''Ariel'' is a 1900

essay An essay ( ) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a Letter (message), letter, a term paper, paper, an article (publishing), article, a pamphlet, and a s ...

by Uruguayan author

José Enrique Rodó José Enrique Camilo Rodó Piñeyro (15 July 1871 – 1 May 1917) was a Uruguayan essayist. He cultivated an epistolary relationship with important Hispanic thinkers of that time, Leopoldo Alas (Clarín) in Spain, José de la Riva-Agüero in ...

. Drawn from William Shakespeare's ''

The Tempest ''The Tempest'' is a Shakespeare's plays, play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, th ...

'', in which

Ariel Ariel may refer to: Film and television *Ariel Award, a Mexican Academy of Film award * ''Ariel'' (film), a 1988 Finnish film by Aki Kaurismäki *, a Russian film directed by Yevgeni Kotov * ''ARIEL Visual'' and ''ARIEL Deluxe'', a 1989 and 1991 ...

represents the positive, and

Caliban Caliban ( ), the subhuman son of the sea witch Sycorax, is an important character in William Shakespeare's play ''The Tempest''. His character is one of the few Shakespearean figures to take on a life of its own "outside" Shakespeare's own w ...

represents the negative tendencies in human nature, this essay is a debate on the future course of history, in what Rodó intended to be a secular sermon to

Latin American Latin Americans (; ) are the citizenship, citizens of Latin American countries (or people with cultural, ancestral or national origins in Latin America). Latin American countries and their Latin American diaspora, diasporas are Metroethnicity, ...

youth, championing the cause of the classical western tradition. ''Ariel'' belongs to the movement known as ''

modernismo ''Modernismo'' is a literary movement that took place primarily during the end of the nineteenth and early 20th century in the Spanish-speaking world, best exemplified by Rubén Darío, who is known as the father of ''modernismo''. The term ''m ...

'', characterized by its elegance, artistic prose, and worldly references and allusions. Even though it is an essay, its ideas are expressed through Prospero's narrative voice. Prospero, the teacher, and Ariel are references to the characters in ''

'', and the use of their names is an example of ''modernismo's'' desire for cosmopolitism. In ''Ariel'', Prospero's seminar includes both famous and lesser-known European authors. He makes frequent reference to

Goethe Johann Wolfgang (von) Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on Western literature, literary, Polit ...

, Gaston Deschamps, St. Francis of Assisi,

Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, philosopher and historian. Schiller is considered by most Germans to be Germany's most important classical playwright. He was born i ...

, and Guyau. Prospero also focuses on locations such as

Ancient Greece Ancient Greece () was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity (), that comprised a loose collection of culturally and linguistically r ...

, and he emphasizes Hellenic beauty as the only ideal worthy of imitation. Rodó uses Ariel as a metaphor that symbolizes beauty, the spirit, and that which is good. The opposite of Ariel is the

utilitarian In ethical philosophy, utilitarianism is a family of normative ethical theories that prescribe actions that maximize happiness and well-being for the affected individuals. In other words, utilitarian ideas encourage actions that lead to the ...

, symbolized by Caliban, and he cites ''positivismo'' and ''nordomanía'' as two reasons why this movement has gained popularity. ''Ariel'' is structurally based on binary opposition, and the figures of Ariel and Caliban are diametrically opposed.A Vaughan, ''Shakespeare’s Caliban'' (Cambridge 1991) p. 153 In ''Ariel'', Rodó surveys the situation Latin America was facing at the end of the 19th century. He points out that utilitarianism relies on specialization and materialism, and that consequently, the wealth of our minds is affected. Such practice can and will affect the spirit. In order for Latin America to revive its spirit, Rodó proposed strict adherence to the aesthetic ideals of the Ancient Greek and Roman cultures. He believed both of these embody a sense of beauty, and most important, both realms recognize the significance of devoting oneself to an activity of the mind. Art is then a form of learning that finds and enriches the spirit and negates utilitarianism.

References

External links

Humanistics texts: Rodó

Mariana Alvarado: Rodó y su Ariel. El ''Ariel'' de Rodó
1900 essays Uruguayan essays {{essay-stub

See also

References

External links