Anna Clyne

Anna Clyne (born 9 March 1980) is an English composer resident in the United States. She has worked in both acoustic music and electroacoustic music.

Biography

Born on 9 March 1980 in London, Clyne began writing music as a child, completing her first composition at age 7. Her first composition to receive a public performance was at the Oxford Youth Prom when she was 11. She formally studied music at the University of Edinburgh, from which she graduated with a first-class Bachelor of Music degree with honours. She later studied at the Manhattan School of Music and earned a MA degree in music. Her teachers have included Marina Adamia, Marjan Mozetich and Julia Wolfe.

Clyne was director of the New York Youth Symphony's "Making Score" program for young composers from 2008 to 2010. In October 2009, the Chicago Symphony Orchestra (CSO) named Clyne and Mason Bates its co-composers in residence, as of the 2010–2011 season, with an initial contract of 3 years. In January 2012, the CSO extended theirs contract as co-composers-in-residence through the 2013–2015 season. Additional residencies for Clyne as composer-in-residence with various orchestras have included:
* Orchestre national d'Île-de-France (2014–2016)
* Baltimore Symphony Orchestra (2015–2016)
* Berkeley Symphony Orchestra (2017–2019)
* Philharmonia Orchestra (2022–2023)
* Trondheim Symphony Orchestra (2022–2023)
* Helsinki Philharmonic Orchestra (2023–2024)
* BBC Philharmonic Orchestra (2024–2025)

Clyne was appointed Associate Composer with the Scottish Chamber Orchestra from 2019–2022.

Various arts institutions have commissioned and presented Clyne’s work, including the Barbican, Carnegie Hall, Kennedy Center, Los Angeles Philharmonic, MoMA, Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney Opera House. In 2013, BBC Radio 3 commissioned Clyne to write the concert overture '' Masquerade'' for the Last Night of the Proms.AVIE AV2434
/ref> Clyne was nominated for the 2015 Grammy Award for Best Contemporary Classical Composition for her double violin concerto, '' Prince of Clouds''. Works for soloist and orchestra form an important part of her output, as is also evident from '' The Seamstress'' (2015), a single-movement violin concerto that incorporates a whispered recitation of the poem ''A Coat'' by Yeats, and the five movement cello concerto ''Dance'' (2019), commissioned by Inbal Segev and recorded by her in 2020.

Clyne has done several cross-genre collaborations, and has also worked with Yo-Yo Ma, Pekka Kuusisto, Martin Fröst, and Jess Gillam. Clyne has explored her interests in visual arts in several projects: five contemporary artworks inspired ''Abstractions'' (2016); '' Color Field'' (2020), takes inspiration from the artwork of Mark Rothko; and a film collaboration with Jyll Bradley, entitled ''Woman Holding a Balance'' (2021). Several commercial albums of her music have been released.

Clyne is married to the American sound engineer Jody Elff. The couple have collaborated on an electronic compositional tool, the Augmented Orchestra. The couple reside in rural New York state.

Compositions

Orchestra

* ''<Night Ferry'' for orchestra (2012)
* '' Masquerade'' for orchestra (2013)
* '' This Midnight Hour'' for orchestra (2015)
* '' Abstractions'' for orchestra (2016)
* ''RIFT'' for orchestra (2016)
* ''Restless Oceans'' for orchestra (2018)
* '' Color Field'' for orchestra (2020)
* ''PIVOT'' for orchestra (2021)
* ''This Moment'' for orchestra (2022)
* ''Wild Geese'' for orchestra and live electronics (2023)
* ''PALETTE'' for orchestra (2025)

Chamber orchestra

* '' Within Her Arms'' for string orchestra (2008–2009)
* ''Rest These Hands'' for chamber orchestra (2014)
* ''Sound and Fury'' for chamber orchestra (2019)
* ''Fractured Time'' for sinfonietta (2020)
* ''Shorthand'' for solo cello and string orchestra (2020)
* ''Stride'' for string orchestra (2020)

Chamber music

* ''Paint Box'' for amplified cello with guitar amp, music box and pre-recorded audio (2006)
* ''Steelworks'' for flute, bass clarinet, percussion and tape (2006)
* ''Beware Of'' for alto flute, harp, viola and tape (2007)
* ''Next. Stop'' for ensemble and tape (2007)
* ''Roulette'' for string quartet (2007)
* ''1987'' for ensemble (2008)
* ''The Violin – Complete works (''7 short pieces for multi-tracked violins and optional video component by Josh Dorman) (2009)
* ''The Violin – Blue Hour'' for string ensemble (2009)
* ''The Violin – Lavender Rain'' for string ensemble (2009)
* ''The Violin – October Rose'' for 2 violins (2009)
* ''The Violin – Resting in the Green for'' 2 violins and tape or 5 violins (2009)
* ''The Violin – Ship of Stars'' for 2 violins and tape or 6 violins (2009)
* ''The Violin – Tea Leaves'' for 2 violins (with optional tape) (2009)
* ''A Hymn to the Virgin'' (Companion piece to "Lady Flow'r") for string quintet and tape (1930 rev. 1934 arr. 2010)
* ''Lady Flow'r'' (Companion piece to the arrangement of "Hymn to the Virgin") for string quintet and tape (2010)
* ''Primula Vulgaris'' for string quartet (2010)
* ''Shadow of the Words'' for string quartet (2010)
* ''A Wonderful Day'' for amplified ensemble and pre-recorded audio (2013)
* ''Just As They Are'' for amplified ensemble and pre-recorded audio (2015)
* ''This lunar Beauty'' for soprano, mixed ensemble and pre-recorded audio (2015)
* ''Breathing Statues'' for string quartet (2019)
* ''Masquerade'' for wind ensemble (2019)
* ''Shorthand'' for cello and string quintet (2020)
* ''Overflow'' for wind ensemble (2020)
* ''A Thousand Mornings'' for piano trio (2020)
* ''Woman Holding a Balance'' for string quartet (2020)
* ''Strange Loops'' for clarinet quintet (2021)
* ''A Slash of Blue'' for chamber ensemble (2022)

