Antonio Maria Lucchini
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Antonio Maria Lucchini or Luchini (
Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...
, c. 1690 – Venice, before 1730) was an Italian
librettist A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major ...
. His texts were set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
,
Baldassare Galuppi Baldassare Galuppi (18 October 17063 January 1785) was a Venetian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C.&nbs ...
,
Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian Baroque composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on ...
, and Rinaldo di Capua, among others.


Libretti

*''Foca superbo'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1716) *''Tieteberga'' (set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
, 1717) *''Giove in Argo'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1717; set to music by
Georg Friedrich Händel George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well-known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
, 1739; set to music by
Carl Heinrich Graun Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time. Biography Graun was born in Wahrenbrüc ...
, 1747) *''Ascanio ovvero Gli odi delusi dal sangue'' (set to music by
Antonio Lotti Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was ''Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti be ...
, 1718) *''L'inganno tradito dall'amore'' (set to music by
Antonio Caldara Antonio Caldara ( – 28 December 1736) was an Italian Baroque composer. Life Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probab ...
, 1720) *''Ermengarda'' (set to music by
Tomaso Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera co ...
, 1723) *''Gli sforzi d'ambizione e d'amore'' (set to music by
Giovanni Porta Giovanni Porta (c. 1675 – 21 June 1755) was an Italian opera composer. His opera '' Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck ...
, 1724) *''Farnace'' (set to music by
Leonardo Vinci Leonardo Vinci (1690 – 27 May 1730) was an Italian Baroque composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on ...
, 1724; set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
, 1727; set to music by Francesco Corselli, 1739; set to music by Rinaldo di Capua, 1739; set to music by Giuseppe Arena, 1742; set to music by Pietro Alessandro Guglielmi, 1765) *''Dorilla in Tempe'' (set to music by
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist, impresario of Baroque music and Roman Catholic priest. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lif ...
, 1726) *''Gl'odi delusi dal sangue'' (set to music by
Baldassare Galuppi Baldassare Galuppi (18 October 17063 January 1785) was a Venetian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C.&nbs ...
e
Giovanni Battista Pescetti Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pe ...
, 1728) *''L'osservanza della divina legge nel martirio de’ Maccabei'' (set to music by Francesco Bartolomeo Conti, 1732) *''Il martiro della madre de’ Maccabei'' (set to music by Francesco Bartolomeo Conti, 1736) *''Sant’Elena al Calvario'' (set to music by Francesco Bartolomeo Conti, 1736) *Various
madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1580–1650) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the ...
texts


References

Italian opera librettists 1690s births 1730s deaths Italian male dramatists and playwrights {{Italy-writer-stub