Anne Elizabeth Moore (born 1971 in Winner, North Dakota) is an American cultural critic, artist, journalist, and editor. She is well known for her books Sweet Little Cunt (2018), Gentrifier: A Memoir (2021), and Body Horror: Capitalism, Fear, Misogyny, Jokes (2023). Her work mainly deals with the nature of power and women’s oppression, the housing crisis and gentrification, and women’s health. Moore’s writing has been featured in various publications, including the Guardian, Salon, Paris Review, Chicago Journal, and The Baffler. She has written extensively about culture and media, illness, and human rights. Her essays “Reimagining the National Border Patrol Museum (and Gift Shop)” (2008) and “17 Theses on the Edge” (2010) have respectively received honorable mentions in Best American Non-Required Reading.

Life and career

Born 1971 in Winner, South Dakota, Moore graduated high school to attend the University of Wisconsin-Eau Claire and the School of the Art Institute of Chicago, where she got her start and trained as an artist to eventually exhibit work internationally. Her work has also been in the Whitney Biennial in New York and the Museum of Contemporary Art in Chicago. She also received various awards, including the National Endowment for the Arts Media Award, the Ragdale Fellowship, the USC Annenberg/Getty Arts Journalism Fellowship, the UN Press Fellowship for journalism, and two Fulbright Scholarships. Moore was named editor-in-chief of the ''

Chicago Reader The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. The ''Reader'' has been ...

'' in October 2018, replacing Mark Konkol. She abruptly departed the ''Reader'' in March 2019. Currently, she lives in Upstate New York with her cat, Captain America, writing, traveling, teaching, and dealing with the occasional cow and snake.

Nonfiction

Books

Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity
(2007)
Hip Hop Apsara: Ghosts Past and Present
(2012)
New Girl Law: Drafting a Future for Cambodia
(2013)
Threadbare: Clothes, Sex, and Trafficking
(2016)
Body Horror: Capitalism, Fear, Misogyny, Jokes 1st ed.
(2017)
Sweet Little Cunt: The Graphic Work of Julie Doucet
(2018)
Gentrifier: A Memoir
(2021)
Body Horror: Capitalism, Fear, Misogyny, Jokes 2nd ed.
(2023)

Selected Essays

Essays on American Culture

On Leaving the Birthplace of Standard Time
The Believer (an excerpt from Body Horror)
Knocked Out Loaded
The New Inquiry

Comics, Books, Film & Art

The Destabilizing Desire of Julie Doucet
Paris Review (an excerpt from Sweet Little Cunt)
The Never-ending Story
The Baffler
Silenced without Proof: On Soft Censorship
PEN America
Our Pol Pot: A Film from Cambodia
n+1

Media and Politics

The Vertically Integrated Rape Joke
The Baffler

Women & Labor

Here’s why it matters when a human rights crusader builds her advocacy on lies
Salon
Degendering Value
Jacobin

Awards

* 2019 Eisner Award for Best Academic/Scholarly Work for ''Sweet Little Cunt: The Graphic Work of

Julie Doucet Julie Doucet (born December 31, 1965)
is a Canadian

'' (Uncivilized Books)

References

External links

*
Three Days in Detroit
(2017)
The Tupperware Party
(2018) {{DEFAULTSORT:Moore, Anne Elizabeth American editors Comics critics American book artists American contemporary artists Webzine writers American women essayists American essayists Living people University of Wisconsin–Eau Claire alumni School of the Art Institute of Chicago alumni 1971 births American illustrators American women book artists 21st-century American women