The archlute (, , ) is a European plucked

string instrument In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some ...

developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

tenor

lute A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lu ...

, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide.

Overview

The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, with perfect fourths surrounding a third in the middle for the first six. The archlute was often used as a solo instrument for the first three-quarters of the 17th century, but is rarely mentioned as a continuo instrument in this period, the theorbo being the lute class instrument with this role. As continuo bass lines were composed both faster in motion and higher in tessitura toward the end of the 17th century, the archlute began to eclipse the theorbo as the main plucked string continuo instrument. The theorbo lacked the higher notes of the bass lines and the increasing practise of doubling the continuo part with a bowed bass (

cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ...

viol The viola da gamba (), or viol, or informally gamba, is a bowed and fretted string instrument that is played (i.e. "on the leg"). It is distinct from the later violin family, violin, or ; and it is any one of the earlier viol family of bow (m ...

) made the archlute's lack of power in the tenor and bass a less important shortcoming. The theorbo had been commonly used as the melodic bass instrument in

trio sonata The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era. Basic structure T ...

s from the beginning of the Baroque and the archlute took over that function too, with the most famous example being Corelli's ''Opus'' 1 and 3 trio sonatas which have partbooks for 1st and 2nd violin, 'violone o arciliuto' and a continuo part for organ, a simplified version of the 'violone o arciliuto' book. The violone o arciliuto book has just as many figures to tell the player what chords to play as the organ partbook, which suggests the archlute player would be adding chords above the bass where possible. The archlute was used in Handel's operas and like repertoire; '' Giulio Cesare'' (1724) has continuo parts labelled both ''arciliuto'' and tiorba. Perhaps one player would play both instruments. Music for solo archlute is usually notated in

tablature Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuel ...

Composers

Any late Italian

Baroque music Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Class ...

with a part labelled 'liuto' will mean 'arciliuto', the classic Renaissance lute being in disuse by this time. Among the most important composers of archlute music in the 17th century we can name Alessandro Piccinini, Giovanni Girolamo Kapsperger (c. 1580 – 17 January 1651) and in the 18th century Giovanni Zamboni, whose set of 12 sonatas (1718, Lucca) for the instrument is extant, and Antonio Scotti and Melchiorre Chiesa, Milanese composers from late 18th century. Other known composers of archlute music were Antonio Tinazzoli, Giuseppe Vaccari and Lodovico Fontanelli. Modern composers for archlute include Roman Turovsky and Konstantin Bozhinov.

Performers

Some living players are Edin Karamazov, Axel Wolf, Luca Pianca (the founder of Il Giardino Armonico), and Javier Mas who predominantly play archlutes, and Paolo Cherici, Massimo Lonardi, Luciano Contini, Paul O'Dette, Jakob Lindberg, David Tayler and Nigel North, who use archlutes extensively.

Tuning

References

External links

Chitarrone, theorbo and Archlute
by Robert Spencer
Archlute by David Tecchler, ca. 1725, Rome
at

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