Arman (November 17, 1928 – October 22, 2005) was a French and American artist. Born Armand Fernandez in
Nice, France
Nice ( ; ) is a city in and the prefecture of the Alpes-Maritimes departments of France, department in France. The Nice urban unit, agglomeration extends far beyond the administrative city limits, with a population of nearly one million
, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') to using them as the artworks themselves. He is best known for his ''Accumulations'' and destruction/recomposition of objects.
Early life and education
Arman's father, Antonio Fernandez, an antiques dealer from
Nice
Nice ( ; ) is a city in and the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly one millioncellist. From his father, Arman learned
oil painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on coppe ...
and
photography
Photography is the visual arts, art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is empl ...
. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also studied
judo
is an unarmed gendai budō, modern Japanese martial art, combat sport, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally.『日本大百科全書』電子版【柔道】(CD-ROM version of Encyc ...
at a police school in Nice, where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe.
Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where he concentrated on the study of archaeology and Asian art. In 1951, he became a teacher at the Bushido Kai Judo Club in
Madrid, Spain
Madrid ( ; ) is the capital and List of largest cities in Spain, most populous municipality of Spain. It has almost 3.5 million inhabitants and a Madrid metropolitan area, metropolitan area population of approximately 7 million. It i ...
. In 1952, he served in the French military, completing his tour of duty as a medical orderly during the Indo-China War.
Early career
Early on, it was apparent that Arman's concept of the accumulation of vast quantities of similar objects was to remain a significant component of his art. He had originally focused more attention on his abstract paintings, considering them to be of more consequence than his early accumulations of rubber stamps. In 1962, he began welding together ''Accumulations'' of similar kinds of metal objects, such as watches or axes.
Inspiration and name change
Inspired by an exhibition for the German Dadaist Kurt Schwitters in 1954, Arman began working on ''Cachets'', his first major artistic undertaking. At his third solo exhibition held in Paris's Galerie Iris Clert in 1958, Arman showed some of his first 2D accumulations he called ''Cachets''. These rubber stamp marks on paper and fabric proved a success and provided a change of course in his career.
At the time, he was signing only with his first name as an homage to Van Gogh, who also signed his works with his first name, "Vincent". In 1957, Arman chose to change his name from "Armand" to "Arman". On January 31, 1973, upon becoming a citizen of the United States, he took the American civil name, "Armand Pierre Arman", but continued to use "Arman" as his public persona.
Evolution of work
From 1959 to 1962, Arman developed his most recognizable style, beginning with his two most renowned concepts: ''Accumulations'' and ''Poubelles'' (French for "trash bins"). ''Accumulations'' were collections of commonplace and similar objects which he arranged within transparent polyester castings, or within Plexiglas cases. His first welded ''Accumulations'' were created in 1962.
The ''Poubelles'' were collections of strewn refuse. In 1960, he filled the Iris Clert Gallery in Paris with trash, creating ''Le Plein'' (''The Full'') as a counterpoint to an exhibition called ''Le Vide'' (''The Void'') at the same gallery two years earlier by his friend Yves Klein.
In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri,
Jean Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century.Chilvers, Ian; Gl ...
, Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau Réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality". They were reassessing the concept of art and the artist for a 20th-century consumer society by reasserting humanistic ideals in the face of industrial expansion. Arman also became affiliated with the ZERO art movement based in Germany.
In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The ''Coupes'' (''Cuts'') and the ''Colères'' (''Angers'') featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues.
Arman and Warhol
Arman can be seen in Andy Warhol's film ''Dinner at Daley's'', a documentation of a dinner performance by the
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental performance art, art performances which emphasized the artistic process over the finishe ...
artist Daniel Spoerri that Warhol filmed on March 5, 1964. Throughout the portrait-screen-test film, Arman sits in profile, looking down, appearing to be entranced in his reading, seemingly unaware of Warhol's camera, only making small gestures, rubbing his eyes, and licking the corner of his mouth. He remained silent, eyes gazing over the pages of what seemed to be a newspaper, in this four-minute, 16mm black-and-white reel. Warhol owned two of Arman's ''Poubelles'' and another accumulation called ''Amphetamines'', which were sold at Sotheby's auction of the Andy Warhol Collection in May 1988.
Move to New York City
Fascinated with the scene in
New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive w ...
, Arman took up part-time residency there from his home in Nice in 1961, after his first exhibition at the Cordier Warren Gallery. In the city, he met Marcel Duchamp at a dinner given by the artist and collector William Copley. First living at the
Chelsea Hotel
The Hotel Chelsea (also known as the Chelsea Hotel and the Chelsea) is a hotel at 222 West 23rd Street (Manhattan), 23rd Street in the Chelsea, Manhattan, Chelsea neighborhood of Manhattan in New York City. Built between 1883 and 1884, the hot ...
and later in Church street, while keeping a studio in Bowery, then in TriBeCa, Arman began work on large public sculptures.
