Armenian Church Architecture
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Armenian church architecture is the architectural style of the Armenian church buildings created since the Apostolic era of Christianity in the Armenian Highland during the 1st century. It was developed over the last 1900 years. According to professor Dickran Kouymjian (Ph.D. in Armenian Studies from Columbia University), the unique national style of Armenian
church architecture Church architecture refers to the architecture of Christian buildings, such as Church (building), churches, chapels, convents, and seminaries. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly ...
came into being by the late 6th or early 7th century, probably becoming the first national style in Christian architecture, long before the Byzantine, Romanesque and Gothic or the less known Ethiopian, Scandinavian and Slavic styles were concretely formed.


Characteristics

Christianity Christianity is an Abrahamic monotheistic religion, which states that Jesus in Christianity, Jesus is the Son of God (Christianity), Son of God and Resurrection of Jesus, rose from the dead after his Crucifixion of Jesus, crucifixion, whose ...
's institution as
Armenia Armenia, officially the Republic of Armenia, is a landlocked country in the Armenian Highlands of West Asia. It is a part of the Caucasus region and is bordered by Turkey to the west, Georgia (country), Georgia to the north and Azerbaijan to ...
's official religion in 300 allowed new developments in
Armenian architecture Armenian architecture comprises architectural works with an aesthetic or historical connection to the Armenians, Armenian people. It is difficult to situate this architectural style within precise geographical or chronological limits, but many o ...
. The first Armenian churches were built on the orders of Saint Gregory the Illuminator, and were often built on top of pagan temples, imitating some aspects of Armenian pre-Christian architecture. Armenian churches particularly have several distinctive features with common characteristics: *Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical
drum The drum is a member of the percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a ...
(usually polygonal on the outside, most often octagonal) *The vertical emphasis of the whole structure, with the height often exceeding the length of a church *Reinforcement of the verticality with tall, narrow windows *Stone vaulted ceilings. *Composed almost entirely of stone, usually volcanic
tufa Tufa is a variety of limestone formed when carbonate minerals precipitation (chemistry), precipitate out of water in ambient temperature, unheated rivers or lakes. hot spring, Geothermally heated hot springs sometimes produce similar (but less ...
or
basalt Basalt (; ) is an aphanite, aphanitic (fine-grained) extrusive igneous rock formed from the rapid cooling of low-viscosity lava rich in magnesium and iron (mafic lava) exposed at or very near the planetary surface, surface of a terrestrial ...
. *A composite roof composed of finely-cut
tufa Tufa is a variety of limestone formed when carbonate minerals precipitation (chemistry), precipitate out of water in ambient temperature, unheated rivers or lakes. hot spring, Geothermally heated hot springs sometimes produce similar (but less ...
shingles. *Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage. *Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls. *Roofs intersecting to support the dome, both in basilicas and centrally-planned churches. *Sculptural decoration of external walls, including figures.


Classification of traditional Armenian churches

Within the bounds of the aforementioned common characteristics, individual churches display considerable variation which may reflect time, place, and the creativity of its designer. Toros Toramanian distinguished the following classical styles while studying these variations in the early 20th century:


Architectural Evolution

According to art historian Dr. Christina Maranci, Armenian church architecture has its roots in the 4th century, when Armenia became the first nation to adopt Christianity. Early churches were heavily influenced by Byzantine basilicas, but by the 7th century, they had developed distinctly Armenian structural and stylistic features. Over time, although construction techniques evolved, the architectural identity remained uniquely Armenian, harmonizing with the mountainous terrain and showcasing the enduring craftsmanship of Armenian builders.


See also

*
Armenian architecture Armenian architecture comprises architectural works with an aesthetic or historical connection to the Armenians, Armenian people. It is difficult to situate this architectural style within precise geographical or chronological limits, but many o ...
* :Armenian Apostolic churches * :Armenian Apostolic monasteries


References

{{Portal bar, Architecture, Christianity Architecture in Armenia Church architecture