Antics (Interpol Album)

''Antics'' is the second studio album by American rock band Interpol, released on September 27, 2004, by Matador Records. Upon its release, the album proved to be the band's commercial breakthrough, peaking at number fifteen on the ''Billboard'' 200 and number 21 on the UK Albums Chart, and went on to be certified gold by the RIAA in the United States.

''Antics'' received generally favorable reviews from critics. '' Drowned in Sound'' named it the best album of 2004. Likewise, it appeared on end-of-year lists by several other music publications. It was later certified gold by the RIAA in 2009. Four singles were released from the album: " Slow Hands", "Evil", "C'mere", and "Narc".

In a 2018 interview with Vice, lead singer Paul Banks listed ''Antics'' as his favorite of the band's albums, saying: "I really put a lot of blood, sweat, and tears onto this record" and that "it felt like a very righteous pursuit". Banks also claimed that their confidence in the album's quality acted as "the perfect antidote to that sophomore slump" and the group circumvented the pressure and was able to "dive straight back in".

Packaging

Morse code is used in several places throughout the album's packaging, continuing the nautical themes found in a few of the tracks' lyrics ("Take You on a Cruise", "Public Pervert", "A Time to Be So Small"). Code for the word "antics" is used on the back panel of the slipcase, as well as in the booklet; other words included in code are "length", "narc", "cruise", and "exit". Photography of the band used in the interior of the album was produced by Ami Barwell.

Critical reception

Upon its release, ''Antics'' received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received a Metascore of 80 based on 33 reviews, indicating "generally favorable reviews". E! Online gave it an A and said, "There's something totally irresistible about ''Antics'': The air of mystery, the bleak but hopeful arrangements and the melodies so sharp and moving that they might inspire a night of heroic partying." Josh Modell of '' The A.V. Club'' gave it a favorable review and said that the album "may be predictable, but if predictable means rock-solid and mostly magnificent, why bother asking for more?" Mikael Wood of ''The Village Voice'' also gave it a favorable review and said, "What makes ''Antics'' such an improvement over '' Bright Lights'' is how capable Interpol have become at complementing Banks's lovely ambiguity with an increasingly precise post-punk throb." Dan Tallis of BBC Music likewise gave it a favorable review and said, "What's inescapable is that ''Antics'' does sound similar to ''Turn On the Bright Lights''. This is despite the drummer's attempt to lift the gloom by introducing a poppy, even dance drum beat during two or three tracks. ..However, this record has been widely praised. The difference is that Interpol have progressed. The band haven't repeated the formula, they've improved upon it."

Dave Simpson of ''The Guardian'' gave it four stars out of five, and said it "manages to dabble with tension and still emerge with something life-affirming." '' Uncut'' also gave it four stars out of five and called it "exhilarating, morbid, romantic, cool". The ''NME'' gave it a score of eight out of ten, and called it "an album scored through with a vehement beauty that, with each listen, becomes all the more acute for its unwillingness to shy away from life's bleaker, more painful moments." Jennifer Nine of Yahoo! Music UK gave it a score of eight stars out of ten and called it "a suppler record than its older brother, largely avoiding the skittish tempos of ''Turn On...'' tracks like "Roland" in favour of elegant curves and harmonies ..though the road-honed likes of "Slow Hands" and "Not Even Jail" still hit bruisingly hard." Similarly, '' Under the Radar'' gave it eight stars out of ten, and said that while it is "ultimately a more sophisticated record, it's probably a less obvious one, too." Merek Cooper of Playlouder likewise gave it four stars out of five and said that Interpol "no longer rely on dense production and atmospherics, because they don’t need to: ''Antics'' is bare-boned and beautiful." ''Billboard'' gave it a favorable review and called it "even better han ''Bright Lights'' possibly because the band isn't trying so hard to be weird." Salvatore Ciolfi of ''PopMatters'' also gave it eight stars out of ten and said, "Altogether, the album's feel is much more lively, bouncy, and accessible, and in combination with the band's ubiquitous ambient underpinnings, the upbeat tone often makes this collection inspiring." Bobby Mann of '' Flak Magazine'' also gave it a favorable review and said that "Interpol is less indebted to its influences, creating a distinct sound from the distinguishing characteristics that drew those comparisons in the first place."

Other reviews were average or mixed: '' Blender'' gave the album a score of three stars out of five, and called it "Less lugubrious and more melodic than 'Bright Lights'' but the improvement is marginal." Amneziak of Tiny Mix Tapes also gave it three stars out of five and called it "Very straightforward Interpol-lite." Mark Richardson of '' Paste'' likewise gave the album three stars out of five and said that its songs "feel heavy and significant enough--due to dynamic production and hooky choruses--even if we don't know exactly what they mean." ''The New York Times'' gave it an average review and called it "fairly uneven". Andre Perry of '' Crawdaddy!'' gave the album a mixed review and said, "I'd be overstating myself to posit ''Antics'' as a wholly offensive listening experience. Yes, I get it: this record actually sounds okay when it's being played in the background at a house party or at the rock 'n' roll bar. But that's as good as it gets: ''background music''." ''Los Angeles Times'' gave the album two-and-a-half stars out of four and said, "The band works too hard to seem mysterious." Christopher Gray of ''The Austin Chronicle'' gave it two-and-a-half stars out of five, and said that if the album "doesn't exactly blaze off in bold new directions, it does offer an opportunity for Interpol to do some fine-tuning (not that they need much) and settle comfortably into their black, velvet-lined pocket." Robert Christgau of the '' Village Voice'' named "Next Exit" as the only good song on the album.

Accolades

Track listing

Bonus tracks on Japanese release

*"Slow Hands" (Dan the Automator remix) – 4:06
*"Slow Hands" ( Britt Daniel remix) – 3:46

Bonus disc on reissue

# "Song Seven" – 4:52
# "Narc" (Paul Banks Remix) – 2:39
# "Not Even Jail" (Daniel Kessler Remix) – 5:41
# "Fog vs. Mould for the Length of Love" – 7:48
# "Public Pervert" (Carlos D Remix) – 8:08
# "Slow Hands" (video) – 3:07
# "Evil" (video) – 3:38
# "C'Mere" (video) – 3:30

Bonus disc on Japanese 2005 reissue

# "Fog vs. Mould for the Length of Love" – 7:50
# "Narc" (Paul Banks Remix) – 2:39
# "Not Even Jail" (Daniel Kessler Remix) – 5:41
# "Public Pervert" (Carlos D Remix) – 8:11
# "Slow Hands" (Dan the Automator Remix) – 4:06
# "Slow Hands" (Britt Daniel Remix) – 3:46
# "Narc" (Eden Session) – 4:08
# "Slow Hands" (video) – 3:07
# "Evil" (video) – 3:38
# "C'mere" (video) – 3:30
# "PDA" (live footage) – 6:04
# "Slow Hands" (live footage) – 3:03

Personnel

Interpol
* Paul Banks – vocals, rhythm guitar
* Daniel Kessler – lead guitar
* Carlos Dengler – bass guitar, keyboards
* Sam Fogarino – drums, percussion

Technical Personnel
*All songs recorded and mixed by Peter Katis
*Assisted by Greg Giorgio
*Recorded and mixed at Tarquin Studios
*Mastered by Greg Calbi at Sterling Sound

Design
*Sean McCabe – photography, design
*Ami Barwell – photography

Charts

Certifications and sales

Release details

References

External links

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{{DEFAULTSORT:Antics (album)
2004 albums
Interpol (band) albums
Matador Records albums
Albums produced by Peter Katis