Asaveri
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Asaveri (asāvēri) is a
rāga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...
m in
Carnatic music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o ...
(musical scale of South Indian classical music). It is a ''
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a vari ...
'' rāgam (derived scale) from the 8th ''
melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be derived. A ''melaka ...
'' scale ''
Hanumatodi Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in conce ...
''. It is a ''janya'' scale, as it does not have all the seven ''
swara Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively ...
s'' (musical notes) in the ascending scale, and has a ''vakra'' (zigzag) descending scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is a ''bhaashaanga ragam'', as its avarohanam contains chatushruti rishabham, a ''
swaram Swara () or svara is an Indian classical music term that connotes simultaneously a breath, a vowel, a note, the sound of a musical note corresponding to its name, and the successive steps of the octave, or ''saptanka''. More comprehensively ...
'' foreign to the parent scale of ''Todi''. ''Asaveri'' is an ancient rāgam, which is mentioned in the ''
Sangita Ratnakara The ''Sangita-Ratnakara'', संगीतरत्नाकर, (IAST: Saṃgītaratnākara), literally "Ocean of Music ", is one of the most important musicological texts from India. Composed by Sharngadeva, Śārṅgadeva (शार्ङ ...
''. ''Asaveri'' resembles ''Komal
Asavari Asavari () is a minor character from the Stri Parva in Mahabharata, the love life of Karna but due to her father's arrogance, the marriage did not take place. She belongs to the Asavari (thaat), Asavari thaat kingdom. In pre-Bhatkhande days As ...
'' and ''Asa Todi'' of
Hindustani classical music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ...
. The ''Asavari'' of Hindustani music resembles ''
Natabhairavi Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale (alias Aeolian mode) of western mus ...
'' of Carnatic music.


Structure and Lakshana

''Asaveri'' is an asymmetric, bhashaga rāgam (has foreign notes) that does not contain ''gandharam'' and ''nishadam'' in the ascending scale. It is an ''audava-vakra-sampurna'' rāgam (or ''owdava'' rāgam, meaning pentatonic ascending scale). Its ''ārohaṇa-avarohaṇa'' structure (ascending and descending scale) is as follows: * ārohaṇa : * avarohaṇa : The notes used in this scale are ''shadjam, shuddha rishabham, shuddha madhyamam, panchamam'' and ''shuddha dhaivatam'' in ascending scale, with ''kaisiki nishadham'', ''sadharana gandharam'' and "chatushruti rishabham" included in descending scale. For the details of the notations and terms, see ''swaras'' in Carnatic music. The Anya swarams are Chaturshruti Rishabham * / Shuddha gandharam * and Chaturshruti dhaivatam * / Shuddha nishadam *.In veena, the Anya swarams are played from shuddha gandharam and shuddha nishadam


Popular compositions

There are many compositions set to ''Asaveri'' rāgam. Here are some popular ''
Kritis A ''kriti'' () is a form of musical composition in the Carnatic music literature. The Sanskrit common noun ''Kriti'' means 'creation' or 'work'. A kriti forms the mental backbone of any typical Carnatic music concert and is the longer format o ...
'' composed in this rāgam. *''Mapala Velasi Ika'', ''Dasharatha Nandana'', ''Samayamu Telisi'', ''Sari Vedalina'', ''Epaniko Janminchithinani'', ''Jankaja Sametha'', ''Lekana Ninnu'' and ''Rara Mayintidaka'' composed by
Tyagaraja Sadguru Tyagaraja Swami ( Telugu: సద్గురు త్యాగరాజ స్వామి; 4 May 1767 – 6 January 1847), also known as Tyagayya, and in full as Kakarla Tyagabrahmam ( Telugu: కాకర్ల త్యాగబ ...
*''Chandram Bhaja Manasa'' and ''Kumaraswaminam'' by
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar) (, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer, veena player, and a prolific composer of Indian classical music. He was the youngest member of what is re ...
*''Vijayate Govinda'' by
Oothukkadu Venkata Kavi Oothukkaadu Venkata Kavi (-1765) or Oottukkaadu Venkata Subramanyar was one of the pioneering composers in Indian classical Carnatic music. He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkaadu V ...
*''Ramachandrulu Napai'' by
Bhadrachala Ramadasu Kancharla Gopanna () ( – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu (), was a 17th-century devotee of the Hindu god Rama Rama (; , , ) is a major deity in Hinduism. He is worshipped as the seventh and one of ...
*''Kadaikkannal Irangi'' and ''Saranam Saranam'' by
Arunachala Kavi Arunachala Kavi () (1711–1779) was a Tamil poet and a composer of Carnatic music. He was born in Tillaiyadi in Thanjavur District in Tamil Nadu and . The three Tamil composers Arunachala Kavi, Muthu Thandavar and Marimutthu Pillai are cons ...
*''Deva Palaya Murare'' and ''Palaya Madhava Mam Anisham'' by ''Maharaja''
Swathi Thirunal Sri Swathi Thirunal Rama Varma III (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He was a great musician and composer who has to his credit over 400 classical compositions in both Carnatic and Hindustani st ...
*''Itharani Meedhil'', a
Thiruppugazh The ''Tiruppugal'' (Tamil: , ''Thiruppugazh'', IPA/Tamil: , meaning 'Holy Praise' or 'Divine Glory'), sometimes spelled ''Thiruppugazh'', is a 14th-century anthology of Tamil religious songs dedicated to Murugan (Kartikeya), the son of Shiva, ...
by
Arunagirinathar Arunagirinathar (', ) was a Tamil language, Tamil Shaivism, Shaiva saint-poet who lived during the 14th century in Tamil Nadu, India. In his treatise ''A History of Indian Literature'' (1974), Czechs, Czech Indologist Kamil Zvelebil places Aru ...
*''Sri Kanchi Nayike'' by ''Annaswami Shastri'' Here are some popular ''
Varnam Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patt ...
s'' composed in this rāgam. *''Thamasinchuka'', a
Varnam Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patt ...
by
Patnam Subramania Iyer Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions. Subramaniya Iyer was bor ...
*''Jalajaksha'', a
Varnam Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patt ...
by ''Dr.''
Lalgudi Jayaraman Lalgudi Gopala Iyer Jayaraman (17 September 1930 – 22 April 2013) was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin trinity of Carnatic mu ...


Film Songs


Language:

Tamil Tamil may refer to: People, culture and language * Tamils, an ethno-linguistic group native to India, Sri Lanka, and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka ** Myanmar or Burmese Tamils, Tamil people of Ind ...


Notes


References

{{Janya, state=collapsed Janya ragas