual and group opposition to the state, and completely contr ...

Recordings

References

Sources

* * (hardcover); (paperback). * * * * * * * * * * * * Paris: Slatkine (1983 reprint) .

External links

*
Aïda : an opera in four acts
1900 publication, English, digitized by BYU on archive.org
Opera Guide
Synopsis – libretto – highlights

,

Naxos Records Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records, which focuses on classical music. Naxos Musical Group encompasses about ...

Complete libretto of the opera

Piano reduction
William and Gayle Cook Music Library, Indiana University School of Music
Aria Database list of arias

Further ''Aida'' discography

Libretto in Italian and English
Online Library of Liberty
Synopsis, commentary, music analysis, anecdotes
opera-inside.com {{Authority control Operas by Giuseppe Verdi Italian-language operas Grand operas 1871 operas Operas Operas set in ancient Egypt Operas adapted into films