There were varied expressions of the ''Accumulations'', including tools, watches, clocks, furniture, automobile parts, jewelry, and musical instruments in various stages of dismemberment. Musical instruments, specifically the strings and bronze, through his collaboration with a foundry in Normandy, France, became a major theme in Arman's work.
Of Arman's ''Accumulations'', one of the largest is ''Long Term Parking'', which is on permanent display at the Château de Montcel in Jouy-en-Josas, France. Completed in 1982, this high sculpture consists of 60 mostly French cars set in of concrete. Just as ambitious was his 1995 work '' Hope for Peace'', which was specially commissioned by the Lebanese government to commemorate 50 years of their military's service. Standing in once war-torn
Beirut
Beirut ( ; ) is the Capital city, capital and largest city of Lebanon. , Greater Beirut has a population of 2.5 million, just under half of Lebanon's population, which makes it the List of largest cities in the Levant region by populatio ...
, the monument consists of 83 tanks and military vehicles.
Personal life
In 1953, Arman married electronic music composer Éliane Radigue and had two daughters, Marion (1951) and Anne (1953) and one son, Yves Arman (1954–1989). In 1971, he married Corice Canton, with whom he had one daughter, Yasmine (1982) and one son, Philippe (1987). In 1989, he had his sixth and last child, Yves Cesar Arman, son of Carrole Cesar.
After Arman's death in New York on October 22, 2005, some of his ashes were buried at the Père Lachaise Cemetery in Paris in 2008.
Selected exhibitions and awards
1960s
1964
*''Arman'', Stedelijk Museum, Amsterdam, Holland
*''Arman'', Walker Art Center, Minneapolis, Minnesota
1965
*''Arman'', Museum Hans Lange, Krefeld, Germany
1966
*''Arman'', Palais de Beaux-Arts, Brussels, Belgium
*''Arman'', Musée de la Ville, Saint-Paul-de-Vence, France
1967
*''Arman'', Palazzo Grassi, Venice, Italy
1969
*''Arman: Accummulations Renault'' (traveling exhibition):
**Stedelijk Museum, Amsterdam, Holland
**Musée des Arts Decoratifs, Paris, France
**Louisiana Museum of Modern Art
**Humlebaek, Denmark
**Kunsthalle, Berlin, Germany
**Städtische Kunsthalle, Düsseldorf, Germany
**Moderna Museet, Stockholm, Sweden
**Städtische Kunstammlungen, Ludwigshafen, Germany
**Kunsthaus, Zürich, Switzerland
**Amos Anderson Taidemuseo, Helsinki, Helsingfors, Finland
1970s
1970
*''Arman'', Modern Art Museum, Stockholm, Sweden
1973
Arman, Selected Activities. John Gibson Gallery, New York
1974
*''Arman'', Salles romanes du Cloître Saint-Trophime, Musée Réattu, Arles, France
*''Arman: Selected Works 1958-1974'', La Jolla Museum of Contemporary Art, California; *Fort Worth Art Museum, Texas
1975
*''Arman: Objets Armés 1971-1974'', Paris, Musée d'Art Moderne de la Ville de Paris, France
1976
*''Arman'', Artcurial auction house, Paris, France
1977
*''Arman: Paintings and Sculptures'', Ulrich Museum of Art, Wichita State University, Kansas
1978
*''Arman, Veranneman Foundation'', Kruishoutem, Belgium
1979
*''Arman: Rétrospective, Centre d'Art et de Culture'', Flaine, France
1980s
1980
*''Arman'', Veranneman Foundation, Kruishoutem, Belgium
1981
*''Arman'', Hessisches Landesmuseum, Darmstadt, Germany
1982
*''Arman: Parade der Objekte: Retrospektive 1955-1982'' (traveling exhibition):
**Kunstmuseum, Sammlung Sprengel, Hanover, Germany
**Hessisches Landesmuseum, Darmstadt, Germany
**Tel Aviv Museum, Israel
**Kunsthalle, Tübingen, Germany
**Musée Picasso, Château Grimaldi, Antibes, France
**Musée d'Art Contemporain Dunkerque, France
1984
*''Arman o L’Oggetto come Alfabeto: Retrospettiva 1955-1984'', Museo Civico delle Belle Arti, Lugano, Switzerland
*''Arman'', Museo d'Arte Moderna, Parma, Italy
1985
*''Arman'', Seibu Museum of Art, Tokyo, Japan; Walker Hill Art Center, Seoul, Korea
*''Arman Aujourd’hui'', Musée de Toulon, France
1986
