Anna Kraus (opera)
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''Anna Kraus'', Op. 30, is a
radio opera Radio opera (German: 'Funkoper' or 'Radiooper') is a genre of opera. It refers to operas which were specifically composed to be performed on the radio and is not to be confused with broadcasts of operas which were originally written for the stage. ...
in one act by composer
Franz Reizenstein Franz Theodor Reizenstein (7 June 191115 October 1968) was a Germany, German-born British composer and concert pianist. He left Germany for sanctuary in Britain in 1934 and went on to have his teaching and performing career there. As a composer, ...
. The work uses an English language
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
by
Christopher Hassall Christopher Vernon Hassall (24 March 1912 – 25 April 1963) was an English actor, dramatist, librettist, lyricist and poet, who found his greatest fame in a memorable musical partnership with the actor and composer Ivor Novello after worki ...
to tell the tragic tale of a German woman who is forced to leave her country due to oppression from the
Nazi regime Nazi Germany, officially known as the German Reich and later the Greater German Reich, was the German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a totalitarian dictat ...
, as the Nazis did not like her political views. The opera was commissioned by the
British Broadcasting Corporation The British Broadcasting Corporation (BBC) is a British public broadcasting, public service broadcaster headquartered at Broadcasting House in London, England. Originally established in 1922 as the British Broadcasting Company, it evolved in ...
following the popular success of Reizenstein's 1951
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, ty ...
''Voices of Night''. The opera premiered on 25 July 1952 on
BBC Third Programme The BBC Third Programme was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by BBC Radio 3. It first went on the air on 29 September 1946 and became one of the leading cultural and intellectual forces ...
with conductor
Norman Del Mar Norman René Del Mar Commander of the Order of the British Empire, CBE (31 July 19196 February 1994) was an English Conductor (music), conductor, horn player, and biographer. As a conductor, he specialised in the music of late romantic composers; ...
leading the
BBC Symphony Orchestra The BBC Symphony Orchestra (BBC SO) is a British orchestra based in London. Founded in 1930, it was the first permanent salaried orchestra in London, and is the only one of the city's five major symphony orchestras not to be self-governing. The ...
and singers Victoria Sladen (as Anna) and Lloyd Strauss-Smith (as Pavel). It was submitted by the BBC later that year for the
Prix Italia The Prix Italia is an international television, radio-broadcasting and web award. It was established in 1948 by RAI – Radiotelevisione Italiana (in 1948, RAI had the denomination RAI – Radio Audizioni Italiane) in Capri and is honoured with th ...
. Critical reaction to the work was mixed. The ''
New Statesman ''The New Statesman'' (known from 1931 to 1964 as the ''New Statesman and Nation'') is a British political and cultural news magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first c ...
'' described the work as "engaging" and a "worthwhile experiment". ''
The Annual Register ''The Annual Register'' (originally subtitled "A View of the History, Politicks and Literature of the Year ...") is a long-established reference work, written and published each year, which records and analyses the year's major events, developmen ...
'' wrote that the opera "suffered from the composer's emotion being too closely engaged in the sufferings of the heroine, a refugee from political oppression".


References

1952 operas English-language operas One-act operas Operas Operas by Franz Reizenstein Radio operas Operas set in the 20th century Libretti by Christopher Hassall {{english-opera-stub