Soloist and orchestra

* ''Fits + Starts'' for amplified cello and tape (2003)
* ''Choke'' for baritone saxophone (or bass clarinet) and tape (2004)
* ''Rapture'' for clarinet and tape (2005)
* ''On Track'' for piano and tape (2007)
* '' Prince of Clouds'' for two violins and orchestra (2012)
* ''Secret Garden'' for drum set and tape (2013)
* ''Rest These Hands'' for violin and string orchestra (2014)
* '' The Seamstress'' for violin and orchestra (2014–2015)
* ''Three Sisters'' for mandolin and string orchestra (2017)
* ''DANCE'' for cello and orchestra (2019)
* ''Shorthand'' for cello and string orchestra (2020)
* ''Glasslands'' for soprano saxophone and orchestra (2021)
* ''Quarter Days'' for string quartet and orchestra (2021)
* ''Time and Tides'' for violin and orchestra (2022)
* ''Weathered'' for clarinet and orchestra (2022)
* ''ATLAS'' for piano and orchestra (2023)

Solo and duet

* ''Fits + Starts'' for amplified cello and tape (2003)
* ''Choke'' for baritone saxophone (or bass clarinet) and tape (2004)
* ''Rapture'' for clarinet and tape (2005)
* ''On Track'' for piano and tape (2007)
* ''Rest These Hands'' for violin (2009)
* ''Rest These Hands'' for viola (2009)
* ''Rest These Hands'' for cello (2009)
* ''Secret Garden'' for drum set and tape (2013)
* ''Snake & Ladder'' for soprano saxophone and live processing (2019)
* ''Snake & Ladder'' for clarinet and live processing (2019)
* ''Hopscotch'' for flute (2019)
* ''Reveal'' for solo viola and optional pre-recorded track (2020)
* ''Zero at the Bone'' for solo bass clarinet and tape (2021)
* ''Perched'' for solo flute and tape (2021)
* ''Red Nines'' for solo piano (2021)

Brass ensemble

* '' Spangled Unicorn'' (2011)

Ensemble with voice

* ''Blush'' for baritone, laptop and chamber ensemble (2007)
* ''As Sudden Shut'' for 3 female voices and ensemble (2012)
* ''The Lost Thought'' for 3 female voices and ensemble (2013)
* ''Postponeless Creature'' for 3 female voices and ensemble (2014)
* ''This Lunar Beauty'' for soprano, mixed ensemble and pre-recorded audio (2015)
* ''Between the rooms'' for soprano and string quintet (2022)
* ''The Gorgeous Nothings'' for amplified voices and orchestra (texts by Emily Dickinson, 2024)

Choral works

* ''Pocket Book VIII'' for 8 voices (2015)
* ''Pocket Book LXV'' for 8 voices (2015)
* ''Body Compass for'' children's chorus and string quintet (2017)
* ''The Heart of Night'' for choir (2020)
* ''In Thy Beauty'' for soprano, SATB chorus and orchestra (2021)
* ''The Years'' for SATB chorus and orchestra (2021)

Discography

* ''I Am Not'' (New Amsterdam, 2010)
* ''The Exploding Piano'' (CD Baby, 2010)
* ''ACO Playing it Unsafe'' (ACO, 2011)
* ''Arcana VI'' by John Zorn (Tzadik, 2012)
* ''Blue Moth'' (Tzadik, 2012)
* ''Two × Four'' (Cedille, 2014)
* ''BOAC Field Recordings'' (Cantaloupe, 2015)
* ''The Violin'' (National Sawdust Tracks, 2017)
* ''The World is (Y)ours'' (Arcantus, 2019)
* ''E PLURIBUS UNUM'' (Navona, 2020)
* ''Touch Harmonious'' (In A Circle, 2020)
* ''DANCE'' (AVIE, 2020)
* ''Mythologies'' (AVIE, 2020)
* ''Mythologies on Vinyl'' (AVIE, 2020)
* ''The Kreutzer Project'' (AVIE, 2022)

References

External links

*

Los Angeles Times , L.A. Chamber Orchestra to premiere Anna Clyne’s ‘Prince of Clouds’

Chicago Reader , Anna Clyne scores big , Symphonies still prefer dead composers, but Clyne beat the odds to land a plum job with the CSO at the tender age of 30

Official Anna Clyne Facebook page

Official Instagram account of Anna Clyne

{{DEFAULTSORT:Clyne, Anna
1980 births
Living people
English women classical composers
English classical composers
Alumni of the University of Edinburgh
Composers from London
Manhattan School of Music alumni
21st-century English women composers