*''Arman: Retrospective'', Wichita State University, Ulrich Museum of Art, Kansas
*Arman, Veranneman Foundation, Kruishoutem, Belgium
1990s
1991
*''Arman in Italy'', Fondazione Mudima, Milan, Italy
*''Arman Sculpture'', Contemporary Sculpture Center, Tokyo, Japan
*''Arman: A Retrospective 1955 - 1991'', The Brooklyn Museum, Brooklyn, New York; The Detroit Institute of Art, Detroit, Michigan
1992
*''Il Giro di Arman'', Associazione Culturale Italo-Francese, Bologna, Italy
1994
*''Le Ceramica di Arman'', Museo Internazionale delle Ceramiche in Faenza, Faenze, Italy
1995
*''Arman, Musée Royal de Mariemont'', Mariemont-Chapelle, Belgium
1996
*''Arman: The Exhibition of International Sculpture Master'', Modern Art Gallery, Taichung, Taïwan
1998
*''Arman'', Musée du Jeu de Paume, Paris, France
1999
*''Arman'', Tel Aviv Museum of Art, Israel
*''Arman'', Museu de Arte Moderna do Rio de Janeiro, Brazil; Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, Brazil
*Arman: Fragmentation--Concerto for 4 Pianos, John Gibson Gallery, New York
21st Century
2000
*''Arman—20 stations de l'objet'', Couvent des Cordeliers, Paris, France
*''Arman, Fundaciò "la Caixa,"'' Barcelona, Spain
*''Arman, la traversée des objets'', Palazzo delle Zitelle, Venice, Italy
*''Arman'', Museo de Monterrey, Mexico
*''Arman'', National Museum of History, Taipei, Taiwan
2000-01
*''Arman: Werke auf Papier'', Ludwig Museum, Coblenz, Germany
2001-02
*''Arman: Through and Across Objects'', Boca Raton Museum of Art, Florida
2002
*''Arman: Works on Paper'', Villa Haiss Museum, Zell, Germany
2003
*Awarded 2003 Sport Artist of the Year, The American Sport Art Museum and Archives, United States Sports Academy, Daphne, Alabama
*''Arman: Arman'', Museum of Contemporary Art of Teheran, Teheran, Iran
*''Arman'', Marlborough New York City
2004
*Omaggio ad Arman Arte Silva, Sergno
*''Arman—Peinture'', Marlborough Monaco, Monaco
2005
*''Hommage a Arman'', Galerie Anne Lettree, Paris
2006
*''Arman—Subida al Cielo'', Musée d' Art Moderne et d'Art Contemporain Nice, France
*''Arman—A Tribute to Arman'', Marlborough Gallery, New York
*''Arman—No Comment'', Galerie Georges-Phillippe & Nathalie Vallois, Paris
2008
*''Arman'', Palazzo Bricherasio, Turin
2010-2011
*''Arman'', a retrospective, Centre Georges Pompidou, Oct. 2010, Paris
*''Arman'', retrospective, Museum Tinguely, Feb. 2011, Basel, Switzerland
*''Arman-in les Baux de Provence'', July-Oct. 2011, Les Baux-de-Provence
2013
* ''Cycles,'' Paul Kasmin Gallery, New York
Public collections in the United States (selected)
*Fine Arts Museums of San Francisco, California
*Hirshhorn Museum and Sculpture Garden, Washington, DCImages of artwork by Arman in the Hirshhorn Museum collection, Smithsonian Institution
*Ulrich Museum of Art, Wichita, Kansas
*Harvard Art Museum, Cambridge, Massachusetts
*The Detroit Institute of Arts, Detroit, Michigan
*Walker Art Center, Minneapolis, Minnesota
*Laumeier Sculpture Park, St. Louis, Missouri
*Mildred Lane Kemper Art Museum, St. Louis, Missouri
*Saint Louis Art Museum, St. Louis, Missouri
*Everson Museum of Art, Syracuse, New York
*The Museum of Modern Art, New York
*Allen Art Museum, Oberlin College, Ohio
*Bellevue Art Museum, Bellevue, Washington
*Boca Raton Museum of Art, Boca Raton, Florida
*Chalumeau, Jean-Luc and Pierre Restany (preface), ''Arman: Shooting Colors'', Paris, France: Éditions de la Différence, Autre Musée/Grandes Monographies, 1989
*Kuspit, Donald. ''Monochrome Accumulations 1986—1989''. Stockholm: A. H. Graphik, 1990
*Otmezguine, Jane and Marc Moreau, in collaboration with Corice Arman. ''Estampes''. Paris: Éditions Marval, 1990
*Durand-Ruel, Denyse. ''Arman - Vol. II: 1960 à 1962''. Paris: Éditions de la Différence, 1991
*Durand-Ruel, Denyse. ''Arman - Vol. III: 1963 à 1965''. Paris: Éditions de la Différence, 1994
*Bouhours, Jean-Michel (director), ''Arman'' exhibition catalogue, Paris: Centre Georges Pompidou, 2010